Progressive death metal band Hypermass release their debut full-length album, Empyrean.
Formed ten years ago in Norway, Hypermass issued a demo in 2013 called Into Oblivion, then the EP Clouded Visions a couple years later. Since 2015 they have been rather quiet on the recording front, raising expectations for their first long-player, Empyrean. Playing progressive death metal that is loaded with grooves, hooks, and technical proficiency, they exist on their own self-constructed plane. The band is Markus Sundet (vocals), Thomas Pedersen (guitar), Sindre Dagestad (guitar), and Martin Nordvik (bass). Torgeir Aambø did the drum work on the new recording.
There are nine tracks on the album, starting with a short on ramp, “The Constant.” “Hivemind” is the first detailed glimpse into the universe of the set and it walks you around the expansive neighborhood, offering clues to the keys to the coming compositions. The hammer drops and the prog breaks out and it is more like a festival than a chemistry class. That is the hallmark of Hypermass – they confident enough in their own ideas that they do not try to fit in anyone else’s mold.
There is a plethora of looks on the album. The grisly “The Degenerate Strain” has its own approachability despite its sharp edges. Watch out for the ripping lead guitar that springs to life unexpectedly. “Null and Void” has the fully formed heaviness, too, that is somehow carried on a musical anti-gravity mechanism that allows it to move toward wherever you are at the time you hear it. It is almost mystical the way it works.
The title track comes near the end of the record and it is an achievement. Whether the sky is coming down or we are rising to meet it the journey is multifaceted and absolutely fascinating. The guitar on this song shines again, and the coarse vocals remind us that existence is multidimensional. Excellent throughout, and recommended.
Empyrean is out now. Bandcamp is a quick place to hear it – at the link below.
© Wayne Edwards