Nervosa, Perpetual Chaos (Napalm Records 2021)

The thrash is verily raging from the new metal set by Nervosa.

Nervosa began in São Paulo, Brazil just over ten years ago. Brandishing a rugged version of classic Thrash, the band released three albums over the years, the new one making four. Founder and guitarist Prika Amaral is joined by three new musicians for Perpetual Chaos: Diva Satanica (aka, Rocío Vázquez, on vocals), Mia Wallace (bass), and Eleni Nota (drums). It is a truly international band, with the three new members hailing from Spain, Italy, and Greece.

The new set is made up of thirteen songs – that’s a good number. Brevity is the call sign with these three minute furies, speeding as they do to bowl you over before you can tell what hit you.

“Venomous” is the no-nonsense opener that cracks and zips with fist punching riffs, blast beats, and a rollicking lead break. The vocals snarl into the Death Metal range, adding a sinister touch to the sound that matches well with the wicked themes – witness the next song, “”Guided By Evil.” Apart from the ever-present up-tempo, there are a lot of approachable hooks and fan-pleasing choruses that’ll be great live when the crowd sings along. The pressure is on all the way to the final track, “Under Ruins,” which, itself, is one my favorites.

There are a few guest appearances to add to the variety and season the mix, including by Guilherme Miranda (Revolta), Schmier (Destruction), and Erik A. K. Knutson (Flotsam and Jetsam). The album is imminently listenable and bears re-spinning at its end. The newest incarnation of Nervosa has definitely thrown down the gauntlet with this one. Recommended.

Perpetual Chaos is out now. All sorts of versions and merchandise are available at the Napalm Records site. The band has its own store, too, and there is always Bandcamp. Consider yourself hooked up.

Links.

Bandcamp, https://nervosa-brazil.bandcamp.com/

Website, https://nervosaofficial.com/website/english-home/

Facebook, https://www.facebook.com/nervosa

Napalm Records, https://napalmrecords.com/english/nervosa.html

Nervosa, Perpetual Chaos (Napalm Records 2021)

Coffins, Defilements (HPGD 2021)

The new compilation from Japan’s Coffins scoops together nearly two hours of out-of-print musical pieces from across almost ten years of work.

Coffins has an astonishingly long list of releases dating back to 2000 including splits, EPs, live albums, LPs, compilations … you name it. The music is a Death/Doom Metal amalgam that takes a grind-you-down approach to melody. The Metal Archives lists the member as Uchino (guitar), Satoshi (drums), Jun Tokita (vocals), and Masafumi Atake (bass).

Defilements gathers together materials from five EPs that have been out of print for a while: Craving To Eternal Slumber (2015), Noise Room Sessions 2014 (2016), March Of Despair (2012), Sewage Sludgecore Treatment(2012), and Live At Asakusa Deathfest 2016 (2017).

It is out now, and you can get the digital, CD, and merch at Bandcamp. If you missed a couple of these beauties when they first appeared, now is the time to make amends. It will press the pain right out of your brain. Recommended.

Links

Bandcamp, https://hpgd.bandcamp.com/album/defilements

Website, http://www.coffins.jp/

Facebook, https://www.facebook.com/intothecoffin

Coffins, Defilements (HPGD 2021)

Sumeru, Blood Ordinance (Brilliant Emperor 2021)

Australian metal band Sumeru reveal their first new music since 2018 with Blood Ordinance.

For more than ten years Sumeru has been playing metal. They are typically labeled a Doom or Stoner band, but they often play up-tempo, even speedy music, and on the new release high velocity is very much in evidence. They have published two full-length albums so far, Holy Lands (2014) and Summon Destroyer (2018) to complement their self-title demo from 2013. Blood Ordinance features new vocalist Jake Willoughby, and it is an excellent introduction.

There are two songs on the EP. “Cold Chamber” leans way over on the Death Metal side with its up-tempo opening and outwardly challenging vocals and percussion. It is a genuine aural throttling. It does slow down about three and a half minutes in, layering more standard Doom filaments in the channels. The final minute is a beautiful, solemn outro. “Foundry of Dread” also starts out as a banger and never lets up. If you are waiting for the song to turn over to disquiet and foreboding haunts you are out of luck. It is fierce all the way through.

The EP is out now and when you buy it from Brilliant Emperor you get three digital bonus tracks. There is no mention of the bonus tracks on the Bandcamp page, so I’m not sure what happens there. The previously unreleased bonus tracks are reported to be “Blood Ordinance,” “Kingdom,” and “Spines.” Recommended.

Links.

Facebook, https://www.facebook.com/sumeruband

Bandcamp, https://sumeru.bandcamp.com/

Label, https://brilliantemperor.bigcartel.com/

Sumeru, Blood Ordinance (Brilliant Emperor 2021)

Unbounded Terror, Infernal Judgment (Xtreem Music 2021)

Early 1990s Spanish Death Metal band Unbounded Terror offers up a vigorous assault on your senses.

Thirty years ago the band came together in Mallorca, Spain. It was the early days of Death Metal there, and they quickly joined the ranks of well-regarded heavy bands. Nest Of Affliction came out in 1992, but the band parted ways shortly afterward due to musical differences. These things happen. The resurrection was last year with the well-received Faith In Chaos.

Infernal Judgment is a compilation that includes one new song, the title track released earlier as a single, three live recordings of songs from Faith In Chaos, and four re-recorded songs from the band’s debut album. It has been a little more than a calendar year since the re-entry album so it is nice to have this new material.

The single is the big news, and it is a thunderclap of ravaging menace. The signature sound is there, and we can take it as a sign of things to come. Fast and urgent, the melodic signatures are intermingle alongside the clever hooks and pummeling rhythm. The re-recorded songs are “Dreamlord,” “Fear,” “Slaves of Sufferage,” and “Sarcastic Souls.” A lot of metal bands are doing this, and the main advantage of re-tracking old songs is the improvement in recording technology and possibly cleaning up some odds and ends from the early originals. These new versions are definitely crisper than the initial recordings. The live tracks are “They Will Come From The Pain,” “Silent Soul,” and “Hated In Hell,” and they sound great. The presentations are consistent with the studio versions but with renewed energy and the magic and madness that live music creates.

The album is scheduled to be out now and is available in digital download, CD, cassette, and vinyl versions. Check out the band’s own website for more info on what they are up to, and buy the music and merch through Bandcamp. Recommended.

Links.

Bandcamp, https://xtreemmusic.bandcamp.com/album/infernal-judgment

Band website, http://www.unboundedterror.com/

Facebook, https://www.facebook.com/UnboundedTerror

Unbounded Terror, Infernal Judgment (Xtreem Music 2021)

Transcending Obscurity Sampler (2021)

It is a new year so that means a new label sampler from Transcending Obscurity.

This label has released some of the best heavy around. In 2020, FFMB covered several of their albums including the amazing Jupiterian, Heads For The Dead, and Revolting releases. 2021 has just as much promise, and the music that has already been announced will freeze you in your tracks.

The sampler itself has 38 songs on it and it is absolutely massive – some songs are a full album side, like “Reverential Silence” by Arch which runs 15:30 and “Secret Powers Entrenched in an Ancient Artefact” by Eremit that goes for more than 18 minutes. The breakdown by genre according to the label is: Tracks 1-22 – death metal/grind/crust, Tracks 23-26 – technical/brutal death metal, Tracks 27-33 – black metal, and Tracks 34-38 – doom/sludge metal. There has to be something here you like. And it is all new music. Check out the full list at the link below.

The sampler is available now and it is FREE – name your price at Bandcamp (link below). How can you pass on this? You can’t. Highly recommended.

Link.

Bandcamp, https://transcendingobscurity.bandcamp.com/album/2021-label-sampler

Transcending Obscurity Sampler (2021)

Bloody Hammers, Songs Of Unspeakable Terror (Napalm Records 2021)

Horror shines bright on the sixth album from the North Carolina duo Bloody Hammers.

I have been listening to Bloody Hammers since the initial self-titled album in 2012. The very first track, “Witch of Endor,” is fuzzy and trippy and it sinks it talons in your neck. Spiritual Relics came out the very next year and it was just as clever and fresh. The occult themes and consistent horror underpinnings dress the reliable and forthright metal that has lead me to keep an eye open for new releases from band ever since.

The catchy musical sensibility of “A Night To Dismember” combined with the obvious tongue-in-cheek lyrics and melodic pop-punk execution makes the song an irresistible fuzzy cotton candy horror treat. What a way to kick off the album. The theatrical influences verily drip from the sleeves of these songs, titled as they are after cult movie classics like “Hands of the Ripper,” “The Brain That Wouldn’t Die, and “Witchfinder General.” Samples dropped in (as in White/Rob Zombie) are delightful little familiar punches: witness “Not Of This Earth.” The music is all about the riffs, percussion, and the voice, cast in a throwback robe that resurrects the most memorable elements of bands like The Cramps and more obscure gems like The Voluptuous Horror Of Karen Black [Aside: deep-dive this band some time, and especially seek out the album “A National Healthcare.”]. There is even one creepy pseudo-ballad, “Lucifer’s Light.” This album has everything.

Any fan of Bloody Hammers is going to love this record, I say with confidence. It does not sound exactly like the others, but it is not a wild departure, either. It is an homage that simultaneously remains true to form, and you will definitely want to hit the repeat button. Recommended.

Songs Of Unspeakable Terror is out today from Napalm Records. Grab it with both hands.

Links.

Bandcamp, https://bloodyhammers.bandcamp.com/album/songs-of-unspeakable-terror

Website, http://www.bloodyhammers.com/

Facebook, https://www.facebook.com/BloodyHammers

Napalm Records, https://www.napalmrecordsamerica.com/bloodyhammers

Bloody Hammers, Songs Of Unspeakable Terror (Napalm Records 2021)

Frozen Soul, Crypt Of Ice (Century Media 2021)

The debut LP from Fort Worth metal band Frozen Soul is the merciless application of Old School Death Metal in the creation of a soundtrack for demise.

The band has only been releasing music for a couple years, with two splits, an EP, and a single leading up to Crypt Of Ice. They are OSDM in orientation, and for some reason they remind me a little of Tomb Mold, one of my favorite new(er) bands, except less frenetic and more deliberate. Expect blast beats and heavy rhythm circling the wagons around haunting growls. The band is Chad Green (vocals), Samantha Mobley (bass), Michael Munday (guitar), Matt Dennard (drums), and Chris Bonner (guitar).

The music has a grinding, heavy power to it. There is not a focus of lead breaks and whirling speed. Rather, Doom elements live in the metal here, bringing down the tempo and pushing the relentless riffs into focus. One of my favorite songs on the album is “Merciless,” and it is the perfect example of this, with a plundering, crushing weight towards the end that was set up by fierce first half. The song then leads into “Encased In Ice,” which very much feels like being surrounded by the thick walls of a glacial tomb for almost two minutes before the tempo picks up and stabs an ice pick in your brain. There is a flowing wave here. The wandering musical variegation is not random or haphazard – it is a compositional deliberation on the dark themes brought out in the album. The result is exceptional metal delivered on a frozen silver platter. Recommended.

The new album is out now and available widely from any place that carries Century Media Records products. Also, link below. Lots of versions and merch are out there if you are so inclined. Bandcamp has the earlier EP Encased In Ice if you are interested in that – it is also really good.

Links.

Facebook, https://www.facebook.com/frozensoultx/

Bandcamp, https://frozensoultx.bandcamp.com/releases

Century Media, https://www.centurymedia.com/release.aspx?IdRelease=2323

Frozen Soul, Crypt Of Ice (Century Media 2021)

Dread Sovereign, Alchemical Warfare (Metal Blade Records 2021)

Dublin Doom trio Dread Sovereign sets a raging fire with their third album, Alchemical Warfare.

The driving force in the band is Nemtheanga, known otherwise as the vocalist for the band Primordial. He started Dread Sovereign some time back, releasing an EP in 2013 followed by two LPs, All Hell’s Martyrs (2014) and For Doom The Bell Tolls (2017). Joined by JK (Johnny King) on drums and Bones on guitar, there is an urgency to the music on the new album, unmistakably circling the chasm of Doom. The vocals are mostly clear, and the themes walk the Black Metal road. The band’s motto is “the world is doomed,” and the theme is a through-line explained this way: “The subject matter and aesthetic are particular to the three characters on the front cover of each release, the time travelling trio who appear on the debut flaying Saint Bartholemew, on the second album hanging Sarah Wildes Averill in Salem and now as lab assistants to Isaac Newton as he tries to discover the secret of Alchemy.” The songs are sinister odes from dark moments in history.

There are seven tracks (four of them over eight minutes long) with an intro piece and an intermission segue. That intro sounds a little like swirling bells and whispering dark witches casting spells. “She Wolves of the Savage Season” then picks up the doom and slams it back down. The frenzy gets really whipped up on “Nature Is The Devil’s Church” with its pressing riffs and pleading vocals. There are also extended guitar passages here, in this song and well distributed throughout where the narrative concepts are given musical form. “Her Master’s Tomb” is almost a Doom ballad while “Devil’s Bane” rips and roars and finishes with a raging shred. The album wraps on a single-length banger, “You Don’t Move Me (I Don’t Give A Fuck)” – they decided to go out swinging with a heavy punk punch. This is an great album, front to back. Highly recommended.

The full album drops on Friday, January 15th and preorders at Bandcamp will get you two tracks now while you wait for the week to end. Metal Blade Records has CDs and vinyl if you want to go that way.

Links.

Bandcamp, https://dreadsovereign.bandcamp.com/

Facebook, https://www.facebook.com/DreadSovereign

Metal Blade Records, https://metalblade.com/dreadsovereign/

Dread Sovereign, Alchemical Warfare (Metal Blade Records 2021)

John The Baptist, self-titled (2021)

From Jyväskylä, Finland, John The Baptist forge forth into the masses of heavy music listeners with their first full-length release.

The band has been around since 2015 and has released a demo, a split, and a single. This current self-titled effort is their biggest album so far, and it is loaded to the top edge with loud, heavy doom.

The musicians use stage names, and apart from Facebook do not have a large social media presence. That leaves us without an enormous amount of information to pass on. On their Facebook page, they say this: “Our music is slow and heavy like the rumblings of the earth. Our message is grand and grim.” OK, that does narrow it down some.

There are six massive tracks on the new album, and heavy they are indeed. The short one is nine minutes long, and the long one runs fifteen so there is a lot of listening to be had. The style is straight-forward doom, without any muddling. There is no pretension in the music and they seem to play what  they feel, offloading their interests in patient, thundering riffs. The first track, “Deluge,” is a perfect example. It opens with a solo guitar, laying down the fuzz in slow and deliberate sheets for a minute and a half before being joined with even more heaviness. The vocals are earnest and not distorted. There are tempo shifts and sonic variations; theme turns and compositional confluences and diversions are plentiful. Nevertheless, on every track, there is no mistaking the doom, culminating in the most comprehensive statement with the anchor piece, “John The Baptist.”

John The Baptist is available now on Bandcamp (link below). No word yet on whether there will be a CD or vinyl release, so don’t wait for that. Hear them now. Recommended.

Links.

Bandcamp, https://jtbdoom.bandcamp.com/album/john-the-baptist

Facebook, https://www.facebook.com/JtBhellmetal

Soundcloud, https://soundcloud.com/johnthebaptist-doom

John The Baptist, self-titled (2021)

Torn Fabriks, Mind Consumption (Firecum Records 2021)

Thrash trio Torn Fabriks breaks through with a fresh EP clocking music for mass consumption.

From Lisbon, Portugal, the band is Jorge Matos (guitar), Ricardo Santos (bass, vocals), and Paulo Soares (drums). They appear to have sprung out of the ether, coming together from the bands Sindicato da Terra, Morbid Death, and Rageful. They play a familiar brand of traditional thrash, in many ways on the edge of what we used to call speed metal. Fast and straight-forward, it is music for the masses.

The EP has six songs and it runs a bit over twenty minutes. There is noticeable filler throughout but there are also healthy portions of tasty shreds which are worth the wait. You can hear social and political commentary in the lyrics, but the bigger draw is the catchy music and that is what fans will be drawn to and remember, I think.

Mind Consumption is out now. The record label has a CD version, and there are a few single tracks available at Bandcamp – the entire EP will probably be up there soon. It is worth a little bit of searching.

Links.

Bandcamp, https://tornfabriks.bandcamp.com/

Facebook, https://www.facebook.com/TornFabriks/

Firecum Records, https://www.firecum.com/product-page/cum-039-torn-fabriks-torn-fabriks-cd

Torn Fabriks, Mind Consumption (Firecum Records 2021)