Chaotian, Effigies Of Obsolescence (Dark Descent 2022)

Death metal trio Chaotian renders their first full-length album from the depths, Effigies Of Obsolescence.

From Denmark, Chaotian is a fairly new band having come together in 2017. They released a couple of demos in the ensuing years, and fans have been on edge for a long-player as time has passed along. And now here it is: Effigies Of Obsolescence. This is death metal music turned up past ten. Prepare yourself before dropping the needle because this band leaves nothing on the stage. Chaotian is Søren Willatzen (guitar, vocals), Jonas Grønborg (bass), and Andreas Nordgreen (drums, vocals).

There are seven tracks on the album, each one a new revelation. A sense of suffering and hopelessness is established immediately with “Gangrene Dream.” The feeling of chaos hits hard on “Into Megatopheth” with the unpredictable guitar injections ripping into the status quo. The title track seals the tomb with its irrepressible growling vocals and crushing guitar riffs, its pulverizing percussion. If you are a death metal fan and you hear this song you know you have reached a pinnacle. It is stunning.

“Adipocere Feast” inveigles you with its speed and misdirection, its stabbing guitars. “Etched Shadows” plays a longer game in a deadly slow pace at the front that gets paired with breakneck speed that sends you over the edge of the abyss. “Fustuarium” and “Festering Carcinolith” are the final two turns on this wheel of devastation. The presentation and combination of elements are delivered with expert hands, ultimately leaving you without breath.

I have not enjoyed an album this much since the last Tomb Mold record. Chaotian has changed my expectations for death metal, ratcheting the bar up. Highly recommended.

Effigies Of Obsolescence is out on Friday, June 24th through Dark Descent Records and Me Saco Un Ojo Records.

Links.

Bandcamp, https://darkdescentrecords.bandcamp.com/album/effigies-of-obsolescence

Chaotian store, https://chaotian.storenvy.com/

Facebook, https://www.facebook.com/ChaotianOfficial

Dark Descent Records, https://www.darkdescentrecords.com/shop/

© Wayne Edwards

Chaotian, Effigies Of Obsolescence (Dark Descent 2022)

Mortiferum ~ Hyperdontia, Split 7 (Carbonized Records 2020)

The whole is greater than the sum of the parts with the new Doom split by Mortiferum and Hyperdontia.

This split release was meant to be a companion EP for a tour the two bands were going to do together in 2020. We all know what happened to every tour this year. Still, the split exists and is being released now at the end of the year as a sort of prelude to the tour that will happen as soon as live music rises from its temporary grave.

One side is Mortiferum, a Washington state Death Metal band that made big waves with their album Disgorged From Psychotic Depths last year. Playing to the Doom side of the field, they contribute “Abhorrent Genesis,” a lurker drenched in cemetery fog. The beautiful distortion and foreboding riffs slowly squeeze the life out of you for a minute and a half or so until the tempo lurches forward and escape is clearly no longer possible. The low register vocals are a surrounding force and the noticeable lead guitar work is a defining characteristic of the band.

Mortiferum

Another side is Hyperdontia, whose members come from Turkey and Denmark. Their first full-length appeared in 2018, Nexus Of Teeth, and they have issued a bevy of EPs and singles as well in the past few years. The Doom lives in the ever-present background of “Punctured Soul,” encircling the Black and Death Metal centerpieces in a dark cloak. The music is aggressive and understandable; the sentiments and intentions, joinable. Whirring guitar work and determined drumming are interspersing agents in the caustic dankness of the music. It is a whetstone for your imagination.

Hyperdontia

Available now at the links below, this seven inch will definitely get you into the appropriate headspace for the holidays. Recommended.

Mortiferum band photo by Carter Murdoch.

Links.

Mortiferum, http://mortiferum.bandcamp.com

Hyperdontia Facebook, http://www.facebook.com/hyperdontia

Hyperdontia Bandcamp, http://hyperdontiaofficial.bandcamp.com

Carbonized Bandcamp, http://www.carbonizedrecords.bandcamp.com

Me Saco Un Ojo, http://www.mesacounojo.com

Me Saco Un Ojo Bandcamp, http://www.mesacounojo.bandcamp.com

Mortiferum ~ Hyperdontia, Split 7 (Carbonized Records 2020)

Faceless Burial, Speciation review (Dark Descent Records / Me Saco Un Ojo Records 2020)

With Speciation, Faceless Burial reconciles the storied past with the calamitous contemporaneous world to show that, while the level of suffering is bad now, it is not new.

The three ambassadors who make up this band from Australia round out their first lustrum with a stabbing assault of inescapable musical kismet. If you had been looking and listening you would have known it was coming because the earlier work, Grotesque Miscreation (2017) and Multiversal Abattoir (2018) both, shook the elements and rattled the environment in a new creative space that maintained a distinct and obvious homage.

The average song length has ticked up a bit with Speciation, clocking in at around six minutes, and that is all for the better. The writing on the new album demonstrates increased depth of process compared to the earlier work. While the songs here certainly maintain the aggression and crack heard before, the arc of the expression is clearer and stronger over the length of each piece.

This set opens with a blast of energy and does not have an intro bit like the earlier albums did. “Worship” is a battering ram at the front with all elements aligning in a show of force. The melody and thread of the song appears just before the one minute mark, and the drama unfolds from there – a story shown in music and told in narrative. There is a driving force, there are external smashes that periodically disrupt the flow, and a then there is a recurring current (or two) in guitars and percussion that weaves in and out. This basic structure plays well in the rest of the album, and it is a stylistic element practically unique to Faceless Burial. You can certainly recognize them by it. There are six entries and my mind processed them in order, in pairs. The titled track does stand out (to me) because of its doom elements and clever riffs arrangements, plus the lead work in the fourth minute is inspired. This album is one to keep in regular rotation. Recommended.

Out this Friday, August 7, you can get one track now on Spotify to tide you over (the earlier albums are there, too). All of the physical versions can be discovered through the links below.

Links.

https://www.facebook.com/facelessburial/

https://facelessburial.bandcamp.com/

https://darkdescentrecords.bandcamp.com/

http://www.darkdescentrecords.com/store/

https://www.mesacounojo.com/

https://mesacounojo.bandcamp.com/

Faceless Burial, Speciation review (Dark Descent Records / Me Saco Un Ojo Records 2020)