Planet of the Dead, Pilgrims (2021)

The sophomore release from New Zealand space stoner doom band Planet of the Dead should definitely be on your radar.

Four musicians from Wellington make up Planet of the Dead, Mark Mundell (vocals), Malcolm McKenzie (guitar), Kees Hengst (bass), and Josh Hussey (drums). Their debut album came out last year, Fear of a Dead Planet. The new release is a fresh adventure with a familiar crew.

It is hard to think of a better summary of the band’s music than this, from the press release: Hurtling towards the forever yawning void within their busted-up space freighter, they draw inspiration from classic science fiction and horror, and push supermassive and megalithic riffs to the outer limits.

There are eight tracks on the album, and I starred every one of them on my media player as I listened, one by one. The music is heavy fuzzy doom set in the limitless expanse of the collective mind (space, that is). Utterly irresistible.

“Escape from Smith’s Grove” stood out for me with the shifts it takes from heavy doom to a more urgent agenda. “Pilgrim” is a set-stone artifact as well, and you cannot set aside the leviathan that is the closer, “The Great Wave.” This album will be on heavy rotation for the summer desert road trip ahead. Highly recommended.

Pilgrims is out on Friday, July 23rd – get more info at the band’s website and pick up the music and Bandcamp.

Links,

Bandcamp, https://planetofthedead.bandcamp.com/album/pilgrims

Facebook, https://www.facebook.com/planetofthedeadband

Website, https://planetofthedead.band/

Planet of the Dead, Pilgrims (2021)

Desert Druid and the Acid Caravan, The Witch (Dopesmoke Heavy Music Productions 2021)

Doom ridden incantations from Brazil surround and overtake you on the new EP from Desert Druid and the Acid Caravan, The Witch.

F. Klinger (bass, vocals), E. Lisboa (drums), and Nass (guitar) have been playing in the heavy music scene for ten years or more, and have now come together to form a trio of doom-makers. Their take is classic metal and straight-forward heavy bluesy doom that is a rich nectar for your ears.

The Witch, or written as it is on the cover of the album like it would have been in medieval typesetting, The VVitch, has four tracks, all of them designed to have an immediately effect and a big punch.

“The Witch” opens with a voiceover and a thick, fuzzy riff, showing off the clear disposition of the music. Influences of Black Sabbath are noticeable, and, really, the 1970s harder rock bands generally. “Total Madness” plods in surety and exceeds in dire expression with its distorted primary riff and mildly echoing vocal. There is a purposefulness to the formidable darkness the music generates that rises up and consumes you as you listen.

“Mistress of Black Heart” and especially the outro closer, “Witching Hour,” are focused on the atmosphere. The latter is a short instrumental piece with a prominent church bell and a great lead guitar line while “Mistress” is the longest song of the set – it rambles with a steady, relentless pressure and is capped with its own memorable guitar work.

The music is lyrically occult, doom in structure, and stoner in vibe. It is a combination that cannot miss. Recommended.

The Witch is out now and available through Bandcamp for US fans. There is a cassette available from Ruidoteka Records and the vinyl is out through DHU Records.

Links.

Bandcamp, https://desertdruidandtheacidcaravan.bandcamp.com/releases

Facebook, https://www.facebook.com/desertdruidofficial/

Label, https://www.facebook.com/dopesmokeprod/

Desert Druid and the Acid Caravan, The Witch (Dopesmoke Heavy Music Productions 2021)

Stöner, Stoners Rule (Heavy Psych Sounds Records 2021)

The natural progression from Live In The Mojave Desert is Stöner’s first studio album, Stoners Rule.

If you like stoner metal/rock then you like what the musicians in this new band do because Brant Bjork and Nick Oliveri pioneers of the sound and style. Both are founding members of Kyuss and, along with Ryan Güt, they are putting down the smoothest desert stoner groove there is.

The new album was recorded last Fall in Joshua Tree, California, and it sounds like it. You can feel the desert insisting and infusing and simply being there when you listen.

There are seven laid-back tracks on Stoners Rule, covering a range of subjects that appear to have emerged from the flowing consciousness that overtakes you in the desert under the right circumstances. In each, a steady bed of rhythm provides a solid base for vocal and guitar explorations.

“Rad Stays Rad” and “Nothin’” are the first songs that made their way into the airwaves and cyber pathways. They are good representations of the music on the album. I have an affection for “Stand Down” for the way it rambles, and you cannot miss the thirteen-minute closer, “Tribe / Fly Girl” that one takes a deep dive into your psyche. The lead guitar is a mystical spell spoken in six strings that transports you far away from anything that was bothering you on this earthly plane.

Stöner is on tour with Clutch (and King Buffalo in the northeast) this Fall – you don’t want to miss this show if you are a heavy music fan. Let’s go.

Stoners Rule is out now from Heavy Psych Sounds Records with the quick digital at the ready from Bandcamp. Highly recommended.

Links.

Bandcamp, https://heavypsychsoundsrecords.bandcamp.com/album/st-ner-stoners-rule

Facebook, https://www.facebook.com/StonerBandOfficial/

Website, https://www.stonerband.com/

Heavy Psych Sounds Records, https://www.heavypsychsounds.com/

Stöner, Stoners Rule (Heavy Psych Sounds Records 2021)

Bone Church, Bone Church (Ripple Music 2021)

The self-titled album from Bone Church gets a re-issue with bonus tracks.

One of my favorite albums from 2020 was Bone Church’s Acid Communion. It is as solid a set of blues-infused heavy groove you are likely to come across. Each song is an extension and a complement to the one before. It is fantastic.

When you hear a record like that, you want to go back and listen to everything else the band has released. Ripple Music is making that easy for you with a deluxe re-issue of the first Bone Church album. The new edition has the complete original Bone Church set plus two live tracks.

As soon as you drop the needle on the first album you see where the second came from. The music is heavy metal laid down with the confident ease of musicians channeling primal elements. “Altered States” and “Pale Moon Sacrifice” are my favorite tracks but they all qualify as top picks. These are the two songs that have live versions included on the re-issue so that puts me over the moon.

Bone Church is going to be at Ripplefest Texas on August 7th and I can’t wait to see them play live. At this writing you can still get tickets to that event (link below) so grab them while you can.

Bone Church is out now. Don’t let another day go by without hearing it. Highly recommended.

Links.

Bandcamp, https://ripplemusic.bandcamp.com/album/bone-church-reissue

Facebook, https://www.facebook.com/bonexchurch/

Ripple Music, https://ripplemusic.bigcartel.com/product/bone-church-s-t-reissue-limited-digipak-cd

Ripplefest Texas tickets, http://www.outhousetickets.com/Event/17387-Ripplefest_Texas/

Acid Communion review, https://flyingfiddlesticks.com/2020/06/03/ripple-round-up-2020-round-01/

Bone Church, Bone Church (Ripple Music 2021)

Heavy Temple, Lupi Amoris (Magnetic Eye Records 2021)

The first long-player from Philadelphia Psychedelic Doom band Heavy Temple is a rumbling juggernaut that will roll you flat.

Heavy Temple is a trio that creates memorable and full-bodied music for your mind. Working with guitar, bass, and drum, they are able to establish and pursue complex ideas in a way that soaks into the listener in the most appealing ways. Lupi Amoris is their first full-length album, and they have also released two EPs in the last few years, Heavy Temple (2014) and Chassit (2017), as well as a split with Wolf Blood. The music and performance are languid, and Heavy Temple is a band you will surely be hearing a lot more about in the months and years to come.

The first song is “A Desert Through The Trees” and it starts up with a penetrating pulse that is soon joined into a rollicking jaunt that turns toward heavy burbling psychedelica. “The Wolf” has a way of being spacier while still bringing forth the big, heavy guitar sounds. “The Maiden” closes the half with a rambunctious telling.

Side B is “Isabella (with Unrelenting Fangs)” and “Howling of a Prothalamion.” The first song is the longest, nuzzling up to ten minutes. It unfolds slowly and surely and walks the earth with power and care. The lead guitar parts to me are the most memorable, particular the dual approach. “Howling” has a broad range with some segments that are rolling, rambling riffs and others that are ethereal and quirky. It is an unexpected and very strong closer.

Over the course of these five tracks told in about thirty-three minutes there is an enveloping experience few other bands could create. It’s a trip. Recommended.

Lupi Amoris is out tomorrow, Friday June 18th from Magnetic Eye Records. Explore the possibilities at the links below.

Links.

Bandcamp, https://heavytemple.bandcamp.com/album/lupi-amoris

Facebook, https://www.facebook.com/HeavyTemple

Magnetic Eye Records, https://us.merhq.spkr.media/magnetic-eye-records/heavy-temple-lupi-amoris.html

Heavy Temple, Lupi Amoris (Magnetic Eye Records 2021)

White Tundra, Honningfella (All Good Clean Records 2021)

Norway’s White Tundra is coming out hot with new seven-inch riffery that’ll get you groovin’.

The band is fairly new, having formed into a single unit just a few years ago. Last year, they released the Graveyard Blues EP, and now we have this new single seven. It is a riff-and-groove affair, like riding in a dune buggy in the sun while watching encroaching storm clouds on the horizon.

“Honningfella” sounds like a giant tromping the ground and swinging small trees around. The steady pulsing guitars and single-along moments make this song a heavy rotation necessity.

They get the wood block out for “One More Place,” making me nostalgic for the 70s. This one is more of a sitting down song that the A-side track. Take a load off, imbibe, nod your head. Repeat.

We don’t cover singles much here but this new White Tundra release was just so much fun there was no way to resist. Super fuzzy, extra buzzy. Recommended.

You can pick this up right now – hit the links below. The digital is out and the physicals ship in early July.

Links.

Bandcamp, https://whitetundra.bandcamp.com/album/honningfella

Facebook, https://www.facebook.com/WhiteTundraBand

All Good Clean Records, https://www.allgoodcleanrecords.com/

White Tundra, Honningfella (All Good Clean Records 2021)

Eremit, Bearer Of Many Names (Transcending Obscurity 2021)

German Doom Metal trio Eremit offer their second full-length album, Bearer Of Many Names, to the multitudes.

Eremit’s first album, Carrier of Weight, came out in 2018 and it started something big. It had three songs, the short one being eleven minutes long and the long one covering thirty three minutes. Even for a doom band, this is epic-length work and in conveys a commitment to concept and idea that would become a hallmark of the band’s approach. The line-up is Marco Baecker (drums), Pascal Sommer (guitar), and Moritz Fabian (vocals and guitar).

Desert Of Ghouls is an EP that was released last year – two songs, twenty minutes – and it was a welcome transitional release for the new album. It is not necessary to listen to the earlier releases to become immersed in the latest one, but I do recommended it because there is an arc here from the beginning to the now and beyond. Like Carrier Of Weight, there are three tracks on Bearer Of Many Names.

“Enshrined in Indissoluble Chains and Enlightened Darkness” (29:22) opens with six quiet minutes of uneasiness then explodes suddenly with a Black-Metal-esque eruption to show you the trepidation was in order. The doom approach is slow and fatally heavy, punctuated by the tectonic shifts in the percussion, guitar, and voice.

“Secret Powers Entrenched in an Ancient Artefact” (18:36) is a bit more funereal to my ear than the first track and “Unmapped Territories of Clans without Names” (18:27) is the eeriest, pressing against the edges of ethereal and ritual music. Everything about the music on this album is absolutely mesmerizing. Listening to any track by itself is a welcome a welcome journey. Even so, listening to all three in order is worthwhile enhancement.

I have been following Eremit through its brief career and I have enjoyed the first two releases. The new one is the best so far and it sets a higher standard for Doom Metal in this vein. Highly recommended.

Bearer Of Many Names is out now from Transcending Obscurity, one of the very best heavy labels around – if you are into variants, bundles, and merch, they always deliver. Look over the links below and dive in.

Links.

Bandcamp, https://eremitdoom.bandcamp.com/

Facebook, https://www.facebook.com/EremitDoom/

Eremit store, http://eremit.limitedrun.com/

Transcending Obscurity, https://transcendingobscurity.aisamerch.com/

Eremit, Bearer Of Many Names (Transcending Obscurity 2021)

Monster Magnet, A Better Dystopia (Napalm Records 2021)

Monster Magnet comes out with a cover album of psychedelic songs you have probably never heard before.

The legendary Monster Magnet was formed in New Jersey on the cusp of the nineties. Creating an innovative fuzzy sound that sparked memories of the psychedelic past, Spine Of God (1991) and Superjudge (1993) are now classics that set the stage for the popular success of Dopes To Infinity (1995) with the radio hit “Negasonic Teenage Warhead.” Best remembered in the mind of society afterwards for Powertrip (1998) and Mastermind (2010), Monster Magnet has always created music on their own terms. The band is founder Dave Wyndorf (vocals) along with Phil Caivano (guitar), Garret Sweeny (guitar), Alec Morton (bass), and Bob Pantella (drums).

You never know for sure what the next Monster Magnet album is going to be like. The Last Patrol came out in 2013 and then the very next year the band released a “re-imagining” of that album, Milking The Stars, with substantially altered arrangements. Then in 2015 Mastermind got a make-over with Cobras And Fire in a similar fashion. Mindfucker (2018) was tailored for the wild turn the world took in 2016 and now we have A Better Dystopia, a collection of covers that many fans will be entirely unfamiliar with. Consider this: Is it a cover tune to the listener if they never heard the original?

An odd choice, this album, but a bold and brilliant one. Drawing mainly from psychedelic-styled work from a by-gone era, the songs chosen by Wyndorf and crew have a contemporary resonance. Some of these were new to me and are genuine deep pulls. Here is the track list to marvel at: “The Diamond Mine” (Dave Diamond), “Born to Go” (Hawkwind), “Epitaph for a Head” (J. D. Blackfoot), “Solid Gold Hell” (The Scientists), “Be Forewarned” (The Macabre), “Mr. Destroyer” (Poo-Bah), “When the Wolf Sits” (Jerusalem), “Death” (Pretty Things), “Situation” (Josephus), “It’s Trash” (The Cave Men), “Motorcycle (Straight To Hell)” (Table Scraps), “Learning to Die” (Dust), and “Welcome to the Void” (Morgen).

The song that interested me most was Dust’s “Learning To Die.” I love Dust and this song in particular has always been one of my favorites. Like all the music on this album – and every album by Monster Magnet – energy and passion blazes through no matter the tempo or perspective. Expect fuzzed-up heavy psychedelic stoner rock. First listen to this album all the way through, then go out and dig up the originals. It is a trip comparing the new versions with the way-back-whens. Highly recommended.

A Better Dystopia is out now in myriad forms to please each and every one of the people of the Earth.

Links.

Napalm Records, https://www.napalmrecordsamerica.com/monstermagnet

Facebook, https://www.facebook.com/monstermagnet/

Bandcamp, https://monstermagnetofficial.bandcamp.com/

Monster Magnet, A Better Dystopia (Napalm Records 2021)

Domkraft, Seeds (Magnetic Eye Records 2021)

The third full-length album from Sweden’s Domkraft is an inflexion point for Doom Metal music.

I first heard (a recording of) Domkraft play live as part of the Day of Doom event put on by Magnetic Eye Records at the Saint Vitus Bar in Brooklyn, November of 2019. It was a killer bill and Domkraft gave an amazing performance. Since then I have been eagerly awaiting any new music from them. The band is Martin Wegeland (bass and vocals), Anders Dahlgren (drums), and Martin Widholm (guitar). They play heavy, measured doom metal that can shake the rivets lose in a seismograph.

There are seven tracks on Seeds: three long, three medium, and one transition piece. I usually look out for the longer songs because I like the way you can feel transformed in the drawn out expansive space so the first two tracks, “Seeds” and “Perpetrator,” running as they do about eighteen minutes together looked like the perfect launch pad. And they definitely are, both having gigantic, crushing riffs and relentless rolling rhythm. I was immediately taken back to the live recordings and the contemporaneous experience mixed together with my memories of what I had heard before, generating something bigger.

The three tracks in the middle are shorter, but they hit me just as hard, especially “Into Orbit” which I came back to a couple times after the first run through. The anchor song is “Audiodome” and it starts out at full blast, arguing that turning the power down is not an option. The arch toward the vanishing point is subtle and deliberate. There is nothing to do but hold on. When it is over, you are right where you want to be. Every time I listen to Domkraft I like them even more. Highly recommended.

Seeds is out on Friday, April 30th, and is available through finer discerning retailers.

Links.

Bandcamp, https://domkraft.bandcamp.com/

Facebook, https://www.facebook.com/domkraftband

Magnetic Eye Records, https://us.merhq.spkr.media/magnetic-eye-records/domkraft-seeds.html

Domkraft, Seeds (Magnetic Eye Records 2021)

Sun Crow, Quest For Oblivion (Ripple Music 2021)

When I think of Doom Metal this is what I hear in my head: Sun Crow’s debut album.

Quest For Oblivion was released late last year by the band, and now it is getting broader distribution through Ripple Music. The musicians are Ben Nechanicky (guitar), Brian Steel (bass), Keith Hastreiter (drums), and Charles Wilson (vocals). The band as it is might be fairly new, but the members have a solid history of honing their talents and together they are pure metal lava.

There are eight tracks on Quest For Oblivion, four of them over ten minutes long. The album starts with “Collapse,” a slow-opening heavy doom statement with planetary-scale riffs and soul-freeing power. The music is unhurried. Sure of itself, the composition moves in its own natural direction. “Black It Out” is next with a quicker build and a sound just as big. “End Over End” hits next, and it might be my favorite track on the album, although picking one among this pack is a fool’s errand because every song has so much to admire. Here I am enthralled by the lead guitar work and voice, the rollicking drums and muscular bass which together compartmentalized my mind and gave me a feeling like I was existing in a distinct cranial collective rather than a single source of thought.

There are two shorter songs, six and five minutes each, and they have a generally quicker tempo – “Fear” and “Nothing Behind.” The shift is a shove that rattles you around to secure your attention for the final two, “Hypersonic” and “Titans.” The penultimate song is a trip to the stars the final one brings the celestial to the terrestrial and shakes the prehistoric structure of the earth. Taken together as a full set or one song at a time, Sun Crow has set a standard with Quest For Oblivion to which other doom music will be compared. Highly recommended.

The digital download is available now at Bandcamp through the band directly or through Ripple Music. Physicals ship in July from Ripple.

Links.

Sun Crow Bandcamp, https://suncrow.bandcamp.com/

Ripple Bandcamp, https://ripplemusic.bandcamp.com/album/quest-for-oblivion

Facebook, https://www.facebook.com/theSunCrow/

Sun Crow, Quest For Oblivion (Ripple Music 2021)