Tenebro, Liberaci dal Male (Xtreem Music 2021)

Italian death metal gets an extra horror crank with Tenebro on Liberaci dal Male.

The band appears to be a duo with Il Becchino on vocals and guitar and Il Beccamorto on bass and percussion. Previously, according to the Metal Archives, Il Becchino was the only credited musician on the first music released. It has been reported separately that there were a few issues in the lineup but some solidifying has occurred that allowed a second EP to be issued late last year.

The new CD release of Liberaci dal Male includes the three tracks from the cassette version that was released last year by Dismal Fate Records plus the songs on the Demo cassette released in 2019 by Desert Wasteland Productions (also three tracks), conveniently gathering them all together.

The demo tracks start with “Seppellendo i Morti” which has a great chunky, mid-tempo grinding plod accompanied by low growling vocals. The speed and urgency pick up in the guitars and drums as the song moves along. By the end we have settled into the groove and the energy is pulsing. “Nel Terrore” has even more distortion and deeper vocals with a rhythm progression that puts you a little off balance. “All’interno del Cimitero” offers the plainest expression of cinematic themes of the three tracks with dialogue clips from films that lead into the heavy guitars.

The Liberaci dal Male tracks start with a chainsaw effect on the first track, “Cannibalismo Sanguinario” – I don’t speak Italian but I think I can make out what this one is about. This song leans heavy on the doom and includes sporadic drum blasts and tempo shifts. “Arte Funeraria” positively drips with gloom. It is a feast for the decadent horror fans among us. On the third track, film dialogue returns with much screaming and distress on “Il Lamento dei Malati.” Here again the drear is laid on especially thick, and as a complement there are periodic episodes of blast beats and more horror dialogue.

I like the gloomy nature of the music throughout the compilation. Functionality takes center stage to move the ideas along and the death metal is drenched in a doom sensibility. Recommended.

The CD is out now from Xtreem Music. If you want a digital download, the two original releases can be had for free (Name Your Price) separately on Bandcamp.


Bandcamp, https://tenebro666.bandcamp.com

Label Facebook, https://www.facebook.com/xtreemmusic666

Tenebro, Liberaci dal Male (Xtreem Music 2021)

Oceana, The Pattern (Time To Kill Records 2021)

Italian progressive death metal trio Ocean release their first full-length album twenty five years after their inaugural EP.

In 1994 the band began to come together with the thought of creating melodic death metal music. They issued a demo and an EP in 1996, then went silent on the recording front for a couple of decades. They are back now, realizing the original intention. The band is Massimiliano Pagliuso (vocals, guitar, bass, keyboards), Gianpaolo Caprino (guitar), and Alessandro “Sancho” Marconcini (drums).

The sound of waves and a crying baby are the opening bars of the first song, followed by a short melodic voice interrupted by coarse croaking. Acoustic guitars dance around swelling electric ones. The percussion becomes increasingly persistent, urgent, and menacing, and the guitar turns stabbing. Then voice is back, bigger than before. This is “Hiding Lies,” and it is a flag for the entire set.

The band’s music is described as melodic death metal sometimes. I think progressive elements are stronger here, but there is a large and abiding melodic element so I see where the recurring handle comes from. The appealing factors for me throughout the album are the recurring juxtaposition of light and dark, harsh and quiet, and the unfiltered emotional expressions. The longer you listen to the album the more it grows on you.

I especially appreciate the lead guitar moments were technical ability shines through. The epic fourteen-minute “Atlantidea Suite Part 1” is a stand-out track in this regard and as a summary and emblem of the intent for the overall set. This album will appeal more to the prog crowd than the death metallers out there.

The Pattern is out now. You can pick it up from Time To Kill Records at their on-line store, or the ever-ready Bandcamp.


Bandcamp, https://oceana.bandcamp.com/

Facebook, https://www.facebook.com/oceanabandofficial/

Time To Kill Records, https://timetokillrecords.bigcartel.com/category/oceana

Oceana, The Pattern (Time To Kill Records 2021)

Nervosa, Perpetual Chaos (Napalm Records 2021)

The thrash is verily raging from the new metal set by Nervosa.

Nervosa began in São Paulo, Brazil just over ten years ago. Brandishing a rugged version of classic Thrash, the band released three albums over the years, the new one making four. Founder and guitarist Prika Amaral is joined by three new musicians for Perpetual Chaos: Diva Satanica (aka, Rocío Vázquez, on vocals), Mia Wallace (bass), and Eleni Nota (drums). It is a truly international band, with the three new members hailing from Spain, Italy, and Greece.

The new set is made up of thirteen songs – that’s a good number. Brevity is the call sign with these three minute furies, speeding as they do to bowl you over before you can tell what hit you.

“Venomous” is the no-nonsense opener that cracks and zips with fist punching riffs, blast beats, and a rollicking lead break. The vocals snarl into the Death Metal range, adding a sinister touch to the sound that matches well with the wicked themes – witness the next song, “”Guided By Evil.” Apart from the ever-present up-tempo, there are a lot of approachable hooks and fan-pleasing choruses that’ll be great live when the crowd sings along. The pressure is on all the way to the final track, “Under Ruins,” which, itself, is one my favorites.

There are a few guest appearances to add to the variety and season the mix, including by Guilherme Miranda (Revolta), Schmier (Destruction), and Erik A. K. Knutson (Flotsam and Jetsam). The album is imminently listenable and bears re-spinning at its end. The newest incarnation of Nervosa has definitely thrown down the gauntlet with this one. Recommended.

Perpetual Chaos is out now. All sorts of versions and merchandise are available at the Napalm Records site. The band has its own store, too, and there is always Bandcamp. Consider yourself hooked up.


Bandcamp, https://nervosa-brazil.bandcamp.com/

Website, https://nervosaofficial.com/website/english-home/

Facebook, https://www.facebook.com/nervosa

Napalm Records, https://napalmrecords.com/english/nervosa.html

Nervosa, Perpetual Chaos (Napalm Records 2021)

Three Eyes Left, Legione (Delomelanicon Records 2020)

Italian Doom veterans offer Legione here at year’s end, the fifth longplayer in their catalogue.

While they might not be as well known in the US as they are in Europe, Three Eyes Left have been on the scene for more than ten years. Want to know a little more about them, like where the band name comes from? Here is a bit from their Facebook page that explains it. “Three dancing eyes chasing the night idol, a sound bending at the magical sphinxes of times ready to explode in millions of vivid and dying butterflies. A needles storm enveloping more distant minds’ sleep to fecundate the first handmaid’s ancient womb. A psychic and interrupted rock, a multitude of words weaved together with a string made of stones and gems. Three eyes left is the dance before the word and the word before del colour, and now waits for the harvest refulgence to gather and offer the livid germ of its roots.” OK?

The music is Doom, certainly. Three Eyes Left do a lot of the same things you see with other bands, but the end result is very different. The vocals alternate between coarse and clean, which is not uncommon, but the gruff singing here is toward the Death Metal end while the more melodic work has a very heavy blues feeling to it. The guitar parts are loaded with heavy riffs, sure, but there are surprising layers cooked in there and the music takes unpredictable directions. It is a different experience from the run-of-the-mill heavy we often encounter.

The album is nine tracks, running more than an hour. There is a Black Metal attitude in there, and a desert wanderlust. This new album rounds out a trilogy – I suggest listening to it backwards, starting here. See how that goes down.

Legione is out now on digital platforms, with hardcopies to follow in due course. Expand your horizons if you have not heard Three Eyes Left before and lend them your ear. Recommended.


Bandcamp, https://threeeyesleft.bandcamp.com/

Facebook, https://www.facebook.com/3eyesleft

Delomelanicon Records, https://www.facebook.com/delorec/

Three Eyes Left, Legione (Delomelanicon Records 2020)

Hadal, December review (Planet K Records 2020)

Returning for a second round of depression and grief, Italian doom band Hadal leads listeners down the path of sorrow and shows them surprising sights.

In 2017, Hadal released their debut album , Painful Shadow. They established in that work their musical fashion of a baseline quietude disturbed by external forces, leading to the alternating clean-to-coarse vocals that also seem to demonstrate the internal struggles of people in modern society. The new album continues those principles and furthers them in a deeper exploration.

After a drear four minutes, speed is amplified in the opener “December” and the clean vocals burn away in a growl. As the title song ends, it bleeds directly into “River,” a song of weeping sadness at the beginning where the guitar partners the melancholy vocal on its path to the underworld. The bass line is a settling force in the middle of the song and abruptly the guitar is the solo voice trembling us forward. By now the essence of the album is firmly in hand and we have but to float along with it.

The compositions extract the fullest measure of the weariness of dark month of December that is, after all, just the doorway to winter, leaving the worst ahead. Echoes of the first album appear and infuse the new music while fresh ideas and approaches emerge and prosper. Some songs, like “Red Again,” step away from passive observation and become directive. Others have an almost ballad quality, as in “The Obscure I.” “Nothing Here” boasts an up-tempo beginning that turns meditative, and the closer, “Stormcrow,” offers an epic metal tone with nearly frantic bookends. Taken together, the album is a diverse expedition housed in an environment of doom that contains many vibrant aspects. Recommended.

December 5th is the day the album becomes fully available from Planet K Records and through Bandcamp. Investigate the options at the links below.


Hadal website, http://www.intothehadal.com/

Hadal Bandcamp, https://intothehadal.bandcamp.com/releases

Hadal Facebook, https://www.facebook.com/HadalOfficial

Planet K Facebook, https://www.facebook.com/planetkrecords

Planet K Bandcamp, https://planetkrecords.bandcamp.com/album/hadal-december

Hadal, December review (Planet K Records 2020)