The new album from Russian metal band Psilocybe Larvae breaks a nine year silence with a clang and a roar.
The music of Psilocybe Larvae has strong progressive elements that frame the visages of death and doom. The band has released four previous albums: Stigmata (2000), Agony (2003), Non-Existence (2008), and The Labyrinth of Penumbra (2012). The line-up has jostled some over the years. The musicians on the new album are Vitaly Belobritsky (guitars, vocals), Alexey Legotin (bass), and Iliya Piyaev (drums), while in the current band Belobritsky and Legotin are joined by Anton Veresov (guitar) and Alexander Yakovlev (drums).
“The Flame Of Dying Life” is the first of ten tracks on the album and it sets a grim tone. It offers a dark frolic and a gentle growl to wave you in then drops the hammer with heavy punches and gravelly shouts. The feel is most gothic. The next song has a similar structure with a somewhat different timbre, followed by a notably different approach in “Ghost In The Room,” my vote for most memorable song on the album. The layers in this one are stretched to the very edge of complement and, even though the track starts out fairly up-tempo, it finds a way to build throughout. Good show.
There are heavier songs like “Dead Dreams,” which is full-on death metal turned at the corners toward a broader appeal. And then you hear “Sorvali Cemetery” which has a dooming sense to it and offers a number of surprises from the strings to the soaring middle ground. The album is sure to be a hit with the newer generation of heavy music fans and it also holds sway over more seasoned listeners like me with it callbacks and essential roots. Recommended.
Where Silence Dwells hits the streets Friday, December 10th in digital. The CD version will be released by Fono Ltd. (Russia) and Red Rivet Records (Japan) on December 15th, and a cassette version comes out that day, too. The vinyl LP is set for a February release.