Witchcryer, When Their Gods Come For You (Ripple Music 2021)

Austin, Texas heavy metal band Witchcryer offer up a new set of songs filled with beguiling incursions.

Witchcryer has its origins in the upper Midwest with guitarist Jason Muxlow and saw its completion a little farther south with Javi Moctezuma (drums), Marilyn (bass), and Suzy Bravo (vocals). There is a heavy doom in the atmosphere and desert rock in the stylings. But then, see, the vocalizations often come in from another realm entirely, and there are transitions you wouldn’t expect from a doom or desert rock band. So this then is Witchcryer, its own category. Their inaugural album, Cry Witch, set a high bar and the new one, When Their Gods Come For You, sails right over it.

There are eight songs on the album and every one of them has its own way of taking you over. The clomp and wallop of “Hellmouth” is quantitatively mesmerizing. When the vocal enters it seeks your ears like an shaman’s ayahuasca chant. “Nemesis, The Inevitable” is a deadly serious declaration delivered with such surety it is almost matter-of-fact, as if this statement of intent has already happened. It’s right in the title, I guess: inevitable.

“The Devil & The Deep Blue See” lures with a mystic enheartening almost solemn in nature while “I Rise!” is a full-force charge at resistance, ending in conquest and victory. And then there is the title track which anchors the set. It begins gently, patiently. The music builds hypnotically, unnoticed until you start to feel the walls shaking around you. Quiet again, and then another swell. Suzy Bravo makes everything believable, her every word, and Jason Muxlow seals the story with mesmerizing guitar work. When Their Gods Come For You is definitely one of the best desert-doom-heavy-dark-blues-metal-rock albums of the year. Highly recommended.

Out now from Ripple Music, you can catch up at the links below.


Bandcamp, https://ripplemusic.bandcamp.com/album/when-their-gods-come-for-you

Facebook, https://www.facebook.com/witchcryer/

Ripple Music, https://ripplemusic.bigcartel.com/product/witchcryer-when-their-gods-come-for-you-deluxe-vinyl-editions

Witchcryer, When Their Gods Come For You (Ripple Music 2021)

Little Jimi, The Cantos (Mrs Red Sound 2021)

French psychedelic trio releases their sophomore album, The Cantos.

The band – Benjamin Monnereau (guitar, vocals), Guillaume Arancibia (guitar), and Antoine Le Gall (drums) – began in 2017, issuing their first recordings. A full-length album followed the next year, and now there is The Cantos. The music is rock, and to me it sounds heavy and inspired by stoner, progressive, and heavy psych bands. The early rock influences stretching back into the 1960s and 1970s are in there functioning as the bedrock to the band’s sound. Another way to think of it is that these elemental characteristics are the launching point for the music Little Jimi creates.

There are six longish tracks on the new album. “First Cantos” starts it all off, and it has an acoustic intro and an ethereal vocal bed that takes us into space in the first half, after which things turn heavier. The extended, fuzzy instrumental movement progresses into light doom before becoming buoyant in the final moments. “The Way” also opens gently, and it has more of a 1960s psychedelic feel. “Palace Afternoon” is a trip, a fuzzed out, dark Pink Floydian affair. It is a stunning, memorable piece.

Side two starts big on guitars, and even without a bass the heavy rhythm line is prominent at the beginning and the end on “Machetehew.” “Indian Rain” is the proggiest track while the closer, “Last Cantos XXIV,” has an uplifting feel to it. This music has a heaviness that I like but the compositions are transformed in concert with many other elements that act more like a conflux than a balancing. I am glad I listened. Recommended.

The digital album is out on Friday August 20th with the LP version to follow on September 17th through Mrs Red Sound and both versions can be had at Bandcamp.

Band photo by Christian Arnaud.


Bandcamp, https://littlejimi.bandcamp.com/album/the-cantos

Facebook, https://www.facebook.com/LittleJimi.music/

Mrs Red Sound, https://mrsredsound.com/

Little Jimi, The Cantos (Mrs Red Sound 2021)

Acidemia, Podridão (Acid Swamp Records 2021)

The first full-length album from Brazilian Doom Metal trio Acidemia is Podridão.

Acidemia formed in Lages, Brazil, in 2015. According to the press release, the band member are Henrique Pereira Soares (bass, vocals), Mateus Varela (guitar), and Thiago Granetto (drums). They first put out an EP titled Extinction in 2018 and then a live album two years after that. The band’s inaugural long-player, Podridão, shows off their steady determined sound on the big stage.

The music is an integration of dead slow heavy doom with occasional and alternating dissonant elements that produces a unique sound. The opening track, “Névoas de Ácido,” seems at first to be a straight-forward doom set-up but before long it ambles off in an unexpected direction that preserves the dread while elevating the musical discourse.

The focus of the compositions is the rhythm framework and vocals, casting strong foundations before heading off unpredictably toward jagged cliffs and fields and valleys in the heavy music landscape. On “Mórbido,” for example, there is an extended section some might receive as jazz. On the title track, in between the crushingly heavy guitar riffs, there are some mad diversions. Surprises become the norm.

The closer is the twenty-one-plus minute endurance test, “Caximbo.” It might be my favorite track because there is so much going on in it. If does, after all, run the equivalent of a full album side. It shows off both the most ordinary and reliable aspects of Acidemia as well as the strangest ones. If you hear no other track, listen to “Caximbo,” but I think the better thing to do is take the entire set in at once. It is a rare find off the beaten path. Recommended.

Podridão is out now. In the US, Bandcamp is the easiest way to get it.


Bandcamp, https://acidemiaoficial.bandcamp.com/album/podrid-o

Facebook, https://www.facebook.com/AcidemiaOficial

Acidemia website, https://www.acidemia.com.br/

Acidemia, Podridão (Acid Swamp Records 2021)

Old Grandad, Vol. 666 ~ OGD EP (Hectic Records 2021)

Grooving stoner grunge from Old Grandad gets a re-issue.

San Francisco in 1994 is when the band came together. According to the story, “Will Carroll, Erik Moggridge, and Max Barnett created a thrash/death metal-flavored, Sabbath-inspired, Satanic-Floydian, groove-guzzling giant.” That is quite a confluence of influences and when you listen to the music on this re-issue you definitely hear them all.

In addition to the albums in question, Old Grandad produced The Last Upper in 1999 and Hocus Corpus in 2005. After that they were quiet on the recording front until 2019 when a new self-titled album came out. It is great to look back now with this new version of the early work and have a chance to take it all in.

The two albums included here are the first full-length Hectic Records release from 1995 and the 1997 EP. I hadn’t listened to Old Grandad very closely until I put this one on a couple times. It is a fascinating combination of those aforementioned elements, along with a considerable amount of screaming. The guitars are fuzzy, the rhythm is steady, and psychedelia abounds.

It is hard to take the themes seriously with song titles like “The Highs That Bind,” “Blatant Drug Song,” and “Don’t Call Me A Deadhead,” so instead settle in for a good time. I can’t say first-hand whether this music is an artifact of the time and place it was created in and therefore represents the circles Old Grandad moved in back in the day. I bet it does, though, and anyway we can all listen to it now no matter what. Recommended.

This re-issue of Vol. 666 ~ OGD EP is out now through Hectic Records. Bandcamp is the place to go.

Band photo by Lori Higbey.


Bandcamp, https://hecticrecords.bandcamp.com/releases

Facebook, https://www.facebook.com/oldgrandadsf/

Hectic Records, https://www.hectic.com/

Old Grandad, Vol. 666 ~ OGD EP (Hectic Records 2021)

Yawning Man, Rock Formations (Ripple Music 2021)

The classic album from Yawning Man, Rock Formations, gets a re-release through Ripple Music.

Originally unleashed in 2005 by Alone Records, Rock Formations has become a reference point for music with psychedelic desert vibes. The musicians are Gary Arce (guitar), Alfredo Hernandez (drums), and Mario Lalli (bass), and they created something that was immediately admired by both fans and peers.

Spacey desert surf music is what you can expect, heavy on all those attributes. That’s on every song. Each one has its own particular memorable inflection and direction. You can’t forget the opener, “Rock Formations,” because it gets at you first with its beguiling ways. “Perpetual Oyster” has compelling and engaging percussion that stands out, and then “Stoney Lonesome” is an unforgettable melancholy whisper. 

“Advanced Darknuss” has a very sinister construction, despite the title. It does not instill dread, but it definitely creates a mood. I could say the same thing about “She Scares Me” but I would mean something very different. That song puts me in mind of a David Lynch movie. For a complete switch in mood, try “Buffalo Chips,” which makes me feel like I am in a 1960s western being filmed in Spain. 

This instrumental music is sometimes haunting, sometimes quirky, and at other times it sparks nostalgia in you on an individual level. This album is groundbreaking, and it will be considered a classic whenever enough time passes for that label to kick in — I wouldn’t feel bad about calling it that already. If you haven’t heard it yet, this new incarnation is an excellent opportunity. Recommended.

Rock Formations is out now in digital and vinyl and can be had through Bandcamp or Ripple Music’s site.


Bandcamp, https://ripplemusic.bandcamp.com/album/rock-formations

Facebook, https://www.facebook.com/yawningmanofficial

Yawning Man website, http://yawningman.com/

Ripple Music, https://www.ripple-music.com/

Yawning Man, Rock Formations (Ripple Music 2021)

Stöner, Stoners Rule (Heavy Psych Sounds Records 2021)

The natural progression from Live In The Mojave Desert is Stöner’s first studio album, Stoners Rule.

If you like stoner metal/rock then you like what the musicians in this new band do because Brant Bjork and Nick Oliveri pioneers of the sound and style. Both are founding members of Kyuss and, along with Ryan Güt, they are putting down the smoothest desert stoner groove there is.

The new album was recorded last Fall in Joshua Tree, California, and it sounds like it. You can feel the desert insisting and infusing and simply being there when you listen.

There are seven laid-back tracks on Stoners Rule, covering a range of subjects that appear to have emerged from the flowing consciousness that overtakes you in the desert under the right circumstances. In each, a steady bed of rhythm provides a solid base for vocal and guitar explorations.

“Rad Stays Rad” and “Nothin’” are the first songs that made their way into the airwaves and cyber pathways. They are good representations of the music on the album. I have an affection for “Stand Down” for the way it rambles, and you cannot miss the thirteen-minute closer, “Tribe / Fly Girl” that one takes a deep dive into your psyche. The lead guitar is a mystical spell spoken in six strings that transports you far away from anything that was bothering you on this earthly plane.

Stöner is on tour with Clutch (and King Buffalo in the northeast) this Fall – you don’t want to miss this show if you are a heavy music fan. Let’s go.

Stoners Rule is out now from Heavy Psych Sounds Records with the quick digital at the ready from Bandcamp. Highly recommended.


Bandcamp, https://heavypsychsoundsrecords.bandcamp.com/album/st-ner-stoners-rule

Facebook, https://www.facebook.com/StonerBandOfficial/

Website, https://www.stonerband.com/

Heavy Psych Sounds Records, https://www.heavypsychsounds.com/

Stöner, Stoners Rule (Heavy Psych Sounds Records 2021)

Heavy Temple, Lupi Amoris (Magnetic Eye Records 2021)

The first long-player from Philadelphia Psychedelic Doom band Heavy Temple is a rumbling juggernaut that will roll you flat.

Heavy Temple is a trio that creates memorable and full-bodied music for your mind. Working with guitar, bass, and drum, they are able to establish and pursue complex ideas in a way that soaks into the listener in the most appealing ways. Lupi Amoris is their first full-length album, and they have also released two EPs in the last few years, Heavy Temple (2014) and Chassit (2017), as well as a split with Wolf Blood. The music and performance are languid, and Heavy Temple is a band you will surely be hearing a lot more about in the months and years to come.

The first song is “A Desert Through The Trees” and it starts up with a penetrating pulse that is soon joined into a rollicking jaunt that turns toward heavy burbling psychedelica. “The Wolf” has a way of being spacier while still bringing forth the big, heavy guitar sounds. “The Maiden” closes the half with a rambunctious telling.

Side B is “Isabella (with Unrelenting Fangs)” and “Howling of a Prothalamion.” The first song is the longest, nuzzling up to ten minutes. It unfolds slowly and surely and walks the earth with power and care. The lead guitar parts to me are the most memorable, particular the dual approach. “Howling” has a broad range with some segments that are rolling, rambling riffs and others that are ethereal and quirky. It is an unexpected and very strong closer.

Over the course of these five tracks told in about thirty-three minutes there is an enveloping experience few other bands could create. It’s a trip. Recommended.

Lupi Amoris is out tomorrow, Friday June 18th from Magnetic Eye Records. Explore the possibilities at the links below.


Bandcamp, https://heavytemple.bandcamp.com/album/lupi-amoris

Facebook, https://www.facebook.com/HeavyTemple

Magnetic Eye Records, https://us.merhq.spkr.media/magnetic-eye-records/heavy-temple-lupi-amoris.html

Heavy Temple, Lupi Amoris (Magnetic Eye Records 2021)

White Tundra, Honningfella (All Good Clean Records 2021)

Norway’s White Tundra is coming out hot with new seven-inch riffery that’ll get you groovin’.

The band is fairly new, having formed into a single unit just a few years ago. Last year, they released the Graveyard Blues EP, and now we have this new single seven. It is a riff-and-groove affair, like riding in a dune buggy in the sun while watching encroaching storm clouds on the horizon.

“Honningfella” sounds like a giant tromping the ground and swinging small trees around. The steady pulsing guitars and single-along moments make this song a heavy rotation necessity.

They get the wood block out for “One More Place,” making me nostalgic for the 70s. This one is more of a sitting down song that the A-side track. Take a load off, imbibe, nod your head. Repeat.

We don’t cover singles much here but this new White Tundra release was just so much fun there was no way to resist. Super fuzzy, extra buzzy. Recommended.

You can pick this up right now – hit the links below. The digital is out and the physicals ship in early July.


Bandcamp, https://whitetundra.bandcamp.com/album/honningfella

Facebook, https://www.facebook.com/WhiteTundraBand

All Good Clean Records, https://www.allgoodcleanrecords.com/

White Tundra, Honningfella (All Good Clean Records 2021)

King Buffalo, The Burden Of Restlessness (2021)

Rochester New York’s King Buffalo return with their third album, The Burden Of Restlessness.

Not quite ten years ago, heavy psych rock band King Buffalo formed as a three-piece unit. The band is Sean McVay (guitar and vocals), Dan Reynolds (bass), and Scott Donaldson (drums). In these few years the band has released a number of EPs and two previous long-players. The plan is to record three full-length albums this year. Quite an impressive feat, that is.

“Heavy psych” is a broad category, but you get the idea. You expect friendly riffs and extended, laid-back passages. You do get that here, along with the band’s exclusive approach to composition. There is a set-up for each song, a solid rhythm platform, and often a piercing corollary line. These elements frame the steady vocals and lead guitar work, and the rambler bass lines as well. The effect is mesmerizing.

I am especially enthralled by “Grifter.” The heavy riffs overtake the punching line and soak your mind. “The Knocks” is another favorite with a great lead work, and also “Loam,” which is soulful and ambitious with a rapturous center. I find the entire album enthralling, I must say, and I will be gathering up the back catalogue immediately while I eagerly anticipate those two more albums this year. Right now we have this new one. Highly recommended.

The Burden Of Restlessness is out now. You can get CDs, vinyl, digital, and merch in the US at the band’s links below and in Europe from Stickman Records. King Buffalo is on tour in the Fall, crisscrossing the US and then doing a few shows in Canada in the new year. Judging from the new album, you don’t want to miss the live shows. Tour details are on the band’s website.


Bandcamp, https://kingbuffalo.bandcamp.com/

King Buffalo store, https://kingbuffalo.bigcartel.com/

Facebook, https://www.facebook.com/kingbuffaloband

King Buffalo website, https://kingbuffalo.com/

Stickman Records, https://www.stickman-records.com/shop/king-buffalo-the-burden-of-restlessness/

King Buffalo, The Burden Of Restlessness (2021)

Shun, Shun (Small Stone Records 2021)

The debut album from North Carolina rockers Shun casts a wide net.

Working throughout 2020, Jeff Baucom (bass), Matt Whitehead (vocals and guitar), Rob Elzey (drums), and Scott Brandon (guitar) managed to put together an album recorded in pieces throughout a residence from the basement to the garage. After the recording and mixing was finished, you cannot point to any significant deviations from an hypothetical studio creation. It is a job well done.

The music is a sort of fuzzy power pop metal with plenty of quiet moments. “Run,” for example, is a melodic pop metal song with a sleepy segment and “Sleepwalking” takes us back a few decades and turns up the fuzz a notch. In both these cases, whether intentional or not, the coordinated elements crossover for broad appeal.

“At Most” is the first big construction of the album, three songs in. It shows compositional complexity and conceptual nuance and depth. Later, there is “Undone,” a ballad, and “A Wooden House,” a more forceful power ballad. The band is walking to all the corners of the stage, leaving no space lonely.

The set sees a strong finish with “Heese” where we hear the best lead break of the album and “Once Again,” which is a bluesy wave-off with clever intermittent riffs. The amount of ground covered on Shun is impressive in itself, and well establishes the abilities of the musicians to create and deliver a heavy rock sound that is widely inclusive.

Later this week you can pick a copy of Shun – Friday June 4th – on CD, vinyl, or digital.


Bandcamp, https://smallstone.bandcamp.com/album/shun

Facebook, https://www.facebook.com/ShunTheBand

Small Stone Records, http://smallstone.com/

Shun, Shun (Small Stone Records 2021)