The third full-length album from Sweden’s Domkraft is an inflexion point for Doom Metal music.
I first heard (a recording of) Domkraft play live as part of the Day of Doom event put on by Magnetic Eye Records at the Saint Vitus Bar in Brooklyn, November of 2019. It was a killer bill and Domkraft gave an amazing performance. Since then I have been eagerly awaiting any new music from them. The band is Martin Wegeland (bass and vocals), Anders Dahlgren (drums), and Martin Widholm (guitar). They play heavy, measured doom metal that can shake the rivets lose in a seismograph.
There are seven tracks on Seeds: three long, three medium, and one transition piece. I usually look out for the longer songs because I like the way you can feel transformed in the drawn out expansive space so the first two tracks, “Seeds” and “Perpetrator,” running as they do about eighteen minutes together looked like the perfect launch pad. And they definitely are, both having gigantic, crushing riffs and relentless rolling rhythm. I was immediately taken back to the live recordings and the contemporaneous experience mixed together with my memories of what I had heard before, generating something bigger.
The three tracks in the middle are shorter, but they hit me just as hard, especially “Into Orbit” which I came back to a couple times after the first run through. The anchor song is “Audiodome” and it starts out at full blast, arguing that turning the power down is not an option. The arch toward the vanishing point is subtle and deliberate. There is nothing to do but hold on. When it is over, you are right where you want to be. Every time I listen to Domkraft I like them even more. Highly recommended.
Seeds is out on Friday, April 30th, and is available through finer discerning retailers.
Magnetic Eye Records, https://us.merhq.spkr.media/magnetic-eye-records/domkraft-seeds.html