Psychedelic Texas doom band Fostermother offer their second full-length album to the expanding universe.
I liked Fostermother’s first album, the self-titled one that came out in 2020. It is an excellent stoner album and, while I wouldn’t call it light-hearted, it had a kind of buoyancy to it, a sort of groove. The new album is a bit slower in tempo and a touch dimmer in tone. Whether in a loud moment or a quiet one, you can feel the doom surround you. It will definitely appeal to the band’s fans, and will gather up a new crowd among those who had been standing around the edges. The credited musicians on The Ocean are Travis Weatherred (vocals, guitar, drums, and synth) and Stephen Griffin (bass, keys, and guitar).
“Sunday” opens the show with a tentative pulse. A better way to put that is the music makes you feel tentative and on edge when you hear it. The vocals have a mystical and somewhat unsettling tonal quality – they seem like they might be a warning. The riff is heavy, buzzing with shadows. We know at the gate, then, that this is a doom album in the stoner lane that also has a dark shade to it. “Seasons” goes even deeper in a heavy, fuzzy trudge and the next track after that, “Hedonist,” punches it up a bit in the first look before quietening down and going ethereal. The journey we are on with this music is becoming a shifting kaleidoscope of blues and reds and yellows.
Each next step puts you a little off balance with a new tilt, and while there is familiarity in every track, I did not get the feeling of being in loop. Some of the songs have a grungy feel to them, like “Dark Desires.” Others force an insistent dismalness, like “Arrival.” Each port that is visited has its dangers and its charms. Put Fostermother on your must-hear list from here on out. Highly recommended.
The Ocean is out now from Ripple Music. Bandcamp and Ripple’s website are where you can get the details.
Ripple Music, https://www.ripple-music.com/