Motor Sister, Get Off (Metal Blade 2022)

Motor Sister is back with a dozen original tracks on the band’s second album, Get Off.

If you haven’t heard who Motor Sister is yet, this line-up will be an eye-opener: Jim Wilson (vocals, guitar), Scott Ian (guitar), Pearl Aday (vocals), Joey Vera (bass), and John Tempesta (drums). Name those bands! Originally formed as a tribute band playing a special set of Mother Superior music, they released an album of just such covers in 2015 called Ride. The band sometimes calls the music they play “no bullshit hard rock and roll” and that label does indeed fit. The new album follows this course with twelve original tracks and one cover to put a bow on it.

Most of the songs are up-tempo rushes that will flush your face with nostalgia. Witness the opener, “Can’t Get High Enough.” That one goes right along with the cover art, doesn’t it? Charging guitar, great hooks, and the incredible pairing of two fantastic rock voices is a recipe for success. You can tear another one of those off for me any time and I will be ready to listen to it. “Coming For You” follows hot on its heels, and it is a blood boiling fever maker. There is speed and energy here, more than enough to go around; enough to spare.

There is a ballad on the album, “Sooner Or Later,” in the frame hard rock bands used to make them in. And there is an introspective song, “Pain.” Slower pieces are more than balanced with ragers, like “Excuse Me, Your Life Is Exposed” and “Bulletproof.” And anyway, who wants an album that sounds all the same. There is a compelling variety of compositions on the record, all of it sounding like an unearthed treasure trove of music you have never heard before that fits like a glove. The only question I have is: When does the tour start? Recommended.

You can get your hands on Get Off starting Friday, May 6th from Metal Blade Records. Examine your options at the links below.

Links.

Bandcamp, https://motorsister.bandcamp.com/

Facebook, https://www.facebook.com/motorsister

Metal Blade Records, https://metalblade.com/motorsister/

© Wayne Edwards

Motor Sister, Get Off (Metal Blade 2022)

Insineratehymn, Disembodied (Blood Harvest 2022)

Los Angeles death metal band Insineratehymn put forth their second long-player, Disembodied.

The history of the early days of Insineratehymn is a bit murky. In the past few years, they have put together two albums. The first was 2018’s A Moment In A Vision, which was quite well received. The new album shows some refinements in composition and execution without extinguishing the original dark spark. The Metal Archives reports the band members to be Miguel Martinez (bass), Abraham Garcia (drums), Demitree Rivera (guitar), Frank Montero (guitar, vocals), and Nico Poblete (bass).

The opening track of Disembodied, “Perpetual Anguish,” has beautiful instrumentation and very creepy voices and vocals. It puts you in the right mood. “Visceral Ignominy” throws the first lump of meat on the floor with pummeling rhythm and slicing guitar. The singing is a cross between is deep growl and a foul croak. The music seems to be designed to press the breath right out of you. The lead guitar work emanates from the pitch-black netherworld, promoting an unseen, surely sinister, agenda.

This is fundamental death metal, pumping in a 90s vein and traipsing the unhallowed earth with unfettered disregard for order. “Proliferation Of The Deceased” has an exceptional doom vibe while following along the defined agenda of set-up, excursion, and delivery. In a similar stance of divergence and coordination, “Immolated Ascension” marches off in the direction of chaos in order to hold a black mirror up to new delights. My favorite song is “Bitter Loss” as it maintains the essential facets of the declared musical paradigm and excels in the individual pieces, especially the vocals. This album is a dark delight. Recommended.

Disembodied is out now. Blood Harvest Records and Rotted Life conspire to bring CD, digital, vinyl, and cassette formats to life for the choosing. Investigate the possibilities at the links below.

Links.

Bandcamp, https://bloodharvestrecords.bandcamp.com/album/disembodied

Facebook, https://www.facebook.com/insineratehymnofficial

Blood Harvest Records, http://www.bloodharvest.se/

Insineratehymn, Disembodied (Blood Harvest 2022)

Civerous, Decrepit Flesh Relic (Transylvanian Recordings 2021)

The Los Angeles blackened metal band Civerous brings forth its first full-length album, Decrepit Flesh Relic.

Beginning only a couple years ago, Civerous has released two demos and a live set, along with a split pairing them with Stygian Obsession. The steady work has paid off, culminating in one of the strongest records in the blackened death/doom arena this year. The band is Daniel Salinas (guitar), Alonso Santana (guitar), Lord Foul (vocals), Drew Horton (bass), and Matt Valencia (drums).

After the creeps-inducing intro piece “Eidolon,” there are six primary tracks on the album. Having set the mood to dark and tense, “From The Crypt To The Cavern” is a functional nightmare. The riff is a heavy clomp that batters you up front in anticipation of the following tenderizing percussion and growling vocals filled with the wisdom of eldritch blackness. “Herodacy” deepens the lines of inquiry as a well-timed lead-in to “Rot Delineated (Decrepit Flesh Relic),” a quieter and creepier rendering of similar sentiments, evolving slowly into beautifully crushing doom.

“Hubiku” is a trip down the sinkhole into the swirling chasm of hell – once you pass the event horizon, there is no escape. “Bone Wreath” is the song that stuck deepest in my brain. The hopelessness conveyed in the opening moments is monumental, and the reckoning of that promise is unforgettable. The final movement is the epic “Spiral OF Eyes,” a tale older than time; maker of destruction. The darkness evoked is sincere and penetrating.

I appreciate especially the commitment to doom throughout the album, and the willingness to explore in directions that could not be easily predicted by the listener in advance. This recording deserves attention and should make year-end “best of” lists far and wide. Highly recommended.

Decrepit Flesh Relic is out now through Transylvanian Records. Hit the links below.

Links.

Bandcamp, https://transylvaniantapes.bandcamp.com/album/civerous-decrepit-flesh-relic

Transylvania Recordings, https://transylvaniantapes.bandcamp.com/

Civerous, Decrepit Flesh Relic (Transylvanian Recordings 2021)

All Hail The Yeti, Within The Hollow Earth (Minus Head 2021)

Mythical sludge metal band All Hail The Yeti go deep on their new album, Within The Hollow Earth.

All Hail The Yeti have been banging out music for fifteen years, including three long-players: All Hail the Yeti (2012), Screams from a Black Wilderness (2016), and Highway Crosses (2018). Their take on the word is that it is full of mystery and that legends hold some valuable information about elemental truths. These ideas are expressed in heavy groove metal with sludgy sensibilities. The musicians are Connor Garritty (vocals), Dave Vanderlinde (guitar), Nicholas Diltz (bass, vocals), Ryan “Junior” Kittlitz (drums).

Within The Hollow Earth has seven tracks at common length opening with the pummeling “Bury Your Memory,” a song stout enough to hammer you thoughts flat. “Headless Valley” gets your blood up with a pursuing, pulsing riff that enjoins a warning and a prediction. This song is a monster slap with terrifying flashes alternating with a misleading periodic calm.

“Funeral Heart” is a ravaging affair in its raking riff and the story is even harsher. “Cold Dead Leaves” is a show-stopper, offering up a deep, dark bitterness and wicked guitar. The melodic vocals that float across the transom of these songs amid what by comparison seems a clambering explanative assault is a creative construction that delivers effectively fresh tellings of hoary themes. Truly, the ideas are infused with a bristling enthusiasm that elevates them, making them new and fascinating.

The chop of “The Cry of the Waheela” and the resolute finality of “The Great Dying” bring the set to a close. The jabs and haymakers just keep coming in this music. It is a wicked walking dream that inflames your senses. Recommended.

Within The Hollow Earth is out on Friday, November 12th. Snap it up at Bandcamp.

Links.

Bandcamp, https://ahty.bandcamp.com/album/within-the-hollow-earth

Facebook, https://www.facebook.com/officialallhailtheyeti

All Hail The Yeti, Within The Hollow Earth (Minus Head 2021)

Black Veil Brides, The Phantom Tomorrow (Sumerian Records 2021)

Metal veterans Black Veil Brides create a concept album for their newest release, The Phantom Tomorrow.

Originating in the Midwest, Black Veil Brides have made a name for themselves in the heavy music world as a polished gothic-tinged band with a complex worldview and a penchant for intricate storytelling. In their relatively short career they have released five previous albums, including two concept albums. The newest is one of their strongest to date and carries a timely reflection on fame and projection. The band is Andy Biersack (vocals), Jake Pitts (guitar), Jinxx (guitar), Christian Coma (drums), and Lonny Eagleton (bass).

The new album has ten songs and two transitional pieces. The title track is an orchestral on-ramp to “Scarlett Cross,” one of the set’s early singles. Biersack’s melodic, insisting vocals surf on the layered production as the focal point surrounded by punching and jabbing rhythm and guitars. This raucous opener sets the stage for extended exploratory peeks in narrative corners of the established thematic arc.

The melodies they create are uncompromisingly catchy and impossible to forget. The compositional depth is truly enhanced by the non-guitar strings and keys, but the metal is never far away. Other bands try to do this, too, but none excel like Black Veil Brides. I am a metalhead from way back, a thrash and doom fiend both, and I can’t stop listening to this album. Every segment and transition, every song lands right.

Some of my favorite songs are the tracks with heavier openings like “The Wicked One” and “Crimson Skies,” but whether the pace is up or down, or the push is hard or soft, the music is clearly drawn from the same well. I saw Black Veil Brides live a couple weeks ago in Sacramento at Aftershock and it was an amazing performance. They are on tour in the US right now so go see them if you can. You will be glad you did.

The Phantom Tomorrow is out now through Sumerian Records. Check out a few videos at the band’s website and immerse yourself in the story. This is another great album from a band a admire more every time I hear them. Highly recommended.

Photo by Steve Thrasher from Aftershock Festival 2021.

Links.

Black Veil Brides website, http://blackveilbrides.net/

Store link, http://phantomtomorrow.com/

Facebook, https://www.facebook.com/Blackveilbrides/

Sumerian Records, https://www.sumerianmerch.com/collections/black-veil-brides

Excellent article by Bryan Reesman at Billboard, https://www.billboard.com/articles/columns/rock/9648734/black-veil-brides-interview-the-phantom-tomorrow/

Black Veil Brides, The Phantom Tomorrow (Sumerian Records 2021)

Alcatrazz, V (Silver Lining Music 2021)

Los Angeles metal band Alcatrazz returns with their fifth long-player, simply titled V.

Alcatrazz started almost forty years ago in California. Its first phase lasted from about 1983 to 1987 when a hiatus ensued, but not before the band released three albums. Picking back up in 2007, a touring incarnation was in place for a few years. Most recently, Alcatrazz came together again on the edge of the pandemic, putting out the well-received Born Innocent album in 2020. And now, in rapid succession, we have V. The band is Jimmy Waldo (keyboards), Gary Shea (bass), Doogie White (vocals), Joe Stump (guitar), and Mark Benquechea (drums).

The opening song “Guardian Angel” has a real Iron Maiden feel to it, and I mean that in a good way. The delivery lays over on the radio-ready side, even with the ripping guitar shreds. The music is heavily layered and produced, resulting a very polished final product. It goes down smooth. A fine way to start the album.

The keyboards have a large presence throughout the set and they work well with the vocal style. In some ways it is like the second phase of Deep Purple except, again, more in the pop lane. The singer Doogie White is well known, after all, for his vocal performances with Rainbow and Rising Force (among others) so you recognize his signature sound immediately and the compositions are designed with synergy in mind. For me, the music is solidly created and the existence of big lead breaks makes every song worthwhile. Witness “Nightwatch.”

While the music does operate in a definable universe, it offers considerably variety, too. One of my favorite songs is the bluesy “House Of Lies,” and then there is the solemn heavy ballad “Dark Day For My Soul.” Rollicking tunes abound as well as in “Blackheart” and “Target.” There is an old school sensibility here that is tuned into a contemporaneous awareness that results in a new and unique sound. Recommended.

The new album is out now through Silver Lining Music in digipak, digital, and streaming formations.

Band photo by Alex Solca.

Links.

Alcatrazz website, http://www.alcatrazzofficial.com/

Facebook, https://www.facebook.com/alcatrazzband

Silver Lining Music, http://sl-music.net/en/releases/259-artists/releases-alcatrazz/984-v

Alcatrazz, V (Silver Lining Music 2021)

Void Vator, Great Fear Rising (Ripple Music 2021)

The new set from Los Angeles metal masters Void Vator will shake the winter off you and get you reaching for the moon and stars.

Stranded came out in 2019 and I knew immediately this was a band I needed to keep track of. The music was crisp and piercing, fast and ferocious, and wrapped up in a delivery system that went straight into your bloodstream. “Put Away Wet,” “Everything Sucks,” “Monster” … one song after another a festival for your ears, and endless reservoir of adrenaline. The music is up-tempo metal fearlessly riffy and recklessly speedy on the curves.

“I Can’t Take It” is a disruptor, the perfect attention-getter. What’s this, you think, and it gets you walking that way. “I Want More” is second on the album and if anything it is a notch up on the frantic. A more urgent clip, a tenser atmosphere. The vocals are stabbing in the verses and salving in the chorus. The lead break is a blur or whirling blades. “There’s Something Wrong With Us” is Caesar crossing the Rubicon. There’s no turning back after you hear it.

“Great Fear Rising” strikes a monumental accord while “MacGyver’s Mullet” is a clipper cruising down country roads in the summertime steam. Something here for everyone – “Poltergeist” has an eerie story with a sinister feel and “Infierno” feeds into delirium like Act II of Peer Gynt. There are all manner of shades and tints on the album and for me nothing to dislike. I would call it a step up from the previous record even though I don’t have any serious criticisms about that earlier one, either. What you get here is great hard-hitting music flowing from every opening and crack.

Out now from Ripple Music, Great Fear Rising will sign you up to the Void Vator legion forever. Recommended.

Links.

Bandcamp, https://voidvator.bandcamp.com/

Facebook, https://www.facebook.com/voidvator/

Void Vator, Great Fear Rising (Ripple Music 2021)

Dirty Honey, The Dirty Honey Album (2021)

The long-awaited debut album from Los Angeles blues-rock band Dirty Honey is out this week.

Marc LaBelle (vocals), John Notto (guitars), Justin Smolian (bass), and Corey Coverstone (drums) are Dirty Honey, a 1970s-influenced hard rock band that blends blues stylings seamlessly into their music. I saw them live several times in 2019 and the show they put on was always a highlight of any music festival.

The band has previously released an EP in 2019, and two of the singles from it were big hits, “Rolling 7s” and “When I’m Gone.” They find a way in every song to get your attention, sometimes with a big front and sometimes with a subtle insinuation. Every track’s a keeper and they all make you feel like being outside and living life whether the story the song tells is raucous or sad.

The first single off the new album is “California Dreamin’” and it is a goodtime rocker with catchy hooks and a great lead break. Opening the album as it does, it’s your first pass at LaBelle’s voice and it is at once lyrical and forceful, insistent and understanding. All the pieces of the band match up in rare ways that create consistent appeal to rock fans across a wide range of inclinations.

Other favorites of mine include “Tied Up” and “No Warning” because of the rhythm and the way elements land – all the separate parts can be heard on their own and when your brain puts them all together there is synergy. Of the eight songs on the album, seven of are up-tempo, straight-ahead rock songs. The closer is “Another Last Time” and while it is a little more on the somber side than the others, it has a big lead break and it is a powerful send-off for the set. I’d be glad to hear all of these songs live and I hope we get the chance to do that later this year. Recommended.

The Dirty Honey Album is out on Friday, April 23rd. Get your summer started early – music and merch can be found at the link below.

Live photo by Wayne Edwards, 2019 Sonic Temple Festival.

Links.

Dirty Honey Website, https://www.dirtyhoney.com/

Facebook, https://www.facebook.com/DirtyHoneyMusic/

Dirty Honey, The Dirty Honey Album (2021)

Terror, Sink To The Hell (War Records 2020)

Four songs is all it takes to make this Terror EP a must-have for 2020.

Terror is a hardcore metal band from Los Angeles who enjoy well-deserved stature in that music scene. Fast, loud, and off center, their music always gets a rise out of fans. Sink To The Hell collects songs that have been released individually this year as singles so you can have them all in one place.

This music comes from excavating material that had been recorded in the past but never released to the public. Here are the details from the press release: “‘Sink To The Hell’ and ‘The New Beginning’ were resurrected from the Live By The Code sessions, ‘Don’t Need Your Time’ is from the Keepers Of The Faith demo sessions – with new vocals recorded in 2020 to complete the track and featuring Jesse Barnett of Stick To Your Guns – and ‘You Lost All Respect’ is also from the Keepers Of The Faith demo sessions with updated drums, additional guitars, and vocals.” So it is not just a couple of songs scraped from the bottom of the can. These four were curated and finished to the same level as the rest of the band’s music.

All the songs rip, but my favorite is “A New Beginning” – I just love the opening riff and the cunning vocals. Each piece is in the two minute range so they crack then get the fuck out. I can’t believe these almost didn’t see the light of day. If it hadn’t been for what’s been this year, these might have remained where they were. Something good came out of 2020 after all. Recommended.

Sink To The Hell is available right now at Bandcamp and all the regular places. Check out the War Records website for all sorts of variants, additional music, and merch.

Band photo by Becca Lader.

Links.

Terror, https://www.sticktight.la

Terror Bandcamp, https://terror.bandcamp.com/

Terror Facebook, https://www.facebook.com/terrorhardcore

War Records, http://www.war-rec.com

War Records Facebook, http://www.facebook.com/WARRECORDS.HC

Terror, Sink To The Hell (War Records 2020)

System of A Down, Protect The Land single review (2020)

After fifteen years, new music from System of a Down appears via the single Protect The Land.

To get an idea of the motivation behind the release of these songs, here is an excerpt from the band’s press release.

We as System Of A Down have just released new music for the first time in 15 years. The time to do this is now, as together, the four of us have something extremely important to say as a unified voice. These two songs, “Protect The Land” and “Genocidal Humanoidz” both speak of a dire and serious war being perpetrated upon our cultural homelands of Artsakh and Armenia.

We’re proud to share these songs with you and hope you enjoy listening to them. Further, we encourage you to read on to learn more about their origins and once you do, hope you are inspired to speak out about the horrific injustices and human rights violations occurring there now. Most importantly and urgently, we humbly implore you to donate, in sums small or large to help those adversely affected with what are ever growing accounts of crimes against humanity.

There is a lot more to it, and you can read about at on the band’s Bandcamp page, Facebook, etc. Links below.

L-R: Daron Malakian, Serj Tankian, Shavo Odadjian, John Dolmayan

The two new songs are well in line with the signature sound of System of a Down. “Protect The Land” starts with a heavy guitar riff to establish the tone. The lyrics follow the message noted in the press release and the vocals are melodic and insistent. “Genocidal Humanoidz” has a much more frantic tempo demonstrating the hysteria the title portrays. The songs are very different to each other, showing separate musical sides of the band.

The single is out now. Give it a listen for the music and donate to the cause if you want to. I saw System of a Down a couple years ago at Aftershock in Sacramento and even without new music for such a long time, the show was just amazing. It is nice to have these two new songs, and I hope there will be more on the way in the coming months. But even if they never released another note, I would still go see them whenever I could. Recommended.

Links.

Bandcamp, https://systemofadown.bandcamp.com/

Website, https://systemofadown.com/#home

YouTube, https://www.youtube.com/watch?v=XqmknZNg1yw&feature=youtu.be

Facebook, https://www.facebook.com/systemofadown

System of A Down, Protect The Land single review (2020)