The unstoppable Suzi Quatro returns with a new studio album that pops and cracks with multifaceted looks at rock and roll.
The first album I ever heard from Suzi Quatro was Rock Hard (1980). There she stood on the cover wearing black leather and holding the fire engine red bass. At the time I assumed she played only hard rock, but as I started going through the earlier albums I quickly understood that she had already had an impressive career with big pop hits and a variety of albums in different styles. Whenever a new record came out from her it was a good day for me. Her music is not what I usually listen to if we go by the numbers, but I am a huge Suzi Quatro fan.
The album opens with a couple of bangers. “The Devil In Me” is a raucous rock and roll rambler with a Bob Seger spirit while “Hey Queenie” is more of a rock-sprouting lounge tune. The album takes a walk through a wide variety of styles and looks on differently seasoned rock hooks and structures. Every one of them has a familiar feel and a fresh take. The music is mostly upbeat and fast-paced, with a couple of reflective tracks and one straight-up ballad.
There are a several stand-outs for me on the record. “You Can’t Dream It” is one with its urgent pace and prominent bass work. “Do Ya Dance” hit me at an Alice Cooper angle in the 1970s sense. “Isolation Blues” is a soulful, meandering tune with a great saxophone part. And the closer, “Motor City Riders,” is the perfect guitar and piano rock and roll flashback to close the show. This album is a big win for every Suzi Quatro fan.
The Devil In Me is out now – hit the links below. Recommended.