Exsanguination, Spectral Hymns (HPGD 2021)

Massachusetts Death Metal act Exsanguination presents Spectral Hymns, the band’s first long-player.

Not much is known about Exsanguination – at least not much yet in the usual places. The band’s first EP came out last year, and there have been several singles as well. The new one is the first full-length album to hit the streets. The music is Death Metal, and it lies on the groove and riffy side of the street. There are many clever twists and quirks that make Exsanguination’s style easily recognizable.

The Spectral Hymns album includes four new tracks and gathers six previously issued ones as well. The new tracks are “Martyred,” “Mortal Wounds,” “Revenant,” and “Blasphemous.” It is convenient to have the singles and music from the earlier EP collected here, and naturally it is the new music that is the big sell.

“Martyred” has a nearly two minute instrumental lead in that bangs well and good before the vocal growls show themselves. It is the perfect way to kick off the set, highlighting the musical style and song-writing approach. Vocals are a smaller part of the compositions for Exsanguination than they are for many bands that might otherwise seem similar. “Mortal Wounds” is instrumental in its entirety, and “Revenant” has another long lead-in, as does “Blasphemous.”

If you have been following the band in its new career you might have already heard the compiled tracks, but if not here is another chance. Stand-outs are “Lords Without Thrones,” “Tombs of the Blind Dead,” and “Blood Ocean.” The more I listen the deeper this music sinks in. The slowdowns and accelerations are planned to turn your attention rather than shock you, and the doom-heavy moments are perfectly compatible with the up-tempo segments for this reason. Everything comes together like perfectly fit stones of an ancient wall built by a lost civilization. This is a great album. Highly recommended.

Spectral Hymns is out on Friday, June 11th. CDs and digital are available at the links below.


Bandcamp, https://hpgd.bandcamp.com/album/spectral-hymns

HPGD, http://www.horrorpaingoredeath.com/index.html

Exsanguination, Spectral Hymns (HPGD 2021)

Necronemesis, Some Things Should Remain Underground (HPGD 2021)

The first full-length studio album from Necronemesis is a milestone in the long career of the Death Metal band.

The band is from Puerto Rico, and they started out back in 2000. Over the years their style and approach evolved toward Death Metal, and the title did too until it landed on the current Necronemesis. In 2005 they released a demo under the same title as the new record, and then an EP in 2008. The recording front has been mostly quiet since then until the present. According to the Metal Archives the band is Raymond Flores (drums), NecroJay (guitar), Angel David (vocals), and Sigfredo “Pirulo” Machado (bass). Rick Rozz (of Death fame) is reported to have played on this album as well.

There are seven tracks on Some Things Should Remain Underground. The music is an old school brand of Death Metal and the mix has a DIY feel to it with the percussion going a little poppy and the levels somewhat discordant – the result gives the album a sense of being recorded live.

“Cranial Disfigurement (By Fist)” winds you up from the jump with speed and aggression. When the vocals start it catches you by surprise – in a good way. Not the typical sound for this type of band, the singing gets your attention with its gruff mid-range presentation and occasional Black Metal hisses. A short lead guitar break slides in and there is a plenary scream toward the end to push the conclusion. The next song is “They Live In The Attic” and it features a more schizophrenic path that takes your balance away. And then the third track is another altered state all its own. The set keeps you guessing.

The highlights are “Horrorpit” for its absolute reckless abandon and the title track for its insistent darkness and sheer relentlessness. This album has a lot to admire and I hope we get more music from Necronemesis preserved in a permanent form so we can come back to it over and again. Recommended.

Some Things Should Remain Underground is available on Friday, June 4th from Horror Pain Gore Death Productions.


Bandcamp, https://necronemesis.bandcamp.com/

Facebook, https://www.facebook.com/necroquebradillas/

Horror Pain Gore Death, http://horrorpaingoredeath.com/

Necronemesis, Some Things Should Remain Underground (HPGD 2021)

Led To The Grave, Pray For Death (HPGD 2021)

Massachusetts Death Metallers Led To The Grave come out swinging on their first Horror Pain Gore Death Productions release.

Led To The Grave’s origins stretch back to at least 2007 with their self-titled demo. Since then there have been many more recorded artifacts, including two full-length albums, most recently Bane of Existence (2017). They have signed with HPGD now and metal fans will be glad for the easier access to the band’s music, which is a smash of Death Metal and Thrash that would melt a stone cold hunk of iron.

There are two songs on the EP. First up is “Pray For Death,” a rousing ripper with a catchy, progressing riff that opens up space for the growling vocals and peppering drums. The song is fast but not super-speedy and it ends with a bang.

“No Salvation” spins at you like an expertly thrown bladed weapon. There is a siesta in the middle that walks you right into the charging second half. It is a savage ride that will raise your blood pressure and get your fists punching in the air. These two songs are an inspired metal pairing. Recommended.

Pray For Death is out today. Look on the Bandcamp page or at HPGD’s website to order cassettes, digital, CDs, t-shirts, and all. After you hear these two songs you are going to want more. While you’re waiting for future music releases to materialize, check out the band’s Bandcamp page where you can get the earlier music to hold you over.


Bandcamp, https://ledtothegrave.bandcamp.com/

Facebook, https://www.facebook.com/ledtothegrave

HPGD website, http://www.horrorpaingoredeath.com/

Led To The Grave, Pray For Death (HPGD 2021)

Monnier, Monnier (HPGD 2021)

Grindcore duo Monnier sign with Horror Pain Gore Death and release a compilation to the wider world.

Jasper Swerts (instruments) and Makiko Suda (vocals) are Monnier. They have issued two EPs, Monnier (2018) and EP2 (2020), collected here for ease of acquisition. The music is hard cracking grindcore, and it gets under your skin.

The sixteen songs contained in Monnier rarely break the two minute rule. They are raging, savage attacks, all of them. Titles like “Writhe In Agony,” “Excruciation,” and “The Abyss” give you a pretty good idea of the themes. But then “grindcore” gives you a pretty good idea of what you are in for, too, doesn’t it.

The titles of the second set of eight tracks are in Japanese, and they are written in the usual combination of kanji and hiragana, which I can’t read. There is no preemptive expectation this way. You can definitely hear a difference between the first half and the second; between the two EPs. I wouldn’t say that one is better than the other, but there are different emphases, in the percussion especially.

What I like about this music particularly – and what makes it different from the usual tumult – is what happens in between the dissonance and the roar. The hooks and riffs, the musical progressions. These are the elements that make you want to listen to the music rather than just hear the sound. Monnier does these things in rare and compelling ways.

The compilation is out on Friday, April 23rd so get yourself together before then. Recommended.


Bandcamp, https://hpgd.bandcamp.com/album/monnier

Facebook, https://www.facebook.com/monniergrindcore/

Label, http://www.horrorpaingoredeath.com/

Monnier, Monnier (HPGD 2021)

Mortify, Grotesque Buzzsaw Defilement (HPGD 2021)

The new EP from Mortify will punch you into unconsciousness with Grindcore madness in less than 10 minutes.

Mortify is Ryohei Kikuchi (drums), Takuya Koreeda (guitar), and Adam Jennings (vocals). After demos in 2017 and 2019, they followed up with the full-length album Stench of Swedish Buzzsaw that holds twenty songs with a running time of ten minutes. They are on the same trajectory with the new one, Grotesque Buzzsaw Defilement, that has thirteen songs in under ten.

So what do we know? Mortify is a fairly new band that plays short, blazing Grindcore with a buzzsaw through-line. OK. Ready to go.

If we do the math here, these songs are going to be less than a minute for the most part. The shortest is twenty five seconds, pushing the envelope on the idea of a fully realized stand-alone concept. Mainly, they are getting in and getting out quick, with a blistering pace and destructive attitude.

My favorite tracks are “Flesh Creep,” which is a thirty-five second doom song that opens the set, and “100 Rats,” a beautiful horror story that shreds all surroundings and has a catchy riff. “Mangy Mutts” and “Deviant” also spoke to me because of the guitar riff in the former and the oppressive, weighty shots in the latter. I’d love to see the band perform this entire album live, straight through in a sweaty, claustrophobic club. That’d be great.

If you are not into commitment but you are a fan of fast, loud, and aggressive music, this one is for you. Recommended.

Grotesque Buzzsaw Defilement is out on Friday, April 2nd from Horror Pain Gore Death Productions. Hit the Label Bandcamp link below for the download, CDs, and merch in the US.


Facebook, https://www.facebook.com/Mortify666/

Bandcamp, https://mortify666.bandcamp.com/album/grotesque-buzzsaw-defilement

Label Bandcamp, https://hpgd.bandcamp.com/album/grotesque-buzzsaw-defilement

Label, http://www.horrorpaingoredeath.com/

Mortify, Grotesque Buzzsaw Defilement (HPGD 2021)

Coffins, Defilements (HPGD 2021)

The new compilation from Japan’s Coffins scoops together nearly two hours of out-of-print musical pieces from across almost ten years of work.

Coffins has an astonishingly long list of releases dating back to 2000 including splits, EPs, live albums, LPs, compilations … you name it. The music is a Death/Doom Metal amalgam that takes a grind-you-down approach to melody. The Metal Archives lists the member as Uchino (guitar), Satoshi (drums), Jun Tokita (vocals), and Masafumi Atake (bass).

Defilements gathers together materials from five EPs that have been out of print for a while: Craving To Eternal Slumber (2015), Noise Room Sessions 2014 (2016), March Of Despair (2012), Sewage Sludgecore Treatment(2012), and Live At Asakusa Deathfest 2016 (2017).

It is out now, and you can get the digital, CD, and merch at Bandcamp. If you missed a couple of these beauties when they first appeared, now is the time to make amends. It will press the pain right out of your brain. Recommended.


Bandcamp, https://hpgd.bandcamp.com/album/defilements

Website, http://www.coffins.jp/

Facebook, https://www.facebook.com/intothecoffin

Coffins, Defilements (HPGD 2021)

Inhalement, Live Resin (HPGD 2020)

Boston Death Metal smokers Inhalement push out their third EP, Live Resin.

In the throes of the public health-induced slowdown, Boston’s own Inhalement got together in October to record a live in the studio album. According to the press notes, the music was “Captured in one take – no edits, no overdubs, no punch ins and plenty of mistakes – to document the experience of Inhalement in the most primal form.” A very punk, DIY approach, and an accurate description.

There are five songs in the set, starting with “Charred and Stale” and then two each from Eternally Stoned and Grotesque Inhalement. The first song is a good warm up for the frenzy that follows. It really does sound like a live play through, and, maybe because of the mic placement, it has a dingy club sonic presence. You can almost feel the pit and smell the sweat. One song boils into the next, and they are “Exhumed for Edibles,” “Drowning in Reclaim,” “MJ Ultra,” and “Bong Rip Execution.” Every heavy thing we like about this band comes out in growling elegance.

Rolling up on twenty minutes of aggressive menace, the new Inhalement album might not cure you of all your ills, but it will help you forget some of your troubles for a while. Recommended.

December 11th is the drop date for Live Resin. Get yourself together by then so you are ready to crank it up when the clock strikes.


Inhalement Facebook, https://www.facebook.com/Inhalementdeathmetal/

Inhalement Bandcamp, https://inhalement.bandcamp.com/

HPGD, http://www.horrorpaingoredeath.com/

HPGD Bandcamp, http://hpgd.bandcamp.com/

HPGD Facebook, https://www.facebook.com/pg/horrorpaingoredeath/posts/

Inhalement, Live Resin (HPGD 2020)

Oxalate, Infatuating Sickness review (Horror Pain Gore Death Productions 2020)

Oxalate’s latest is an EP that’s a flash of dark conjuring that will close your eyes and poison your mind.

Oxalate is a New York / New Jersey Metal band – The Metal Archives lists them as Death Metal and the occult angle they have makes you think about the darker end of that musical spectrum. The band is (again, from The Metal Archives) Devon Ray (bass, vocals), Jackeline Betancourt (drums, vocals), Chris Albertsen (guitar), and Zakk Mild (guitar). They released the single Dank Sepulchrum in 2018, and independently pushed out Infatuating Sickness in 2019. This year they are on a split with Perpetuated, Blood Spore, and Vivisect, and Infatuating Sickness is getting a new release.

Infatuating Sickness is trudging Black Metal that delivers a consistent eleven minutes and eleven seconds of dire hopelessness. The music relies heavily on the rhythm section and compelling vocals. The guitars get to shine in short lead flurries in “Unwholesome Revelation” and “Dark Ritual,” while they are more prominent parts of “Blood and Sulphur” and right at the end of the title track. I have only heard five songs from this band and I like all of them. I am aching for more. Recommended.

The download for Infatuating Sickness has been out for a while at the band’s Bandcamp page, and the CD, a new download, and merch will be available Friday, September 4 from Horror Pain Gore Death (second link below). The band was also selling a tape and t-shirt bundle through their Facebook page (third link below) earlier this week – check in there and see if any remain.






Oxalate, Infatuating Sickness review (Horror Pain Gore Death Productions 2020)

Ruin, Plague Transmissions: Vol. 2 review (Blood Harvest/Horror Pain Gore Death Productions 2020)

The second compilation of recent Ruin music has hit the streets: Plague Transmissions: Vol. 2.

There are a lot of bands who have used the name Ruin over the years. You probably know which one we are talking about here, but just to be sure we are all on the same page, I looked up some information on Ruin at Encyclopaedia Metllaum (https://www.metal-archives.com/bands/Ruin/3540401007). This Ruin is the Death Metal band from California (not Massachusetts or Maine or Florida or New York or …) that was formed in 1990 and made a short but prominent fireburst at the time, breaking apart the next year. Founding member Mihail Jason Satan gathered up forces in 2015 to rustle the fire back to life. Since then, the band has been releasing a ton of EPs and splits, and a couple of full-length albums, including Drown In Blood (2017) and Human Annihilation (2018).

Volume 2 of Plague Transmissions collects material from Into Endless Chasms (2018), Infested Death (2020), Death Tomb (2019), and the Ruin / Anthropic (2018) split (according to the Metal Archives). This is the way to go if you missed out on any of these earlier releases or you just want to grab them all at once.

What does the music sound like? Savage, brutal Death Metal. There is a no nonsense approach to song writing here that yields growling aggressive vocals, fierce guitars, and pummeling percussion. Ruin exhibits a high level of production quality and inserts narrative samples and juxtaposed musical elements to enhance and deepen the impact of the pieces. The songs display a greater variety than you sometimes hear in such hard music, but they never compromise their edge. From the fade in of the first track, “Into Endless Chasms,” and the somber chants therein to the final screeches and growls of the last song, “Eternal Curse of Rotten Beings,” there is no filler, no place holder, no pointlessness – this compilation is rock solid and comes highly recommended. If you are a fan you know you want it, and if you have never heard of Ruin this is a good place to get acquainted.

You can imbibe in the digital from Bandcamp now, with CDs shipping out soon.





Ruin, Plague Transmissions: Vol. 2 review (Blood Harvest/Horror Pain Gore Death Productions 2020)

Inhalement, Eternally Stoned review (Horror Pain Death Gore Productions 2020)

The smoke is rising out of Boston and a barrage of metal aggression follows it with the new EP from Inhalement.

There is not a lot of widely dispersed information about Inhalement. They have a Facebook page (link below). They (most of the band, at least) performed as Toke previously and released Fifty Ton Nug in 2016. As Inhalement, they released Grotesque Inhalement last year (you can hear it on Spotify). One thing you should know is that, even though the name of the band and the title of the new CD make you think this is stoner/sludge music, it is not – this is death metal. On the riffy side of the street, sure, but it is grisly.

There are four songs on Eternally Stoned, averaging in the three minute range. “MJ Ultra” is the eye opener, with a few seconds of a misleading whisper at the start followed by a wall of charging metal sound. It plays like a conquering army overwhelming an inferior opponent, then looking back to gloat. The piercing lead break is the planted flag. “Unsmokeable” is, if anything, even more searching and urgent. “Drowning In Reclaim” starts with a deep draw and lays out a few homages to classic metal tropes. The title track closes, and it is a banger with big riffs and a dramatic wind-down. It all happens fast, but you can always light up and listen to it again. Good times. Recommended.

Out this Friday, July 17, you can pre-order the digital album and physicals at Bandcamp (the HPGD link below). You can even get a t-shirt.

Band photo snagged from Bandcamp.









Inhalement, Eternally Stoned review (Horror Pain Death Gore Productions 2020)