Eye Of Purgatory, The Lighthouse (Transcending Obscurity 2021)

The sophomore album from Eye Of Purgatory achieves new levels of breadth and captivation.

The band’s first album, The Rotting Enigma, came out in 2018. Helmed by the indefatigable Rogga Johansson, that inaugural issue was a fiery burst of Death Metal remembered especially for the ten minute opus “The Hause on the Edge of Hell.” The new album is more expansive in its compositional idiom while staying true to the old school metal framework. Johansson is joined in the studio by Taylor Nordberg (drums, guitar, keys) and Jeramie Kling (bass).

There are eight tracks on The Lighthouse after the intro instrumental bit, most of them punching in at the four minute interval – they could all be singles. It is mid- and up-tempo work, notable and marked by the generous use of keyboards which, let’s face it, are not a Death Metal standard. On this album the keys fit right in and would be sorely missed if absent.

The roughened voice is a dominant force in every piece, sharing space and prominence on a revolving basis with the other instruments. Clever twiddles abound, always surround and bolstered by solid guitar riffs.

The narrative elements on the new album are more dark fantasy in origin compared to the earlier release which focused narrowly on horror ideas. I think the myth and mysteries fits the music a bit better and that makes me like this set even more. From the opening “The Lighthouse” to the final notes of the closer “Rebirth,” there is a constantly maneuvering maelstrom of metal that blends the wizened old school sensibility with a Melodic Death Metal tincture to produce a literary-lace musical theater. Rogga Johansson strikes again. Recommended.

The Lighthouse is out now from Transcending Obscurity. Bandcamp is the place to get it in all its forms.


Bandcamp, https://eyeofpurgatory.bandcamp.com/album/the-lighthouse-death-metal

Facebook, https://www.facebook.com/eyeofpurgatory/

Transcending Obscurity Records, https://transcendingobscurity.aisamerch.com/band/eye-of-purgatory

Eye Of Purgatory, The Lighthouse (Transcending Obscurity 2021)

Eremit, Bearer Of Many Names (Transcending Obscurity 2021)

German Doom Metal trio Eremit offer their second full-length album, Bearer Of Many Names, to the multitudes.

Eremit’s first album, Carrier of Weight, came out in 2018 and it started something big. It had three songs, the short one being eleven minutes long and the long one covering thirty three minutes. Even for a doom band, this is epic-length work and in conveys a commitment to concept and idea that would become a hallmark of the band’s approach. The line-up is Marco Baecker (drums), Pascal Sommer (guitar), and Moritz Fabian (vocals and guitar).

Desert Of Ghouls is an EP that was released last year – two songs, twenty minutes – and it was a welcome transitional release for the new album. It is not necessary to listen to the earlier releases to become immersed in the latest one, but I do recommended it because there is an arc here from the beginning to the now and beyond. Like Carrier Of Weight, there are three tracks on Bearer Of Many Names.

“Enshrined in Indissoluble Chains and Enlightened Darkness” (29:22) opens with six quiet minutes of uneasiness then explodes suddenly with a Black-Metal-esque eruption to show you the trepidation was in order. The doom approach is slow and fatally heavy, punctuated by the tectonic shifts in the percussion, guitar, and voice.

“Secret Powers Entrenched in an Ancient Artefact” (18:36) is a bit more funereal to my ear than the first track and “Unmapped Territories of Clans without Names” (18:27) is the eeriest, pressing against the edges of ethereal and ritual music. Everything about the music on this album is absolutely mesmerizing. Listening to any track by itself is a welcome a welcome journey. Even so, listening to all three in order is worthwhile enhancement.

I have been following Eremit through its brief career and I have enjoyed the first two releases. The new one is the best so far and it sets a higher standard for Doom Metal in this vein. Highly recommended.

Bearer Of Many Names is out now from Transcending Obscurity, one of the very best heavy labels around – if you are into variants, bundles, and merch, they always deliver. Look over the links below and dive in.


Bandcamp, https://eremitdoom.bandcamp.com/

Facebook, https://www.facebook.com/EremitDoom/

Eremit store, http://eremit.limitedrun.com/

Transcending Obscurity, https://transcendingobscurity.aisamerch.com/

Eremit, Bearer Of Many Names (Transcending Obscurity 2021)

Sadistik Forest, Obscure Old Remains (Transcending Obscurity 2021)

The follow-up to Morbid Majesties is a thundering EP of hammering Death Metal.

Sadistik Forest is from Finland, and they put out there first recording in 2010, a self-titled full-length album. Two years later came Death, Doom, Radiation, and then a split (with Septory) the very next year. After that there was a bit of an hiatus. 2018’s Morbid Majesties was very well received by both fans and critics – listening to the album, it seemed as if no time had passed at all. The band is now Antti Heikkinen (guitar), Jarkko Lahtinen (guitar), Markus Makkonen (bass and vocals), and Jimi Myöhänen (drums) – Vesa Mutka played drums on Obscure Old Remains.

There are four songs on the EP. The band has stated in a Facebook post that these four tracks were recorded in a studio live, meaning all the instruments were playing simultaneously. The studio was set up with separate isolated booths for each member allowing for this especially energetic form of recording. The style leans in on an old school vibe, and according to the band is somewhat reminiscent of “early Cannibal Corpse, Carcass, early Atheist and Darkthrone.” I’d say that is right – you can definitely hear it in the music.

The compositions spread the weight around in all four songs, bringing together voice, rhythm, and lead for most of each song while also allowing the lead guitar or bass or drums to have moments in the spotlight. “Mandragore” throws out the percussion up front then lays on a riff that sounds like the soundtrack to dangerous experiments undertaken in a castle laboratory. “Barbarian” has a combative feel, a struggle for survival sentiment – trials and tribulations. “Nihil” fades in and builds up into a dramatic presentation that is the most theatrical of the tracks. And “Waters Black” is dark and dooming, dripping with eldritch infestations. This set is a great side-step for the band that keeps the metal pouring from Sadistik Forest. Recommended.

Obscure Old Remains is out now and ready for the taking at Bandcamp or at the Transcending Obscurity store.


Bandcamp, https://sadistikforest.bandcamp.com/

Facebook, https://www.facebook.com/entertheforest

Transcending Obscurity, https://transcendingobscurity.aisamerch.com/band/sadistik-forest

Sadistik Forest, Obscure Old Remains (Transcending Obscurity 2021)

Dødsferd, Skotos (Transcending Obscurity 2021)

The new EP from Greek Black Metal band Dødsferd is a fitting companion piece to Diseased Remnants of a Dying World.

Dødsferd is Wrath (Nikos Spanakis) who plays everything except the drums, and the drummer for this EP, N. D. (Nikos S.). The publishing legacy of the project dates back to a demo from 2003 and includes an impressive list of releases. Most recently, 2018’s Diseased Remnants of a Dying World was strongly welcomed by fans. The new two-track is essentially a solo release but it is also clearly aligned with the previous album – it is hard to separate one from the other. The main difference is the brutal pace of these two new songs compared to the more moderate general tint of the 2018 album.

The two tracks on the Skotos EP are “Skotadi” and “Cursed To Die At First Light.” Both songs are a barrage of sound, aimed at the breaking point of your psyche. They really do seem to be engineered as an all-out assault on your senses from the punishing percussion to the indefatigable siege laid on by vocals and guitars. Having listened to them you can rightly consider yourself assailed.

The bonus from Transcending Obscurity for the digital album is much bigger than the EP – you get the entire Diseased Remnants of a Dying World album, too. If you do not already have this earlier album it is a no-brainer to pick up Skotos. Besides, these two new tracks fit in well with the earlier longer set and hearing them together is synergistic.

Check out the Bandcamp link for all the versions available. Skotos is out now.


Bandcamp, https://dodsferd.bandcamp.com/album/skotos-atmospheric-black-metal

Facebook, https://www.facebook.com/OfficialDodsferd

Transcending Obscurity, https://transcendingobscurity.aisamerch.com/band/dodsferd-greece

Dødsferd, Skotos (Transcending Obscurity 2021)

Plasmodium, Towers Of Silence (Transcending Obscurity 2021)

The caustic ululations from down under can only mean that Plasmodium has released a new album.

Australian chaos cohorts Plasmodium ripped the lid off of reason in 2016 with their first album, Entheognosis. The menace that began with those four songs continues on Towers Of Silence, another loose approximation to coherence.

There are five tracks on the new album. The first two are short, noisy explosions. I am not sure if they are meant to terrify the listener, but they could have that effect. The pace is furious and the direction of the music is more of a flurry than a path.

“Pseudocidal” is a free-form expression that lays an ambient bed and lets the drums run wild. Vocalizations are more subdued than they were in the openers and even become discernable after a few minutes. The percussion seems to be on about something and you find that reassuring in the otherwise worrisome surroundings.

The last two songs on the album a big ones, “Translucinophobia” and “Vertexginous,” having a running time over thirty minutes between them. The former is like an extended Alexandrian campaign in an unknown land and the latter is more like a journey through an extended purgatorial menace that ends badly. This is metal music, heavy music, dark music, but there is nothing to reliably compare it to because of the general lack of core elements. The thought of what Plasmodium might create next is a churning maelstrom of bewildering possibilities.

I have listened to about fifty releases from Transcending Obscurity over the last many months and this one is by far the strangest. If you are up for the challenge, Towers Of Silence is out now. There is no telling what door it might open for you.


Bandcamp, https://plasmodiumdeath.bandcamp.com/album/towers-of-silence-cosmic-black-death-metal

Facebook, https://www.facebook.com/Undulator/

Plasmodium, Towers Of Silence (Transcending Obscurity 2021)

Crypts Of Despair, All Light Swallowed (Transcending Obscurity 2021)

The sophomore album from Lithuania’s Crypts Of Despair is a grand leap in their emergent Death Metal approach.

The band is Dovydas Auglys (guitar, vocals), Benas Juskus (guitar), Simonas Jurkevicius (bass, vocals), and Henri Mall (drums). In 2017 the group’s first album appeared, The Stench Of The Earth. The new one is some ways appears to be very different and in other ways can be seen as a shift or even an evolution of what the first record started.

There are nine tracks on the album running from the medium to short side on length. It all begins with “Being – Erased,” a song that flashes a metallic clanging first before the blast beat and barrage of ferocious sound. It is overwhelming to your senses, but if you listen to it, you’ll hear the individual pieces that make up the whole and the richness of the music is revealed.

The center of the writing is the rhythm and percussion. The explosion of the vocals on “Anguished Exile” has a noticeable Black Metal tint while the music overall is heads-down Death Metal aggression. In the middle, the music slows to Doom proportions before slowly rising again to end as it began.

And then there is “Choked By The Void,” which has a slow and deliberate pace that works up to rival the zeal of its predecessors. Throughout the album this is what you can expect – it is not just one thing, but is instead an amalgamation of heavy music influences that branch out, combine, and explore while staying true to the Death Metal lineage from which it sprang. Recommended.

All Light Swallowed is out now from Transcending Obscurity Records in the usual bewildering array of versions ranging from colored vinyl to merch bundles to the simple digital download.


Bandcamp, https://cryptsofdespairdeath.bandcamp.com/

Facebook, https://www.facebook.com/cryptsofdespair/

Crypts Of Despair, All Light Swallowed (Transcending Obscurity 2021)

Soothsayer, Echoes of the Earth (Transcending Obscurity 2021)

The first full-length album from the Irish band Soothsayer is a mystical slab of doom rendered in gargantuan proportion.

As early as 2013 Soothsayer was coming together and forming its identity. They released an EP in 2015, The Soothsayer, and another the following year, At This Great Depth, then a live set last year, Live In Malta. Echoes of the Earth is the first full-length studio album, and while its formation could be seen in the distance and its arrival was predicted, the size and impact of it could not have been fully imagined nor accurately reckoned in advance. The music is doom metal played heavy with attentive disquietude and depth. The musicians are Líam Hughes(vocals and soundscapes), Con Doyle (guitars and vocals), Marc O’Grady (guitar), Pavol Rosa (bass), and Sean Breen (drums).

“Fringe” is a think piece comprised mainly of eerie voices and what sounds like someone swinging an eight-pound hammer in chains. “Outer Fringe” is a continuation of the former and it is where we get the first massive barrage of Doom Metal. “War of the Doves” turns up the direct aggression with a resounding thunderclap. The driving, pounding guitars are relentless, as is the overwhelming vocal assault.

“Cities of Smoke” pries open side 2 with a succinct and nuanced all-in engagement. The quiet moments are surrounded by distant howls of suffering and in the end the calamity has to come. “Six of Nothing” paired at the end with “True North” offer more than twenty minutes of unrivaled imagination. In this space is the heavy doom we have been hearing in other songs beside and between episodes of blistering pace and passages of strange narration accompanied by upsetting collateral drones. The elements are too numerous to delineate and the experience is diminished in description – you must put it to your own ears.

The music is inescapable – while you are listening you cannot tear yourself away. From the subtle effects and captured sounds to huge guitar riffs and the imminently compelling rhythm to the narrative and emotion conveyed by the unique and unforgettable vocals, this album demands your attention and gets it. Highly recommended.

Echoes of the Earth is out now in many forms from Transcending Obscurity.


Bandcamp, https://soothsayer.bandcamp.com/

Facebook, https://www.facebook.com/soothsayerdoom

Transcending Obscurity, https://tometal.com/

Soothsayer, Echoes of the Earth (Transcending Obscurity 2021)

The Scalar Process, Coagulative Matter (Transcending Obscurity 2021)

French death metal band The Scalar Process unleash their first album, Coagulative Matter, and it is full of fine detail and virtuoso flourishes.

According to the Metal Archives the band is Eloi Nicod (guitar), Mathieu Lefevre (vocals), Cédric Mells (drums), and Alix Guéneau (guitars). When you listen to the album you might be surprised that this is their first because it is so complete and polished. The speed is matched by precision and the compositions remain organic in their determinism.

There are eleven tracks on the album, including three short non-vocal interludes. The first principal track is “Cosmic Flow,” and it continues the mystery of the opening element while adding the actual death metal vocals and guitar savagery. The music is usually described as technical death metal and I would say that is accurate. It often lands as a progressive treaty, as here in this get-to-know-you song, and the prog takes many forms even in this one track, ranging from impossible performances on every instrument to spacey moments of exploration.

The stage having now been erected, it is time for the show. “Ink Shadow” is positively rabid in the blurring speed of the presented notes. “Celestial Existence” includes the continued demonstration of ability and notches up the theater noticeably. “Mirror Cognition” is a “Planet Caravan” type track for the first half – almost soft jazz. Then the lead guitar takes a Zappa-esque turn setting up an absolute explosion of rage in the final minute. Very unexpected, and this is my favorite track.

The big set piece is the title track which runs eleven minutes, making it a glaring epic when held up against the other songs. It has several distinct movements and in that way it operates like a suite. It is an incredible accomplishment, this song, holding together the central concept for such a length while exploring the theme’s many avenues and variegations. It is very hard make music like this that is enjoyable for the listener and not just a recitation of technical abilities, and that is exactly what The Scalar Process has done with Coagulative Matter. I find myself listening to it intently, overtaken by the music and genuinely amazed. Write this one on the short list. Highly recommended.

The usual array of amazing products are available now from Transcending Obscurity – take a look at the Bandcamp page or the label’s homepage for details.


Bandcamp, https://thescalarprocess.bandcamp.com/album/coagulative-matter-technical-death-metal

Facebook, https://www.facebook.com/TheScalarProcess/

Transcending Obscurity Records, https://tometal.com/

The Scalar Process, Coagulative Matter (Transcending Obscurity 2021)

Revulsion, Revulsion (Transcending Obscurity Records 2021)

It is winter in Finland but Revulsion is not hibernating – the self-titled full-length debut is a heavy metal bulldozer bearing down on your brain.

In 2010 Revulsion released a demo then an EP the year after that. Ten long years have passed while fans waited to see if there would be more music. The new album answers that question with a full-throated howl. The music is rooted in death metal with deep veins of doom running throughout, and the integrated elements are a propitious combination. The band is Aleksi Huhta (vocals), Jari Toppinen (guitar), Jarkko Viitasalo (guitar), Tuomas Alatalo (bass), and Atte Karppinen (drums).

The music begins in chaos – just a pummeling of noise you have to sort through. After a few seconds of that attack, the riffs emerge and the vocals become words in “Last Echoes Of Life.” The death metal hybrid continues to morph on “Pyre” which also bears a heavy riff and adds complex combinations in the rhythm and percussion. “Walls” is next, showing off a fat bass line, and then “Mustaa Hiiltä” lifts the lid on the cave of doom with oppressively threatening leaden tones.

There are eleven songs on the album and you can feel groove characteristics nudge you around as the undeniable momentum of the powerful musical energy is a constant exhilarating rush. The bass is more prominent here as a distinct being than in a lot of similar music, and that adds immeasurably to the unique voice of the band. The back half of the record has short blasts like “Wastelands” and “Pawns,” and it also showcases the longest track and closer, “Viimeinen Rituaali” – the final ritual, indeed, and a doom-laden volcano of roaring heavy metal. I am already jotting this one down on the best of list for the year. Killer. Highly recommended.

Revulsion is out now and, coincidentally, it is Bandcamp Friday today so if you buy Revulsion products at Bandcamp, the usual selling fee to the band is waived. The elegant varieties of Transcending Obscurity physical releases are the envy of the world, and the Revulsion album is no exception. Check out all the possibilities at the links below.


Bandcamp, https://revulsiondeath.bandcamp.com/

Facebook, https://www.facebook.com/RevulsionFin/

Transcending Obscurity Records, https://tometal.com/

Revulsion, Revulsion (Transcending Obscurity Records 2021)

Transcending Obscurity Sampler (2021)

It is a new year so that means a new label sampler from Transcending Obscurity.

This label has released some of the best heavy around. In 2020, FFMB covered several of their albums including the amazing Jupiterian, Heads For The Dead, and Revolting releases. 2021 has just as much promise, and the music that has already been announced will freeze you in your tracks.

The sampler itself has 38 songs on it and it is absolutely massive – some songs are a full album side, like “Reverential Silence” by Arch which runs 15:30 and “Secret Powers Entrenched in an Ancient Artefact” by Eremit that goes for more than 18 minutes. The breakdown by genre according to the label is: Tracks 1-22 – death metal/grind/crust, Tracks 23-26 – technical/brutal death metal, Tracks 27-33 – black metal, and Tracks 34-38 – doom/sludge metal. There has to be something here you like. And it is all new music. Check out the full list at the link below.

The sampler is available now and it is FREE – name your price at Bandcamp (link below). How can you pass on this? You can’t. Highly recommended.


Bandcamp, https://transcendingobscurity.bandcamp.com/album/2021-label-sampler

Transcending Obscurity Sampler (2021)