Review of Enter Galactic Wasteland, Mr. Bison and Spacetrucker (Ripple Music, 2020)

Ripple Music, the unrivaled Doom Metal label, has launched Turned to Stone, a new series of splits. Chapter 1 is Enter Galactic Wasteland featuring three tracks each from Mr. Bison and Spacetrucker.

Mr. Bison inhabits side one. They are a band from Italy, and their music is full of vibrato and slow builds. There are a lot of drifty, ethereal elements cushioning the strong blues-soaked guitar advances. All three songs are about seven minutes long, giving the musical theory behind them time grow and discover itself. The names of the songs even signal the sound of the compositions: “The Grace of Time,” “The Stranger,” and “Oracle Prophecy.” You know what plane you’re on when you take off, but you are not exactly sure where it is going. Free your mind.

Mr. Bison

Spacetrucker leads us through the second half of the journey, and their jam is less trippy and more earthshaking. Also a three-piece, this band puts the guitar right in front with their opener, “Nosedive,” where it blasts a path wide open for the barreling bass, drums, and vocals. The lead breaks are aggressive, and the tempo is on the speedy side of the doom spectrum. The next song is “Distant Earth,” where we slow down a little, reflect on our place in the cosmos, and let that guitar tell us the story. “King Cheeto” is the closer and runs like a single – just under three minutes, it is a sharp crack on your skull.

Spacetrucker (Photo by David Torrence)

Mr. Bison and Spacetrucker are an expertly curated pair to open the Turned To Stone series. With a split, you want two bands that go together but that do not sound too much alike. Yes? That’s what you get here. Enter Galactic Wasteland needs to go in your daily rotation now. Recommended.

You can get the digital at Bandcamp. Even better, if you subscribe to Ripple Music there, you get all the new releases automatically. Physical versions are also available in different vinyl shades but they are almost sold out already, on Day 1.

Links:

Main website, https://www.ripple-music.com/

Ripple at Bandcamp, https://ripplemusic.bandcamp.com/

Direct album site, https://ripplemusic.bandcamp.com/album/turned-to-stone-chapter-1-enter-galactic-wasteland

Mr. Bison:

https://www.facebook.com/mrbisonband

https://www.instagram.com/mrbison_band/

https://mrbison.bandcamp.com/

Spacetrucker:

https://www.facebook.com/spctrckr/

https://www.instagram.com/spctrckr/

https://spctrckr.bandcamp.com/

Review of Enter Galactic Wasteland, Mr. Bison and Spacetrucker (Ripple Music, 2020)

Horseburner, Set Review, Monkey House, Winooski, Vermont, October 8, 2019

I have been going to music festivals all summer – huge, overwhelming affairs held in the great outdoors with multiple stages and thousands of people, dozens of bands. They’re great. I love them. Going to one after another of these extravaganzas, it is easy to forget that there are other ways to enjoy music. Like in a club, or a bar. I was really happy, then, to go to the Monkey House tonight in Winooski, Vermont to see Horseburner and get a refresher course on how a small venue can, in many ways, be a bigger experience.

Horseburner is a doom band from West Virginia. They are gearing up for a US tour in November and made a stopover in the North Country supporting their newest release, The Thief (out now on Ripple Music). Horseburner was the middle act on the Tuesday night show between the opener, Sachem, and the headliner, Wolfhand, both these other bands being Vermont products. The Monkey House is a great little bar in a small town that is adjacent to Burlington, the largest place in Vermont (but it is still not very big). There are not a lot of places to hear heavy music in the Burlington area, so metal fans are lucky to have the Monkey House which DOES sometimes feature loud rock – the Sunday lineup this week, for example, includes Scaphism, Callous, Crypitus, Hell Priest, and Shitangel. It is a small bar, so bands like Horseburner have a sound that is sometimes a little too much for the space. But that is one of the things that is so great about seeing bands in bars and small places because it is a whole different experience. Hearing a song in a tight room late on a Tuesday night is a whole other thing than hearing the same song by the same band on a Saturday afternoon standing outdoors in a parking lot in front of a giant stage.

Horseburner only had 35 minutes and they made the most of it, featuring new material and cracking the whip from the small stage in the back. During the heavy driving movements, the four-piece creates a full sound, giving the impression that the room is being surrounded by an advancing army. The bridges are dramatic, and lead you right off the cliff. Quiet, even soft moments don’t last long, and the occasional lead break, when it comes, is blistering. It was an excellent set.

Check out Horseburner while they are out on the road next month rolling all over the US. And listen to The Thief, too – it is on Spotify or you could always buy it at Bandcamp and other places. Having seen them play at a bar, now I’ll be looking for Horseburner on the festival circuit. They have made my list.

Horseburner, Set Review, Monkey House, Winooski, Vermont, October 8, 2019