Wytch, Exordium (Ripple Music 2021)

The debut album from Sweden’s Wytch is a rugged and dynamic statement of intent burgeoning with both straight-forward and clandestine perambulations.

Formed in 2017 as Aska, the band released an EP under that name and then switched to Wytch for their first long-player, Exordium. The musicians have performed with numerous other bands over the years, including Vintersorg. The roster is Simon Lundström (bass), Fredrik Nilsson (drums), Niklas Viklund (guitars), Mattias Marklund (guitars), and Johanna Lundberg (vocals).

There are eight tracks on the album. Each song is set up with a clever and catchy hook that the song develops around. It is a bluesy heavy psych sound defined by those rummaging guitar parts and Johanna Lundberg’s unforgettable, haunting voice. The zippy lead breaks are sometimes pepperpot shots and at other times are languid and insinuating. Sturdy bass and drum lines free the voice and guitars to crossover each other while simultaneously self-actualizing therewith, engendering a synergistic construct. It all sounds effortless but of course it couldn’t be. Music like this is rare.

Stand-out tracks for me are the pairings of expansive “Blood” with “Evil Heart” and doomy “Break You Down” with “You.” That’s half the set, isn’t it – I’m not really narrowing it down much. The thing is when you first hear any song on the album it immediately draws you in and holds onto you with a mystical spell that may or may not be sinister. It is not like a Siren song but instead it is more like the snowfall that awakens the intrepid journeyers in The Wizard Of Oz. It just doesn’t make any sense to stop listening. Recommended.

You can get Exordium right now. Look over the options at Ripple Music’s store or on Bandcamp.


Bandcamp, https://ripplemusic.bandcamp.com/album/exordium

Facebook, https://www.facebook.com/people/Wytch-Band/100063579726744/

Ripple Music, https://ripplemusic.bigcartel.com/product/wytch-exordium-limited-digipak-cd

Wytch, Exordium (Ripple Music 2021)

Greenleaf, Echoes From A Mass (Napalm Records 2021)

A new album from Sweden’s Greenleaf is always a reason to celebrate and the new one pushes the envelope on anticipation.

Greenleaf has been laying down tracks for a couple decades now. Their most recent album was 2018’s Hear The Rivers and while the new one has the familiar presence that earlier one had, it is a step up and beyond. The band is Tommi Holappa (guitar), Sebastian Olsson (drums), Hans Fröhlich (bass), and Arvid Jonsson (vocals).

The album has ten fuzzy, psychedelic tracks that will wrap around you and soak right in. The opener is “Tides,” a get-to-know you track that lays down the blanket in the grass. “Good God I Better Run Away” follows and it is bursting with energy and urgency. It is positively loaded with wonderizing guitar work. Then “Needle In My Eye” has an ethereal quality to it, echoing as it does off the walls and telling as it does a sinister tale. You hear these three songs back-to-back and you start to drift, confident in your choice of music.

All the pieces come together on this album in the way we expect from the earlier ones. I get an extra bounce on this one, though – something about it is bigger to me. Every song has something extraordinary about it. “A Hand Of Might” sticks in my mind for its rolling tremulousness; “March On Higher Grounds” for its restless insistence. “What Have We Become” is the last song of the set and it is a meditation. On what? That might be different for every person who listens to it. At first it put me in a fog but by the end my vision had cleared. It is a good way to come down.

Echoes From A Mass is waiting for you right now. Links below. Highly recommended.


Bandcamp, https://greenleaf-sweden.bandcamp.com/

Facebook, https://www.facebook.com/greenleafrocks

Label, https://label.napalmrecords.com/greenleaf

Greenleaf, Echoes From A Mass (Napalm Records 2021)

Miss Lava, Doom Machine (Small Stone Records 2021)

Lisbon psychedelic rockers Miss Lava release their first full-length album in five years, Doom Machine.

Miss Lava has been lighting up stages in Portugal and across Europe for almost fifteen years. They play a feisty blend of heavy psychedelic rock with broad appeal and crossover atomism. The new one is their fourth LP, and they have released a couple of EPs as well. The band is: Johnny Lee (vocals), J. Garcia (drums), K. Raffah (guitar), and Ricardo Ferreira (bass, vocals).

Doom Machine has twelve tracks with eight primaries connected by brief interstitial elements. There are also three bonus tracks on the CD and digital versions. The opener is the rousing “Fourth Dimension” that lays down a super fuzzy high energy riff supported by pelting percussion. It has a catchy pop sensibility that labels this one a single for sure. “The Mire” follows and has a more solemn, mystical feel to it and psychedelic desert flavors. “Magma” is a tantalizing bridge guitar bit leading to the second movement of three songs, each working a different angle and conveying an alternate perspective.

The second set of six tracks have a somewhat different feel to my ears, more exploratory with a deeper kind of emotional venting. I am especially drawn to “The Fall” and the title track for these reasons, with the latter going full-on spaced-out at its end, warping the set into infinity. The bonus tracks are great, too – not leftovers or throwaways, they are up-tempo and surging songs that exist in their own space and at the same time enhance the album as a vital part of the whole. Recommended.

The CD and digital versions of Doom Machine come from Small Stone Records and there is vinyl at Kozmik Artifactz.

Band photo by José Dinis.


Bandcamp, https://smallstone.bandcamp.com/album/doom-machine

Facebook, https://www.facebook.com/MissLavaOfficial

Small Stone Records, https://smallstone.com/artist/miss-lava/

Kozmic Artifactz, http://shop.bilocationrecords.com/

Miss Lava, Doom Machine (Small Stone Records 2021)