Miss Lava, Doom Machine (Small Stone Records 2021)

Lisbon psychedelic rockers Miss Lava release their first full-length album in five years, Doom Machine.

Miss Lava has been lighting up stages in Portugal and across Europe for almost fifteen years. They play a feisty blend of heavy psychedelic rock with broad appeal and crossover atomism. The new one is their fourth LP, and they have released a couple of EPs as well. The band is: Johnny Lee (vocals), J. Garcia (drums), K. Raffah (guitar), and Ricardo Ferreira (bass, vocals).

Doom Machine has twelve tracks with eight primaries connected by brief interstitial elements. There are also three bonus tracks on the CD and digital versions. The opener is the rousing “Fourth Dimension” that lays down a super fuzzy high energy riff supported by pelting percussion. It has a catchy pop sensibility that labels this one a single for sure. “The Mire” follows and has a more solemn, mystical feel to it and psychedelic desert flavors. “Magma” is a tantalizing bridge guitar bit leading to the second movement of three songs, each working a different angle and conveying an alternate perspective.

The second set of six tracks have a somewhat different feel to my ears, more exploratory with a deeper kind of emotional venting. I am especially drawn to “The Fall” and the title track for these reasons, with the latter going full-on spaced-out at its end, warping the set into infinity. The bonus tracks are great, too – not leftovers or throwaways, they are up-tempo and surging songs that exist in their own space and at the same time enhance the album as a vital part of the whole. Recommended.

The CD and digital versions of Doom Machine come from Small Stone Records and there is vinyl at Kozmik Artifactz.

Band photo by José Dinis.

Links.

Bandcamp, https://smallstone.bandcamp.com/album/doom-machine

Facebook, https://www.facebook.com/MissLavaOfficial

Small Stone Records, https://smallstone.com/artist/miss-lava/

Kozmic Artifactz, http://shop.bilocationrecords.com/

Miss Lava, Doom Machine (Small Stone Records 2021)

Torn Fabriks, Mind Consumption (Firecum Records 2021)

Thrash trio Torn Fabriks breaks through with a fresh EP clocking music for mass consumption.

From Lisbon, Portugal, the band is Jorge Matos (guitar), Ricardo Santos (bass, vocals), and Paulo Soares (drums). They appear to have sprung out of the ether, coming together from the bands Sindicato da Terra, Morbid Death, and Rageful. They play a familiar brand of traditional thrash, in many ways on the edge of what we used to call speed metal. Fast and straight-forward, it is music for the masses.

The EP has six songs and it runs a bit over twenty minutes. There is noticeable filler throughout but there are also healthy portions of tasty shreds which are worth the wait. You can hear social and political commentary in the lyrics, but the bigger draw is the catchy music and that is what fans will be drawn to and remember, I think.

Mind Consumption is out now. The record label has a CD version, and there are a few single tracks available at Bandcamp – the entire EP will probably be up there soon. It is worth a little bit of searching.

Links.

Bandcamp, https://tornfabriks.bandcamp.com/

Facebook, https://www.facebook.com/TornFabriks/

Firecum Records, https://www.firecum.com/product-page/cum-039-torn-fabriks-torn-fabriks-cd

Torn Fabriks, Mind Consumption (Firecum Records 2021)

Kneel, Ailment review (Raging Planet 2020)

Kneel has released a new album after many years of reckoning and introspection. At least, that is what Ailment seems like.

Kneel is Pedro Mau, with vocals by Filipe Correia. Mau handles all the other instruments and composition. The earlier album from Kneel is 2013’s Interstice, and the new one follows a similar Hardcore / Mathcore tranche. The music is a settled, punishing groove that keeps jumping the tracks.

Each song has a single word for a title which encapsulates the idea or feeling or story. Even more precisely (and generally) than that, Pedro Mau comments on the album, in part, this way: “The accumulation of small problems in our lives can lead us, sooner or later, to situations that can get out of our control.” Some of the songs build this into their own microcosm, and you can also see it as an arc throughout the entire set. It is a long run arc in the sense that your anxiety mounts the longer you listen – the only door you can see rattles on it hinges but instead of flying open to allow for escape it is fusing shut a little more with each passing song.

The halfway point, “Raptorial,” is so harsh and upsetting you start wondering if this is the mental equivalent of a cardiac stress test. But that is the hump, and once over it you have become one of the inhabitants of the world. By the time you get to the closer, “Acuity,” you are unshaken by the rage of the tortuous waves. It is no longer a cacophony. It starts to seem merely like the truth. In a fascinating way, it is the exact opposite of the quotation above – instead of the music spinning out of control, it has become more understandable.

Available now from Raging Planet (Portugal) and Planet K Records (Italy), conveniently sourced through Bandcamp, Ailment will not make you feel better, but it might help you get on with it.

Links.

Kneel Facebook, https://www.facebook.com/seekinsideyourself

Kneel Bandcamp, https://kneel.bandcamp.com/

Raging Planet, http://www.ragingplanet.pt

Planet K Records, https://planetkrecords.bandcamp.com/

Kneel, Ailment review (Raging Planet 2020)