Enslaved, Utgard review (Nuclear Blast 2020)

The incredible 15th album from the Bergen, Norway metal band Enslaved is Utgard, another impressive achievement in their long career.

The most recent previous studio album was E in 2017, and the songs on that album were generally long (most around eight minutes or longer), which is the usual way Enslaved creates music. On Utgard, the band’s compositions are tighter and yet every bit as creative as earlier releases. The band is now made up of long-time members Grutle Kjellson (vocals and bass), Ivar Bjørnson (guitars and effects), and Arve “Ice Dale” Isdal (guitars), along with newer recruits Håkon Vinje (keyboards and vocals) and Iver Sandøy (drums). The confluence of these musical elements is an alchemy all its own.

“Fires In The Dark” opens with an acapella treatment (in Norwegian), followed by an acoustic guitar moment, sudden heavy riffs, wispy atmospheric sounds, then a narrative element. Sort of a heavy version of Andrew Lloyd Weber in that it is a big production and a complex construction. The melodies in the guitars have a very magic carpet, djinn feel to them in the second half – a mystical desert vibe. The integration of diverse elements is the mainstay throughout. “Jettegryta,” the next song, does this too, in a very different way. It is not simply the variation of coarse and clean vocals but also shifts in musical cadence and style, sometimes perpendicularly, that throw you off cliff after cliff then lift you up on hurricane winds. We hear Epic Metal then Prog then a classic metal riff, here and there and all around.

On side two, “Urjotun” is a peppy straight-up prog rock song that is taken over by darkness as it progresses. “Flight of Thought and Memory” wells up feelings of sorrow and regret, while “Storms of Utgard” is more confrontational with amazing lead guitar work. The closing song is “Distant Seasons.” You can feel the curtain falling when it begins in its quiet and gentle way, but the power wells up soon enough. The relatively brief nature of the songs is a departure in a way for the band, but all the elements we have come to expect from Enslaved are nevertheless here in full force. Recommended.

Out now from Nuclear Blast, you can get Utgard on CD and vinyl and of course as a download – Bandcamp is best place for the digital.

Links.

Band: http://enslaved.no/

Band Bandcamp: https://enslaved.bandcamp.com/album/utgard

Band Facebook: https://www.facebook.com/enslaved

Nuclear Blast Shop: https://shop.nuclearblast.com/en/products/sound/vinyl/lp/enslaved-utgard-black-vinyl-.html

Enslaved, Utgard review (Nuclear Blast 2020)

Hymn, Breach Us review (Fysisk Format 2020)

Hymn is back with Breach Us, a further exploration of the chaos that exists in the sludge.

There are only two members in the Norwegian band Hymn, Ole Ulvik Rokseth on guitars and vocals, and Markus Støle handling drums. The Spartan simplicity of the membership is not obvious in the music, which has a robust and full sound. We might have to categorize the music as doom or sludge, but it is more of a duopoly of heavy inspiration, really, writ large.

Perish was the first album by Hymn, released in 2017. It is a dramatic piece of adventure, like scaling a mountain in a free climb. Breach Us is more polished and refined in all aspects, ranging from the vocals to the compositions themselves, even in the parts that seem improvisational in their rawness.

There are four songs on the new album, and it definitely has a Side 1 and Side 2 feel. “Breach Us” and “Exit Through Fire” are the first couplet, and these songs bear the greatest resemblance to the first album both in the singing and the presentation of the drums and pulsing riffs. Guest appearances by David Johansson and Guro Moe add greater depth and broader reach to the second two entries, “Crimson” and “Can I Carry You.” This is especially noticeable on the latter, which has distinct movements in the fourteen and a half minutes of the song that demonstrates shifts in feeling and style. The biggest single presence throughout is the strumming guitar that generates heavy riffs, occasionally perpendicular to each other. There is a pliant verisimilitude that permeates these musical creations, and it gives me the feeling that Breach Us portends ascent.

CD, vinyl, and download formats are ready to go at Bandcamp, and of course you can stream it all at Spotify and the other usual places.

Cover art by Danny Larsen.

Links.

https://urskoghymn.bandcamp.com/

https://www.facebook.com/hymnoslo

https://www.fysiskformat.no

https://www.facebook.com/fysiskformat

Hymn, Breach Us review (Fysisk Format 2020)