Sleepless, Blood Libel (Necromantic Press Records 2021)

The inaugural EP from newly molded metal band Sleepless has something for every stripe of heavy metal fan.

Eric Dorsett and Eric Detablan are two musicians who were original members of the thrash band Dead Conspiracy which formed in the late 1980s and then reformed a few years back. They have come together now with Kevin Hahn to create Sleepless, a metal amalgam of classic takes on heavy music.

There are four tracks on the album and the whole business in done in a little over a quarter of an hour. The vocals have that soaring, epic metal quality – very theatrical. The guitar work is crisp with catchy riffs and good lead wielding. The arrangement of the order of the tracks is interesting: longest to shortest in a straight line. It creates a sense of urgency as you work your way through with an increasing rapidity.

“The Man Who Could Not Sleep” is a tour through metal attributes with sidetracks to lands unknown. There is a lot going on in the song, and all of it is good in each of the separate ways. It is a nudge off balance with its sharp corners and its subterfuge, a sort of environmental enrichment, you might say.

“Host Desecration” is more straight forward in its approach, as is “Deluded Hordes,” the latter being my favorite song on the EP for its whirling lead guitar and the combination of thrashy elements with a grinding lowdown-ness. The closer is the title track, and it was released as a single late last year.

Blood Libel is out this Friday, March 12th. Right now the single is active at the Bandcamp link. The entire EP should pop up on release day. It is a snappy quadratic and a good way to shake up your smoke break. Recommended.

Links.

Bandcamp, https://sleeplessmetal.bandcamp.com/releases

Sleepless, Blood Libel (Necromantic Press Records 2021)

Maudiir, La Part du Diable (2021)

Black Metal one man band Maudiir is out with a new EP filled with sinister menacing.

Following up on last year’s release Le Temps Peste, the new set continues the sentiment and drives the dark spike further, leaning in on speed and prog to unveil a broader musical spectrum. Maudiir is comprised entirely of a single musician, F, or Frédéric Bergeron, according to the Metal Archives. Everything you hear on the album is him.

There are five songs, beginning with “Fracture,” which has a head fake up front followed by walloping riffs. The vocals are very much Black Metal in style, with the slider moved toward the middle. And there is a tasty lead guitar passage, too, putting a ribbon on the song. More up-beat and catchy than your typical music in this vein, Maudiir is creating a unique space for the musical brew he stirs up.

“The Slumber” is next, and while it has high concept guitar layers to it, the track does not give up on the melody. The complexity starts to deepen. “The Fortunate Few” has a more death-metal-like opening but rolls quickly  into a rollick then shifts toward prog. “Spirit Of Sulfur” is frantic at every turn, while the closer, “The Crowning Hour,” settles back into the blue collar riff and pushes in Mercyful Fate / King Diamond style storytelling and musical theatrics. A lot of ground is covered on this EP, and it is an excellent continuation and escalation of the groundwork in last year’s album. Recommended.

La Part du Diable drops on Friday, February 19th and the Bandcamp link below is the place to get it.

Links.

Bandcamp, https://maudiir.bandcamp.com/

Facebook, https://www.facebook.com/Maudiir-100174698189554/

Maudiir, La Part du Diable (2021)

Sacred Reich, 3 Re-Issues (Metal Blade Records 2021)

Metal Blade is re-issuing three classic Sacred Reich albums: Ignorance, Surf Nicaragua, and The American Way on February 12th.

If you are a thrash fan you know about Sacred Reich because they are one of the leading bands in the second wave of thrash back in the late 80s / early 90s. They are less well remembered compared to, say, Testament, mainly because they broke up for several years around the turn of the century and therefore there is a gap in their catalogue. The band came roaring back in 2019 with the studio album Awakening, which was very well received. That album was a bittersweet return to prominence following, as it did, the shocking death of founding guitarist Jason Rainey.

The three reissued albums are the band’s first full length studio record, Ignorance (originally 1987), the follow-up EP, Surf Nicaragua (originally 1988), and the next full-length, The American Way (originally 1990). These reissues all sound great, and fans are going to be thrilled to have newly minted products to set alongside their well-worn artifacts. If you are new to the band, these are the albums to start with in order to experience the majesty of the music from these incredible metal musicians. You will hear thrash just as sharp as any of their contemporaries, played with meticulous precision and set around themes that vary from social commentary to the absurd.

You can preorder these albums today – the drop date is Friday, February 12th. There are many variants in the vinyl to go along with the CD option. All the details are at the info link below. Recommended.

Links.

All the info: https://www.metalblade.com/us/news/sacred-reich-ignorance-surf-nicaragua-and-the-american-way-cd-and-lp-re-issues-now-available/

Facebook, https://www.facebook.com/sacredreichofficial

Sacred Reich, 3 Re-Issues (Metal Blade Records 2021)

Basilica, Basilica (Innerstrength Records 2021)

North Carolina emergent metal foursome attack their first long-player project with multifarious vivacity.

The band has only been together for a lustrum, and yet they have coalesced an approach to musical composition that is thorough while remaining eclectic. What they can do with the standard metal set up is impressive. The band is Brady Kennedy (drums), Cameron Price (guitar), Chandler Bell (bass), and Reilly Appert (vocals).

The press release reads in part: “Musically, genre inspiration is wide and varying; combining thrash and death metal elements with metalcore and deathcore breakdowns, the goal of this album is to be as diverse as possible.” As you go from track to track throughout the set you can really see this philosophy at work. It listen like a tour of heavy genres.

The first crack is “Grinding Teeth.” You have to love that title before the needle even drops. It is a blistering track with front-loaded aggression and crunchy riffs, decorated by metallic squeals and a “Flight Of The Bumble Bee” wind-up. “Exit Wound” is death metal vocals and off-color screeches. And then “The Fall of Phorcys,” an instrumental with a dark jazz, proggy vibe. Groundwork firmly laid.

I am not going through the full list because you should hear it for yourself. The album is fascinating. The execution of the increments is technically precise with both hard punches and delicate touches. The guitar solo on “Starve” is an extreme example. Segue to another instrumental, “Reflections of Galene,” that sounds like what you might hear playing from a café patio in the summer on an evening stroll – then straight into the thrash/thrumming piece, “Everything,” right after that. And still there are three songs left. It leaves you off balance and a little lightheaded in the best possible way. Recommended.

Friday February 5th is the day to get the full album. If you preorder the digital from the Innerstrength Bandcamp page you can hear “Grinding Teeth” right now.

Links.

Bandcamp, https://basilicahairslam.bandcamp.com/

Facebook, https://www.facebook.com/basilicahairslam

Innerstrength Records, https://www.innerstrengthmusic.com/

Basilica, Basilica (Innerstrength Records 2021)

Nervosa, Perpetual Chaos (Napalm Records 2021)

The thrash is verily raging from the new metal set by Nervosa.

Nervosa began in São Paulo, Brazil just over ten years ago. Brandishing a rugged version of classic Thrash, the band released three albums over the years, the new one making four. Founder and guitarist Prika Amaral is joined by three new musicians for Perpetual Chaos: Diva Satanica (aka, Rocío Vázquez, on vocals), Mia Wallace (bass), and Eleni Nota (drums). It is a truly international band, with the three new members hailing from Spain, Italy, and Greece.

The new set is made up of thirteen songs – that’s a good number. Brevity is the call sign with these three minute furies, speeding as they do to bowl you over before you can tell what hit you.

“Venomous” is the no-nonsense opener that cracks and zips with fist punching riffs, blast beats, and a rollicking lead break. The vocals snarl into the Death Metal range, adding a sinister touch to the sound that matches well with the wicked themes – witness the next song, “”Guided By Evil.” Apart from the ever-present up-tempo, there are a lot of approachable hooks and fan-pleasing choruses that’ll be great live when the crowd sings along. The pressure is on all the way to the final track, “Under Ruins,” which, itself, is one my favorites.

There are a few guest appearances to add to the variety and season the mix, including by Guilherme Miranda (Revolta), Schmier (Destruction), and Erik A. K. Knutson (Flotsam and Jetsam). The album is imminently listenable and bears re-spinning at its end. The newest incarnation of Nervosa has definitely thrown down the gauntlet with this one. Recommended.

Perpetual Chaos is out now. All sorts of versions and merchandise are available at the Napalm Records site. The band has its own store, too, and there is always Bandcamp. Consider yourself hooked up.

Links.

Bandcamp, https://nervosa-brazil.bandcamp.com/

Website, https://nervosaofficial.com/website/english-home/

Facebook, https://www.facebook.com/nervosa

Napalm Records, https://napalmrecords.com/english/nervosa.html

Nervosa, Perpetual Chaos (Napalm Records 2021)

Torn Fabriks, Mind Consumption (Firecum Records 2021)

Thrash trio Torn Fabriks breaks through with a fresh EP clocking music for mass consumption.

From Lisbon, Portugal, the band is Jorge Matos (guitar), Ricardo Santos (bass, vocals), and Paulo Soares (drums). They appear to have sprung out of the ether, coming together from the bands Sindicato da Terra, Morbid Death, and Rageful. They play a familiar brand of traditional thrash, in many ways on the edge of what we used to call speed metal. Fast and straight-forward, it is music for the masses.

The EP has six songs and it runs a bit over twenty minutes. There is noticeable filler throughout but there are also healthy portions of tasty shreds which are worth the wait. You can hear social and political commentary in the lyrics, but the bigger draw is the catchy music and that is what fans will be drawn to and remember, I think.

Mind Consumption is out now. The record label has a CD version, and there are a few single tracks available at Bandcamp – the entire EP will probably be up there soon. It is worth a little bit of searching.

Links.

Bandcamp, https://tornfabriks.bandcamp.com/

Facebook, https://www.facebook.com/TornFabriks/

Firecum Records, https://www.firecum.com/product-page/cum-039-torn-fabriks-torn-fabriks-cd

Torn Fabriks, Mind Consumption (Firecum Records 2021)

Transilvania, Of Sleep And Death (Invictus Productions 2021)

The second full-length album from Transilvania is an epic world shaker, filled with monstrous ideas and otherworldly conclusions.

From Innsbruck, Austria, the Black Metal band Transilvania has been around since 2015. The Metal Archives lists the members as P. Čachtice (bass and vocals), H. Paole Grando (drums), O. von Schwarzenberg (guitar), and D. D. Stumpp (guitar). There is not an enormous amount of free floating information out there about them, apart from their discography that shows The Night Of Nights LP from 2018, and before that an EP and a split. The musical style is fast-paced Black Metal, bearing on the speed and even the thrash side.

“Opus Morbi” leads us down the haunting path with a reassuring (although clearly sinister) opening gambit of distant tones that grow into a fierce attack by the three minute mark. Throughout the album there are plenty of riffs that hang a tight groove, as in the title track, to go along with the eerier elements. Clever syncopation and unusual tempo shifting like we hear on “Lycanthropic Chant” enriches the Black Metal environment and fills in the dark world developing around your ears.

The inventiveness and ingenuity of composition knows no bounds on this album. The music relies on rhythm and a well-paced, expertly situated harmony of the instruments to propel the concepts forward in support of the lyrical narrative. Lead breaks in the traditional sense are used sparingly, like a flashing scene of violence or depravity. More often we hear companion components from the guitars bolstering the vocals and other instruments in the overall experience. The album is powerful – a premier exemplar of the form. Highly recommended.

Of Sleep And Death is out now. Invictus has all manner of formats for this album, plus a variety of merch. Bandcamp offers a digital download at your fingertips. And you can also hear a lot of Transilvania’s music on Spotify.

Links.

Bandcamp, https://transilvania.bandcamp.com/album/of-sleep-and-death

Facebook, https://www.facebook.com/transilvaniaaustria/

Invictus Productions, https://invictusproductions.net/

Transilvania, Of Sleep And Death (Invictus Productions 2021)

Exarsis, Sentenced To Life (MDD Records 2020)

With their fifth album Sentenced To Life, Exarsis fulfills your need, your need for speed.

Greek band Exarsis has been flying the flag for Thrash and Speed Metal for ten years. Under Destruction was their first long-player in 2011, and since then they have been they have been lashing the shores with a new guitar tsunami every couple of years. The band is now Nick Tragakis (vocals), Chris Poulos (bass), Chris Tsitsis (guitars), and Panos Meletis (drums)

Sentenced To Life is perhaps a little more approachable to crossover fans than some of their earlier music with more emphasis on melody, but the speed is still there and it rolls you right over. They play an old school brand of Thrash, touched by the nearly forgotten style of Speed Metal. The result is a credible case for whiplash.

First up on the record is “Cen$ored,” an intro bit that starts with a crackling voiceover that is increasingly heavily bleeped and distorted on the way to the first wailing high-octane song, “Another Betrayal.” Tragakis gives us high register vocals matching up with the stunning speed of the guitar riffs and lead blasts that are so wilting your ears are a little behind on getting all the notes in.

The percussion is at pace as well, pummeling like a cavalry at full charge. You can really hear the intense drumming on songs like “The Truth Is No Defense” where it seems to defy physics. Every song has outstanding attributes and they all call out to be heard again. The ones I hit more than a couple times were “Mouthtied” for the amazing passage in the middle of the song and “Interplanetary Extermination” for its sheer blaze. Fantastic. Recommended.

Sentenced To Life could be flowing into your brain right now. It is available to buy from MDD Records through Bandcamp and you can listen on the usual variety of streaming services.

Links.

Bandcamp, https://exarsis.bandcamp.com/

Facebook, https://www.facebook.com/exarsis

MDD Records, https://mdd-records.de/

Exarsis, Sentenced To Life (MDD Records 2020)

Deathblow, Insect Politics (Sewer Mouth Records 2020)

Salt Lake City Thrash Metal atomizers have cooked up a searing slab of crooked speed just in time for the holidays.

The band is Holton Grossl (guitar and vocals), Paul LaChica (bass), Rob Larsen (drums), and Adam Kelly (guitar). In 2014 they released Prognosis Negative, a high speed recantation of the extant world. The following year we got an EP, The Other Side Of Darkness. Now there is Insect Politics, which is a little bit of a divergence from the earliest music, heading down the side streets of heavy music while maintaining a cynical attitude. It is still clearly Thrash. The subjects of the songs have the superficial impression of seriousness, but when the band and the first album are named after made-up movies from a TV sitcom, you have to know that this music is about having a good time while you are complaining about the world.

“Brain Bugs” gets things going, and its opening is very dramatic and theatrical, with a ninety second lead-in that is a misdirection for the chaotic hailing that is to come. The lead inserts are blistering and the vocals are frenetic – just like if your brain was filled with scrambling insects. The next track, “Accelerated Decrepitude,” has an almost military persistence to it, and some fantastic bass lines to go along with the wildfire guitars. Every song has a different take on one thing or another and they are all high energy metal.

There is no slowing down, and the turns come hard and fast. The riffs and leads are cleverly arranged, some sounding like a dramatic insurgence and others more like a fire-snorting dragon with a leg cramp. You can read into these songs as much or as little as you like, experiencing whatever level of satire you suits you. The killer music is there and it straight up rips, no matter what your level of social and political engagement. Recommended.

Insect Politics is out today. Bandcamp is the first call for CDs, vinyl, digital, and cassettes. You can have your Thrash any way you like.

Links.

Deathblow Bandcamp, https://deathblow1.bandcamp.com/music

Deathblow Facebook, https://www.facebook.com/deathblowofficial

Sewer Mouth Records, https://www.facebook.com/sewermouthrecords/

Deathblow, Insect Politics (Sewer Mouth Records 2020)

Idle Ruin, Idle Ruin (2020)

Australian metal trio Idle Ruin throw out the first volley with their self-title debut get-acquainted EP.

The band is Liam Anthony, Kaleb Doherty, Josh Dawson, started by Anthony as an experimental project to see where it would go. The live music hiatus we’ve all been on was an excellent opportunity to put some new music together and that is exactly what he did. The result is four raging metal songs that will peel the paint off of any venue.

The music is fast, bordering on Thrash, and you could easily hang the Death Metal label on it, too. I read it described as “death metal crossed with blackened thrash.” That sounds right. I hear the elements I like best from Black Metal seasoning the music. The main things: hard, fast, loud.

“Whipped To Death” sets the stage with an ominous opening riff and then launches into accelerating aggression. “Spiritual Contagion” starts out at full speed, whirling like a sandstorm beaten up by an angry djinn. “The Devil’s Trade” was released early for airplay, and hearing it you’ll know why – it is a concentrated ball of metal fury. “Gods Of Glass” is a show closer that seals the deal, with complex percussion and wailing guitars. Treat yourself to this one for a high voltage infusion of adrenaline. Recommended.

You can get the CD or digital right now. The fastest grab is Bandcamp.

Links.

Bandcamp, https://idleruin.bandcamp.com/

Facebook, https://www.facebook.com/idleruin

Idle Ruin, Idle Ruin (2020)