Fates Warning has released their biggest album yet and it has all the trappings of a milestone.
Back at the beginning, Night on the Bröcken (1984) was something very different for the times – we were in the midst of the NWOBHM. That first album had a an occult theme (which I really appreciated) but it was the Progressive Metal elements that were the most important sign of something completely different, and you can hear them in there if you listen. Queensrÿche is another example – their first album (the self-titled EP) was also Power Rock with occult elements and they, too, emerged on the forefront of Prog, along with Dream Theater and … Fates Warning. I knew about Queensrÿche first because I was so taken with their song “The Lady Wore Black,” but it was Fates Warning that really stuck with me through the decades because of their compositional ingenuity. Look back and listen through the long catalogue of this band (on Spotify, say) and I think you will be amazed.
The new album finds Ray Alder and Jim Matheos working together writing the music. There are thirteen songs on Long Day Good Night, which is the band’s 13th album. It listens like a tour through the world Fates Warning has created over the years and a few special glimpses of things we have never seen before. It is Progressive Metal of course, and complex, but it also has many heavy linear passages that forge a straight-forward groove.
After a three minute soft, eerie, and somehow reassuring intro, “The Destination Onward” lands the first hard punch. It is eight minutes of structure you could build the rest of the album on, from the stabbing guitar assertions surrounded by heavy riffs to the fibrillating percussion to lithe lead break. And of course the soaring vocals. “Shuttered World” is next and it is a little more abrupt, while “Alone We Walk” is pensive and also curiously frenetic. Songs like “Under The Sun” are quiet and lyrical in their fullness and objective beauty. Others are aggressive and challenging, like “Scars.” The long-form is here, too, the strongest example of which is “The Longest Shadow of the Day” with its amazing bass lines and unforgettable guitar work. Nothing is left out here and there is no filler, either – it is simply excellent.
Long Day Good Night is available right now in many different forms and functions. I am convinced this is going to turn out to be one of my favorite Fates Warning albums. Highly recommended.