A new cauldron full of conjuring boils forth with Shadow Work, the next Druids album.
I would not necessarily have thought to look toward Des Moines, Iowa for ritual doom metal, but that is where you will find it with Druids. Drew Rauch (bass, vocals), Luke Rauch (guitar, vocals), and Keith Rich (drums) are purveyors of more than simply doom. For almost fifteen years, intense, spellbinding sounds have been emanating from the continental middle ground, and later, the mountain west. After three previous long-players, including 2019’s Monument, they have now laid down their most impressive tracks to date with Shadow Work.
Comprised of six long songs and two shortish tracks, the ruminating starts on “Aether.” I get the ritual feel here, from the very beginning. It is not an ayahuasca situation, at least not in my head. There is a meditation and there is also an offering. As the music continues on “Path To R,” “Ide’s Koan,” and especially “Hide,” the mantra is there if you will only hear it; the sentience is present if only you will avail yourself of it. The percussion, driving bass, and illustrious guitar work channel the mainsource and the vocals are guiding calls, relatively rare in the scheme of things but absolutely necessary.
The second half is every bit as pulverizing. “Dance of Skulls” is perhaps my favorite track on the album because of the way it opens your mind, opens into your mind. It is transportative in its declarations and repetitions, imploring you simultaneously to let go and to embrace. “Othenian Blood” is the scariest track, and “Traveller” is an excellent transition to the final movement, “Cloak-Nior Bloom.” It would be bestial to listen to only part of this record. There is meaning in each individual bit, and, while that meaning is preserved within the fullness of the complete experience, it is also enhanced. If you miss this album, you will be diminished. Highly recommended.
Pelagic Records releases Shadow Work today, Friday, June 3rd. Investigate at the links below.
Pelagic Records, https://pelagic-records.com/
© Wayne Edwards