Black Math Horseman, Black Math Horseman (Profound Lore 2022)

Regathering after more than a decade, Black Math Horseman release a new album.

Black Math Horseman is a band from LA comprised of the musicians Sera Timms (bass, vocals), Ian Barry (guitar), Bryan Tulao (guitar), and Sasha Popovic (drums). They originally got together in 2007 and released a demo. More importantly, their debut album, Wyllt, came out in 2009 and cast an entirely different light on the heavy music scene with the way it created hypnotic expressions in such a chaotic space. A few years later, they parted.

In 2020 the group came back together. Sera Timms says about the re-meeting, “At first, the conversation was about how we were all in different places now, and could we even go back to being that band that we were? … Maybe we’d write completely different music now—and we were all open to that.” Instead, “When we started jamming again, we didn’t sound any different. We discovered that the music that comes from us four together is something that we have no control over. It just happens. It’s a recipe that’s beyond us.”

Fans know what to expect from this new album. It is composed as a single musical piece. Although it is split into four parts, it is meant to be heard all at once. It does work best that way. “The essence of the album is overcoming a great enemy, a great adversarial force, and reaching a place of harmony that has never been found before,” Timms says. “You go to a dark place and destroy relationships that you love, all based on ego. Eventually, you have nothing. And when you have nothing, you have to find a new way of doing things. That’s where we’re at now as a band and family, and that’s also the theme of the record.”

The four movements are “Black Math Horseman,” “Boar Domane,” “The Bough,” and “Cypher.” As described by Timms, this is indeed a journey. The music is trance-inducing post-rock, and it has a clear ritual feel to it at times. I hear elements of black metal come through, especially in the lead guitar passages, while the vocals are beautifully lyrical. The coexistence of these near-opposites is an important aspect of the music and its achievements.

The entire cycle runs about twenty-five minutes, and while the separate movements do have their own feel and structure, you are missing something if you do not listen to it all straight through from the beginning. Let the music envelope you and get lost in the story and emotion. Recommended.

Black Math Horsman is out on Friday, October 21st through Profound Lore Records.

Band photo by Travis Shinn.

Links.

Bandcamp, https://blackmathhorseman.bandcamp.com/album/black-math-horseman

Facebook, https://www.facebook.com/profile.php?id=100063492333782

Profound Lore Records, http://profoundlorerecords.com/

© Wayne Edwards

Black Math Horseman, Black Math Horseman (Profound Lore 2022)

Thangorodrim, Liberation of Unbound Chaos 666 (Blood Blast 2021)

California mystical rock band Thangorodrim conjure a mesmerizing debut album with Liberation of Unbound Chaos 666.

The new release is the first long-player from Thangorodrim, but they have released two previous EPs – their self-titled effort in 2015 and Soul Of Fire the following year. They have been on a trajectory toward Liberation of Unbound Chaos 666 for a few years. The band is bassist and guitarist S.K.B. and vocalist C.G. BloodCrown. The drummer for the recording sessions is credited as C. C.

The album has eleven long tracks with the shortest being in the five minute range and the longest running over thirteen minutes. There is plenty to hear here so you can acquaint yourself with the band’s music if you have never heard it before.

The music starts with “Through The Devil’s Door”: a slightly clangy ritualistic premise captures your attention and then the searching vocal filaments work their way in. The music is slow and insinuating for about three minutes where it turns more urgent and engaging. Toward the end there is a discordant outro. In general, the music is guitar-driven rock with persistent desert rock stylings. The guitars are sometimes heavy but it would be a stretch to call it metal.

With so much content you can expect a rich journey – I could write a thousand words on every song. There are many passages that land in the stoner space and others that are clearly more psychedelic. The musicians have a lot to say and they are patient. They go in whichever direction gets their point across best. The trip takes about an hour and a half and I have done it twice so far. I think I’ll do it again. I am going to use that word once more: this music is mesmerizing. Once you get started it is hard to put down. Recommended.

Liberation of Unbound Chaos 666 sees full release on Friday, November 5th through Nuclear Blast Records’ digital arm, Blood Blast Distribution. Bandcamp is a handy place to pick it up, along with merch and bundles.

Photo by S. Zamora.

Links.

Bandcamp, https://thangorodrim.bandcamp.com/

Facebook, https://www.facebook.com/ThangorodrimOfficial

YouTube, https://www.youtube.com/c/ThangorodrimOfficial

Thangorodrim, Liberation of Unbound Chaos 666 (Blood Blast 2021)

Sataray and Zania Morgan, Argyropoeia split (Scry Recordings 2021)

If you are looking for an aural companion to assist you in achieving an altered state or altered reality, the new split from Sataray and Zania Morgan is the tool for you.

Whoever had the idea for this combination on an ambient split deserves a raise. Sataray is a soloist who combines rituals and artistic interactions with creating and performing music. Zania Morgan is Zaskia S. Morgan who also performs music live for rituals. The music produced by these two artists do not sound the same, even when some of the intentions behind the work might overlap. Ergo, a good split.

The story is long and complicated; delicate, complex. So I am going to set it aside and listen to the music. The Sataray tracks number three. Titled “Saturn,” “Rain,” and “The Flood,” they open like the subdued tones of a gigantic intergalactic being rolling over in space. The vocal track is frightening on the first one, at least it was to me, and the building music and volume enhances and magnifies the feelings of unease. The vocalizations in the middle piece were more ghostly and calming, less threatening, even when they became urgent past he center. The final bit is disembodied, and has the feeling of pulling (or taking) away.

The Zania Morgan music is in two parts. “Crepulsculum” contains elements that sound like they could be analog approximates weaving in and around the digital flow. The vocals here are melodic, sometimes sweet, against parallel calamities. “Nyx Ambrosia” is theatrical, more dramatic. Vocals past the midpoint have a croaking, struggling execution, nudging the narrative in a darker direction, and they are elevated by the disturbing percussion.

Argyropoeia is out on Friday, January 29th. Get the digital-only release at Bandcamp and hear it anywhere, whenever you are ready for what it will do to you.

Links.

Bandcamp, https://sataray.bandcamp.com/album/argyropoeia-split-with-zania-morgan

Sataray Facebook, https://www.facebook.com/sataray7

Zania Morgan Facebook, https://www.facebook.com/ZaniaMorgan

Scry Recordings, https://www.scryrecordings.com/

Sataray and Zania Morgan, Argyropoeia split (Scry Recordings 2021)