Horror shines bright on the sixth album from the North Carolina duo Bloody Hammers.
I have been listening to Bloody Hammers since the initial self-titled album in 2012. The very first track, “Witch of Endor,” is fuzzy and trippy and it sinks it talons in your neck. Spiritual Relics came out the very next year and it was just as clever and fresh. The occult themes and consistent horror underpinnings dress the reliable and forthright metal that has lead me to keep an eye open for new releases from band ever since.
The catchy musical sensibility of “A Night To Dismember” combined with the obvious tongue-in-cheek lyrics and melodic pop-punk execution makes the song an irresistible fuzzy cotton candy horror treat. What a way to kick off the album. The theatrical influences verily drip from the sleeves of these songs, titled as they are after cult movie classics like “Hands of the Ripper,” “The Brain That Wouldn’t Die, and “Witchfinder General.” Samples dropped in (as in White/Rob Zombie) are delightful little familiar punches: witness “Not Of This Earth.” The music is all about the riffs, percussion, and the voice, cast in a throwback robe that resurrects the most memorable elements of bands like The Cramps and more obscure gems like The Voluptuous Horror Of Karen Black [Aside: deep-dive this band some time, and especially seek out the album “A National Healthcare.”]. There is even one creepy pseudo-ballad, “Lucifer’s Light.” This album has everything.
Any fan of Bloody Hammers is going to love this record, I say with confidence. It does not sound exactly like the others, but it is not a wild departure, either. It is an homage that simultaneously remains true to form, and you will definitely want to hit the repeat button. Recommended.
Songs Of Unspeakable Terror is out today from Napalm Records. Grab it with both hands.
Napalm Records, https://www.napalmrecordsamerica.com/bloodyhammers