Coscradh, Nahanagan Stadial (Invictus 2022)

The debut full-length album from Dublin’s Coscradh is a menacing dark wonder.

Formed in Ireland in 2015, Coscradh is a death metal band that integrates black metal and doom elements to produce profoundly heavy music. They have released a demo and a couple of EPs over the years, and now they present their first long-player, Nahanagan Stadial.

The title of the album refers to a time in history usually called the Younger Dryas in the US. It is thought to be a time of cataclysm, with meteor impacts and coronal mass ejections from the sun causing the sudden onset of a short-lived ice age that destroyed civilizations across the globe. In Ireland, these events wreaked havoc, decimating the population and driving them off. Keep this in mind when you listen to the album, because that is what it’s about.

The set opens with the title track. It sounds like a catastrophe is underway. You can hear and feel the destruction; if you close your eyes you can see it. Guitar riffs impact you like granite slabs dropped from a great height, pulverizing your senses. The vocalizations are warnings that come too late. The lead guitar describes the rending of reality, and the grimy end to your own existence. The track is ten minutes long and there is no respite at any point.

“Feast of the Epiphany” follows and it is more actively aggressive, like an attack. You might say this track leans more in on the death metal side than doom, and ends in screaming. “Plagues of Knowth” offers a similar pace, even faster, in fact. The music breaks into chaos in the second half and your ability to reason flees as well. “Cladh Hàlainn” is a black metal upheaval, a rattling so severe its echoes might never leave your ears.

The record ends on the twelve-minute epic “Feallaire Dóite.” The mass of the doom in this song has a planetary equivalent. There are pace changes throughout, and magnitude of the musical presence remains dense. For a time, you can hear the howling wind of the ice age grow and the whispering of lost souls freezing in their places of ethereal torment. The is album is a dark destructive wonder. Recommended.

Nahanagan Stadial is out on Friday, August 5th through Invictus productions. Stream sample tracks for free and buy the album at the Bandcamp link below.

Links.

Bandcamp, https://coscradh.bandcamp.com/album/nahanagan-stadial

Facebook, https://www.facebook.com/Coscradh/

Invictus Productions, https://invictusproductions.net/shop/

© Wayne Edwards

Coscradh, Nahanagan Stadial (Invictus 2022)

Transilvania, Of Sleep And Death (Invictus Productions 2021)

The second full-length album from Transilvania is an epic world shaker, filled with monstrous ideas and otherworldly conclusions.

From Innsbruck, Austria, the Black Metal band Transilvania has been around since 2015. The Metal Archives lists the members as P. Čachtice (bass and vocals), H. Paole Grando (drums), O. von Schwarzenberg (guitar), and D. D. Stumpp (guitar). There is not an enormous amount of free floating information out there about them, apart from their discography that shows The Night Of Nights LP from 2018, and before that an EP and a split. The musical style is fast-paced Black Metal, bearing on the speed and even the thrash side.

“Opus Morbi” leads us down the haunting path with a reassuring (although clearly sinister) opening gambit of distant tones that grow into a fierce attack by the three minute mark. Throughout the album there are plenty of riffs that hang a tight groove, as in the title track, to go along with the eerier elements. Clever syncopation and unusual tempo shifting like we hear on “Lycanthropic Chant” enriches the Black Metal environment and fills in the dark world developing around your ears.

The inventiveness and ingenuity of composition knows no bounds on this album. The music relies on rhythm and a well-paced, expertly situated harmony of the instruments to propel the concepts forward in support of the lyrical narrative. Lead breaks in the traditional sense are used sparingly, like a flashing scene of violence or depravity. More often we hear companion components from the guitars bolstering the vocals and other instruments in the overall experience. The album is powerful – a premier exemplar of the form. Highly recommended.

Of Sleep And Death is out now. Invictus has all manner of formats for this album, plus a variety of merch. Bandcamp offers a digital download at your fingertips. And you can also hear a lot of Transilvania’s music on Spotify.

Links.

Bandcamp, https://transilvania.bandcamp.com/album/of-sleep-and-death

Facebook, https://www.facebook.com/transilvaniaaustria/

Invictus Productions, https://invictusproductions.net/

Transilvania, Of Sleep And Death (Invictus Productions 2021)