Paradise Lost, At The Mill (Nuclear Blast 2021)

Paradise Lost release their second live album of 2021, At The Mill.

The importance of Paradise Lost to the heavy music community is difficult to overstate. They are pioneers in transformative doom metal and are founders, really, of what became gothic doom. Since forming in 1988 they have released sixteen studio albums, including 2020’s Obsidian. Their place is permanent in the history of metal and they continue to create and innovate with each passing year.

This new album is a recording of the livestream the band did last fall at The Mill Nightclub in Yorkshire, England, their hometown. It follows Gothic – Live at Roadburn 2016 that came out earlier this year. Both are complete sets but there is almost no overlap between them. The set list for At The Mill is “Widow,” “Fall from Grace,” “Blood and Chaos,” “Faith Divides Us – Death Unites Us,” “Gothic,” “Shadowkings,” “One Second,” “Ghosts,” “The Enemy,” “As I Die,” “Requiem,” “No Hope in Sight,” “Embers Fire,” “Beneath Broken Earth,” “So Much Is Lost,” and “Darker Thoughts.”

If you are a fan you will know all the songs. The melodic metal tinted with dark, gothic themes and enriched by the lyrical lead guitar work is nectar to your ears. Paradise Lost has always been known for its compelling live performances and they are holding nothing back on At The Mill. While the band already has many live albums in their catalogue, I recommend this one as well to hear their current state of excellence.

At The Mill is out this Friday, July 16th, through Nuclear Blast Records. You can get the digital at Bandcamp and the vinyl or CD/Blu Ray combo at the Nuclear Blast shop. The Blu Ray is a good option if you missed the original livestream.

Links,

Bandcamp, https://paradiselostofficial.bandcamp.com/album/at-the-mill

Facebook, https://www.facebook.com/paradiselostofficial/

Nuclear Blast, https://shop.nuclearblast.com/en/products/sonstiges/paradise-lost-at-the-mill-cd-blu-ray-.html

YouTube, https://www.youtube.com/user/paradiselostuk

Paradise Lost, At The Mill (Nuclear Blast 2021)

Tundra, The Mirror Of Elizabeth (Corrupted Flesh Records 2021)

Tundra’s concept EP The Mirror Of Elizabeth gets a limited edition stand-alone release.

The story goes that this EP was originally recorded in 2013 but never released on its own as intended. It was, however, released in its entirety on the Dreams of a Gone Existence split with Korium in 2015.

Why get it now? There are a couple of fascinating iterations in this release to choose from, including a fairly plain cassette version and one bundle that has a necklace with a bit of blood in it. Your interest all depends on your level of fandom here.

The music itself is a themed cycle concerning Elizabeth Bathory, remembered in history for bathing in human blood to maintain her youth, along with other assorted purported activities. There is an intro piece and then four songs. The main tracks are a raw brand of Black Metal with a caustic edge in the guitars and vocals. It is grim and gritty music – just exactly right for the subject matter. But it is more than that, too. I like this EP a lot. It isn’t run-of-the-mill Black Metal at all as it has strong doom and gothic elements to it. There are even sorrowful moments, especially in the title track and the closing song, “Triumphant March Of Death.”

If you had heard about this musical sequence and always wanted it in its own presentation then this is a good week for you. Definitely grab it up if you want a hard copy, and if you have never heard it before find a way to listen. All Black Metal fans should definitely hear The Mirror Of Elizabeth. Recommended.

The limited edition cassette can be pre-ordered now for a May 14th shipment and the digital has been available ready to go. Links below.

Links.

Bandcamp, https://corruptedfleshrecords.bandcamp.com/album/the-mirror-of-elizabeth

Corrupted Flesh Records, https://www.corrupted-flesh.com/product/tundra-the-mirror-of-elizabeth-limited-edition-tape-incl-digital-download

Tundra website, https://www.totalhumancollapse.net/tundra.html

Tundra Facebook, https://www.facebook.com/tundrablackmetal/

Tundra, The Mirror Of Elizabeth (Corrupted Flesh Records 2021)

Dark The Suns, Suru Raivosi Sydämeni Pimeydessä (Inverse Records 2021)

Finnish melodic Death Metal band Dark The Suns release their fourth full-length album.

According to the Microsoft translator, the album title Suru Raivosi Sydämeni Pimeydessä is “grief raged in the darkness of my heart” in English. That is the perfect theme for the style of music Dark The Suns creates. The band started as a solo project by Mikko Ojala in 2003, evolving into a duo with Inka Tuomaala. After releasing three albums over the years, the band split up in 2013. The new album is their first music together as Dark The Suns since then.

There are ten songs in the set. The music is theatrical and emotive, cascading between quiet, lyrical moments and big metal explosions. You can get a sharp image in your head while listening, created by the fullness of the composition. For example, the opening track can be described as what we might expect if Danny Elfman wrote Death Metal music. Imagine Jack Skellington the Pumpkin King in a tight frontal shot marching up that crazy hill pumping his arms and moving with purpose in The Nightmare Before Christmas. “Spirit in the Dark” is the perfect music for it. Very theatrical, very full, and a complete vision.

There are symphonic elements throughout, and progressive ones as well. Even with this kind of complexity and attention to drama and presentation the metal music is always still there. The songs land at about radio length, tightly formed and design for impact. In this album you will find power and angst in the loud moments as well as the quiet ones. Recommended.

Suru Raivosi Sydämeni Pimeydessä is out now. You can buy it at Bandcamp and listen through the usual streaming outlets.

Links.

Bandcamp, https://darkthesuns.bandcamp.com/

Facebook, https://www.facebook.com/darkthesunsofficial

Label, https://www.inverse.fi/site/

Dark The Suns, Suru Raivosi Sydämeni Pimeydessä (Inverse Records 2021)

Tribulation, Where The Gloom Becomes Sound (Metal Blade Records 2021)

Tribulation strike out on their fifth crusade of long-playing gothic horror, tuning the guitars to mysticism and setting the compass toward cemeteries.

The band began in Sweden around the turn of the century under another name playing a style of death metal that curved over time toward gothic metal and doom. Since 2004, Johannes Andersson (vocals and bass) and Adam Zaars (guitar) have been the driving forces in the band. Oscar Leander (drums) and Joseph Tholl (guitar) arrived more recently to ply sonic dimensions of decay with the founders. The most recent studio album was Down Below (2018) and the band released a live set in 2019, Alive and Dead at Södra Teatern.

The music begins sounding for all the world like the soundtrack to a horror movie – you can see in your mind the dancing skeletons when you hear the eerie refrain. The guitars land with a muted push, and the vocals are presented at a death metal crossover level. The melody of the guitar is an echoing lament and the chorus is solidly rooted in an old school metal style. The bridges are theatrical, mimicking bow-touched strings. The lead break is a soaring epitaph. It is a major production, “In Remembrance,” and it is just the first song.

In some ways, the music is a bit like a modulated, more approachable Mercyful Fate essence, although clearly less doctrinaire in the narrative. The songs are more about the vaporous essence and feeling than they are about pushing a specific idea or intention. “Leviathans,” for example has lilting quality to it while being surrounded all the while by a heavy mist that could be holding dire consequences.

“Lethe” is a lovely, sad piano piece and the very next song (my favorite on the album) is the crashing, rampaging “Daughter of the Djinn.” Heading toward the end of the album, “Funeral Pyre” is an adrenaline-fueled climax, setting up “The Wilderness,” the final song that walks you into the woods and leaves you there, feeling somehow ready to face the unknown. The experience is dark and dramatic. Recommended.

Where The Gloom Becomes Sound is available now from Metal Blade Records in all manner of visual variants.

Links.

Website, https://www.tribulation.se/

Facebook, https://www.facebook.com/TribulationSweden

Metal Blade Records, https://www.metalblade.com/tribulation/

Tribulation, Where The Gloom Becomes Sound (Metal Blade Records 2021)

My Dying Bride, Macabre Cabaret review (Nuclear Blast 2020)

Hot on the heels of The Ghost Of Orion released earlier this year, My Dying Bride issues even more new music with Macabre Cabaret.

My Dying Bride is a storied band. A pioneer of Doom Metal and atmospheric Death Metal, not to mention Gothic Metal, they have been a mainstay in heavy music for thirty years. The band is Andrew Craighan (guitars, keyboards, and bass), Aaron Stainthorpe (vocals), Lena Abé (bass), Shaun Macgowan (keyboards and violin), Jeff Singer (drums), and Neil Blanchett (guitars). Macabre Cabaret includes three songs.

The title track is a ten minute long expression of dark beauty. It is solemn and ethereal, with movements of quiet reflection seamlessly transforming into forceful, surrounding dread. “A Secret Kiss” echoes like a seafaring nightmare told on a dark rocking ocean after the sun goes down. It is the essence of sinister. “A Purse Of Gold And Stars” is a plea to unseen universal forces. A quiet piano and softly spoken lyrics glide atop a churning malevolence of sound and, as the song progresses, a ghostly accompaniment of violin and disembodied choir. The final simple singular notes are piercingly haunting.

Macabre Cabaret is out now and available at the links below. The CD reportedly has an additional track, “Orchestral Shores (Buiksloterkerk Cathedral Mix).” Fans of the band will immediately embrace this album, and it is an excellent introduction for newcomers as well. Recommended.

Photo by John Steel.

Links.

Website, http://www.mydyingbride.net/

Facebook, https://www.facebook.com/MyDyingBrideOfficial/

Nuclear Blast, https://shop.nuclearblast.com/en/products/sound/cd/mini-cd/my-dying-bride-macabre-cabaret.html

My Dying Bride, Macabre Cabaret review (Nuclear Blast 2020)

Ixion, L’Adieu aux Etoiles review (Finisterian Dead End 2020)

The fourth album from French Doom duo Ixion is a further exploration of sound, feeling, and meaning in the dark corners of existence.

Ixion is Julien Prat and Yannick Dilly. They have been releasing albums since 2011 in the vein of Atmospheric Doom, on the edge of Funeral Doom, really. Their most recent album is from 2017, Return, and it had a lighter feel to it in expression and tone compared to the first two albums. The new one sidles up to the dark side again taking the music on a deep space doom journey.

Ixion is the name of a king in Greek mythology that was condemned to spin on a “fiery wheel” for eternity for recalcitrant un-smiled-upon deeds. Traversing first in space and later in hell (Tartarus), Ixion is an icon of suffering. The firmament of this legend enhances the listening experience of L’Adieu aux Etoiles – I can see the burning wheel spinning in my mind while the music plays.

“Stellar Flight” is a somber traversing through the vacuum of time, and it is here the journey begins. All the primary elements are introduced from the enrichment of the dark forever to the melancholy of elegant doom. Throughout the album vocals both clean and corrupt wander the ethereal landscape of guitar and synthesizer. Occasional Prog sentiments appear but they do not stay long. There is a commitment to gloom and what sounds like either hopelessness or regret. Or both. The sorrow conveyed by the bowed string instruments on “Havoc” is elemental. The choir heard in the background of “The Black Veil” is beautiful, angelic, and sinister. Every texture has a surface feeling and a deeper layer, sometimes many, that bleed through the more you listen to them. The meaning is there if you want to know it. Recommended.

L’Adieu aux Etoiles is out on Friday, October 9th from Finisterian Dead End and available through Bandcamp. The back catalogue is on Bandcamp too for the committed.

Links.

Band, https://www.ixiondoom.com/

Bandcamp, https://ixion.bandcamp.com/

Band Facebook, https://www.facebook.com/ixiondoom

Finisterian Dead, https://finisteriandeadend.com/shop/en/29-ixion

Ixion, L’Adieu aux Etoiles review (Finisterian Dead End 2020)