Slog, Divination (Morbid and Miserable 2023)

Los Angeles doom duo Slog render dark rituals and bring forth a bleak harvest on their second album, Divination.

Slog is Nicholas Turner (strings) and Jared Moran (drums, vocals). These two prolific musicians created the Graves album in 2021 as the first instantiation of Slog. Grim tidings that one was, and no mistake. They return now with disturbing music to menace your waking moments and trouble your dreams.

“Illuminated Expansion” begins like a dark lullaby, quiet and creepy. The music twists increasingly as the bars pass, souring, metastasizing. Two minutes in the doom droops like a cloudburst. The creepy tones continue, and the vocals are a grating groan from the pits of the netherworld. The song continues, and transforms – it speeds up, infuses a lead break, and takes new ground, ultimately ending on a screaming crescendo. Next, we hear “Synthesis Sequencer,” and it starts off completely differently, choosing an all-guns-blazing entrance and flesh-raking riffs. Doom does hit in this track, but the tempo never slows to the level of the opener. “Creeping Flora” takes us down a different path, offering black metal at the doorstep and a heavy press thereafter, underpinned by a knowing clomp. The way heavy styles are mixed and integrated in these songs accentuate a delightful musical wickedness.

More enchantments await as the set continues. Each song breeds new interest and engages a broad range of ideas demonstrating over and again the immediacy and pliancy these compositions embrace. The journey is inveigling in a way, as it always finds an avenue that is irresistible. “Theurgy Equinox” stands out for its ethereal guitar and haunting vocals while “Labyrinth Amulet” is a straight-up terrorizer. “Eucharistic Purification” is the final word and the longest track on the album. It might also be the most schizophrenic. The extended quiet closing moments work an hypnotic effect. Recommended.

Divination is out on Friday, January 13th through Morbid and Miserable Records and Transylvanian Recordings. Have a look for yourself at the links below.

Links.

Bandcamp, https://morbidandmiserable.bandcamp.com/album/divination

Morbid and Miserable Records, https://morbidandmiserable.storenvy.com/

Transylvanian Recordings, https://transylvaniantapes.bandcamp.com/

© Wayne Edwards

Slog, Divination (Morbid and Miserable 2023)

Mordom, Cry of The Dying World (Transylvanian Recordings 2021)

Doom duo Mordom play for the hopeless and the dead on their new album Cry of The Dying World.

Max Hoffman and Nathan Gonzalez got together a couple years ago to lay down music outside of the band Cessation, calling the project Mordom. They released their first album in 2020, Eternal Solitude – it contains two long tracks, each with multiple movements. The new album has a similar set-up with three long pieces and a surprising fourth.

I was expecting to hear funeral doom given the work of Cessation, and the opening track, “Narcosis,” fulfills that promise at the gate. Slow, somber, heavy music that is quiet at first. The big riff and grating vocals drop to shake the world but the pace does not quicken. About four minutes in there is an explosion, a sort of seizure where the instruments and vocals erupt in a massive thrashing. Then back to the funeral. There are more explosions, an ambient section, and an even creepier element right at the end. Solid crushing doom with landmines and flashbacks.

“Betrayed” is a little more on the traditional funeral doom side in that it begins with the louder heavy. The pace quickens and there is a beautiful acoustic movement in the middle that leads to a melancholy guitar before bringing back the heavy. “Fire” is the shortest song on the album at only five and a half minutes. It is also a ballad with clean, gentle vocals and acoustic guitar. I did not see that one coming. It is an interesting choice and it fits right in with rest of the music in the set.

The final track is “The Mausoleum.” This epic composition runs nearly eighteen minutes and I could have listened longer. The combination of unusual percussion (for funeral doom), acoustic passages, ambient moments, and shrieking black metal interludes all housed in the firmament of the heaviest doom metal speaks to my musical predilections. This is a great album and I am looking forward to more from Mordom. Recommended.

Cry of The Dying World is out now through Transylvanian Recording. Touch the links below.

Links.

Bandcamp, https://transylvaniantapes.bandcamp.com/album/mordom-cry-of-the-dying-world

Facebook, https://www.facebook.com/TransylvanianRecordings

Mordom, Cry of The Dying World (Transylvanian Recordings 2021)

Civerous, Decrepit Flesh Relic (Transylvanian Recordings 2021)

The Los Angeles blackened metal band Civerous brings forth its first full-length album, Decrepit Flesh Relic.

Beginning only a couple years ago, Civerous has released two demos and a live set, along with a split pairing them with Stygian Obsession. The steady work has paid off, culminating in one of the strongest records in the blackened death/doom arena this year. The band is Daniel Salinas (guitar), Alonso Santana (guitar), Lord Foul (vocals), Drew Horton (bass), and Matt Valencia (drums).

After the creeps-inducing intro piece “Eidolon,” there are six primary tracks on the album. Having set the mood to dark and tense, “From The Crypt To The Cavern” is a functional nightmare. The riff is a heavy clomp that batters you up front in anticipation of the following tenderizing percussion and growling vocals filled with the wisdom of eldritch blackness. “Herodacy” deepens the lines of inquiry as a well-timed lead-in to “Rot Delineated (Decrepit Flesh Relic),” a quieter and creepier rendering of similar sentiments, evolving slowly into beautifully crushing doom.

“Hubiku” is a trip down the sinkhole into the swirling chasm of hell – once you pass the event horizon, there is no escape. “Bone Wreath” is the song that stuck deepest in my brain. The hopelessness conveyed in the opening moments is monumental, and the reckoning of that promise is unforgettable. The final movement is the epic “Spiral OF Eyes,” a tale older than time; maker of destruction. The darkness evoked is sincere and penetrating.

I appreciate especially the commitment to doom throughout the album, and the willingness to explore in directions that could not be easily predicted by the listener in advance. This recording deserves attention and should make year-end “best of” lists far and wide. Highly recommended.

Decrepit Flesh Relic is out now through Transylvanian Records. Hit the links below.

Links.

Bandcamp, https://transylvaniantapes.bandcamp.com/album/civerous-decrepit-flesh-relic

Transylvania Recordings, https://transylvaniantapes.bandcamp.com/

Civerous, Decrepit Flesh Relic (Transylvanian Recordings 2021)