New Jersey death metal band Blasphematory drive up the demons on their second album, The Lower Catacombs.
Blasphematory came together by happenstance, the story goes. After compiling a demo, they released the full-length Depths of the Obscurity as a duo in 2019. Expanding the line-up by fifty percent, the sound honed in to what we hear today on the new album. It is classic death metal with notable doom leanings and an ear for perpetuity. The band includes veteran musicians Joe Aversario (bass, guitar, vocals), Chris Warhead (drums), and Tom Deceiver (guitar).
Seven savage tracks make up the new set. “Cruciform Shadows” begins with what sounds like a warning – a creepy, warbling ramp that peels off to reveal the shaggy darkness behind the veil. “Unclean Eulogies” is transportative, welling up in deliberation and with purpose, and slow-stomping the black earth with massive musical paws. “Key to the Furnace” steps back a touch, lays in on the grind then ramps up the tempo. This opening triad shows clearly the world you have ventured into by dropping the needle.
There is much to admire in every corner of this record. “Perpetual Despair” is heavy doom, sounding very much like it indeed comes from the lower catacombs. It is my favorite track on the album, the crushing hopelessness is what appeals to me. “Flooded Graves” has a feeling of deep mystery to it in the melody and in the rumbling percussion. And then there is the title song. “The Lower Catacombs” is the longest track and the anchor to the set. You feel the weight of the world – and the underworld – descend upon you from the very beginning. New looks and perpetrations roll over you as the music continues, and you want it all to happen. The guitars are mournful and unrepentant. The vocals deep and unwelcoming. The music is murky dank darkness. Recommended.
The Lower Catacombs came out on Friday the 13th through Nuclear Winter Records on digital, CD, and vinyl. You can get it now.
Nuclear Winter Records, https://nuclearwinterrecords.com/shop/
© Wayne Edwards