Heavy fuzz doom trio Cities Of Mars self-title their third long-player.
Sweden’s stoner doom band Cities Of Mars began in 2014, releasing an EP, Celestial Mistress, a couple year later. The music falls squarely in the land of doom, but the subjects and trajectories of the compositions align with the stars. Joining their first two full-length albums, Temporal Rifts (2017) and The Horologist (2019), the new record continues the sure-footed journey. The band is Danne Palm (bass, vocals), Johan Kuchler (drums, vocals), and Christoffer Norén (guitar, vocals).
“Before The Storm” is a beautiful spacey opening for the album. Patient, building slowly, the song introduces an ethereal voice signaling the beginning of the journey and, importantly, the need for it. Gentleness gives way to heavy doom guitar riffs on “Towering Graves.” The vocals are still mysterious but much more menacing now. The massive riffs continue on “The Prophet,” growing tall enough to block out the dim setting sun on the red planet.
“Song of a Distant Earth” is an acoustic piece; a mood shift before the devastating “A Dawn of No Light.” The tempo picks up and the rhythm is more assertive, and the lead guitar freer in its explorations. “The Dreaming Sky” has a forlorn quality to it. Harmonizing vocals and melancholy guitar lines waken suppressed feelings. “Reflected Skyline” is an airy piece, and sad, too, in my hearing.
“The Black Shard” is the twelve-minute final word on the album. In some ways you could see it as a reinterpretation of the ideas earlier expressed. You could also see it as a furthering of those notions. It is an exceptional piece and, if nothing else, you should listen to this one. It has many powerful moments, and regular returns to altered pace, attitude, and sentiment throughout. Much like the album in its totality. Recommended.
Cities Of Mars is out now through Ripple Music. Bandcamp is always a good place to pick up the goods.
Ripple Music, https://www.ripple-music.com/
© Wayne Edwards