Deadly Vipers, Low City Drone (Fuzzorama 2022)

The new album from Deadly Vipers, their second, is a welcome stop on the international stoner road: Low City Drone.

From Facebook, “Deadly Vipers is a French stoner-rock band from Cabestany.” There really is not much information in the press materials, and I had not heard of this band before so I find myself a bit adrift. On their FB page there is a little more, for those who are willing to browse. We find that the first album was called Fueltronaut and was released in 2017. That’s about it. The music is a fuzzy, bluesy stoner rock affair, and I am all in for that. Drop the needle.

It all begins with “Echoes From Wasteland,” a song that has a slow build leading to, as promised, extra fuzziness. It is a nice intro piece that sets up “Atom” nicely. The vocals are sassy and the guitar is cantankerous. There is a turbulent spacefuzz section where we appear to be wandering in the cosmos. Soon enough, never fear, we gain orientation and everything turns out all right. “Low City Drone” shows up next, with all the expectations that a title track bears on its back. Even without the titular nomenclature, it is clear that this nine-minute song is the center of the record’s universe. As it goes on, the music begins to weigh you down in a familiar, comforting way, nearly building a codependence where anxiety creeps in on the thought of the song ending. The guitar work here is amazing and the vocals are defining.

In other parts of the set there are fascinating nooks and crannies, places of both zest and rest. Take each on its own terms and avoid comparing any instantiation to another because they are not necessarily fellows. “Welli Welloo” is a tasty up-tempo bumper that is worth a second listen. “Last Rise” is a slower track, and it has a wonderfully dooming feel to it that I really liked. The lead guitar will eat you alive. The cool down is “Big Empty,” a well-paced, reflective bit that that shows up at exactly the right time. As I said, I hadn’t heard of Deadly Vipers before but I am glad I know about them now. Recommended.

Low City Drone is out now through Fuzzorama Records. In the US, Bandcamp is a good place to pick it up.

Links.

Bandcamp, https://deadlyvipers.bandcamp.com/

Facebook, https://www.facebook.com/Deadly1Vipers/

Fuzzorama Music, https://www.fuzzoramarecords.com/

© Wayne Edwards

Deadly Vipers, Low City Drone (Fuzzorama 2022)

Wizzerd, Space‽: Issue No.000 (Fuzzorama 2022)

Mountain stoner band Wizzerd throw down the fuzz on their third full-length album, Space: Issue No.000.

I don’t know what I have been doing with my life, but I didn’t hear anything from Wizzerd until the Ripple Music split Turned to Stone Chapter III: Wizzerd vs. Merlin. That one turned my head. Stoner mountain music is a real thing. I mean, I always think first of the desert when fuzztones ring, but this manner of music transcends all environments. Doomchild (2016) was the first, followed in 2019 by the self-titled album. And then there are a couple of demos and a string of EPs from Wizzerd circulating in the cosmos – a good chunk of music to make your way through on a journey you will never forget. The band is Jhalen Salazar (guitar, vocals), Jamie Yeats (guitar), Sam Moore (drums), and Layne Matkovich (bass).

The new record has eleven tasty tracks, beginning, appropriately, with “Launch,” which is a ramp of calamity to “Sisters of the Sun.” Listen to the opening bars of “Sisters” and you will know right away which island you have landed on. Happy-go-lucky transforms into a more serious-sounding hammering fuzztone that hangs on to the end, with dashes of guitar enthusiasm. Staying in space, “Supernova” continues the exploration on essentially the same plane. It does feel like the urgency has amped up on this one, and I love the dual guitaring. “Attack of the Gargantuan Moon Spiders” does not take place in space but might as well for the way it fits in with the early tracks. You can feel a down shift, and it is a good, rollicking gear. The psychedelica is kicking in hereabouts and once it gets its tendrils in you, there they stay.

What appeals most to me about this record is the incredible guitar work. The trippyness is fine thing, too, but I will always walk across the room and point at the guitars. There is a loose-form jamminess to many of the passages and those meld better with your psychic self in its altered state, but no alterations are actually necessary to enjoy the music. Watch out for “Space Chase” to give you an adrenaline injection, and “Doom Machine Smoke Break” for a nice hypothetical cool down that is actually a deep dive into the nature of things. This album definitely cooks. Recommended.

Space‽: Issue No.000 is out on Friday, September 30th through Swedish label Fuzzorama Records. In the US, Bandcamp is the easy place to pick it up (once it appears there – at this writing there is only a single showing up … patience).

Links.

Bandcamp, https://wizzerd.bandcamp.com/

Facebook, https://www.facebook.com/wizzerddoom

Fuzzorama Music, https://www.fuzzoramarecords.com/

© Wayne Edwards

Wizzerd, Space‽: Issue No.000 (Fuzzorama 2022)