Blood Ceremony, The Old Ways Remain (Rise Above 2023)

Psychedelic folk rock band Blood Ceremony reveal more secrets on their fifth album, The Old Ways Remain.

Blood Ceremony is a psychedelic doom band with acid folk tinges and a unique approach to heavy music. In fact, they are pretty light on the doom and the heavy, instead emphasizing the other aspects. The prominent use of a flute is the first thing you think of, but it is not the only element. The compositions are grand in an understated way – I know that sounds like nonsense, but listen in and maybe you will see what I mean. From their first album in 2018 through to the new one, the originality of their creations is unmistakable and impressive. The band is Sean Kennedy (guitar), Alia O’Brien (vocals, flute, organ), Lucas Gadke (bass), and Michael Carrillo (drums).

The first of ten tracks is “The Hellfire Club,” which starts with a great popping lick introducing lush vocals. The returning guitar always catches your attention, sharing the spotlight with the singing. And then the flute steps in and sets this music apart from all others in the valley. The short ripping lead break toward the end is a nice touch as well. “Ipsissimus” puts the flute up front, and now we are expecting it and it is a regular and welcome part of the music. The cool seventies flow is fantastic … like floating down a river on your back watching a calm and fascinating sky. “Eugenie” stands out for the elegant way it pairs the vocal to the guitar, and the thoroughly engaging base line. Excellent.

Every song on the album has something special about it that makes it stand out. I am especially enamored with “Powers of Darkness” for its understated wickedness (and lead guitar break), and “Mossy Wood” for its mysteriousity and bardly setting. The set comes to a close on “Song of the Morrow,” the longest track and perhaps the most somber. The music on this album has great depth because of the range of instruments that are employed and, frankly, because of the talent of the musicians in writing and performing it. If you are into folk rock/metal that reaches into other realms as well, you are going to like this album. Highly recommended.

The Old Ways Remain is out on Friday, May 5th through Rise Above Records. Follow the links below to get yours.

Band photo by Mathew Manna.

Links.

Facebook, https://www.facebook.com/bloodceremonyrock/

Rise Above Records, https://riseaboverecords.com/artists/riseaboveartists/bloodceremony/

© Wayne Edwards

Blood Ceremony, The Old Ways Remain (Rise Above 2023)

Photo Gallery: Amigo The Devil at the ICON Music Center, Cincinnati, April 21, 2023

Photos by Wayne Edwards.

© Wayne Edwards

Main article about the show: https://flyingfiddlesticks.com/2023/04/23/clutch-at-the-andrew-j-brady-icon-music-center-cincinnati-april-21-2023/

Photo Gallery: Amigo The Devil at the ICON Music Center, Cincinnati, April 21, 2023

Photo Gallery: Nate Bergman at the ICON Music Center, Cincinnati, April 21, 2023

Photos by Wayne Edwards.

© Wayne Edwards

Main article about the show: https://flyingfiddlesticks.com/2023/04/23/clutch-at-the-andrew-j-brady-icon-music-center-cincinnati-april-21-2023/

Photo Gallery: Nate Bergman at the ICON Music Center, Cincinnati, April 21, 2023

Photo Gallery: Munly & The Lupercalians, Muddy Roots Festival 2022

Photos by Wayne Edwards.

Links.

Munly & The Lupercalians website, http://scacunincorporated.com/munly/

Muddy Roots, https://www.muddyroots.com/

Ghost Cult Magazine article, https://www.ghostcultmag.com/festival-review-muddy-roots-festival-2022-live-at-junebug-boogie-ranch/

FFMB article on Muddy Roots 2022, https://flyingfiddlesticks.com/2022/10/03/muddy-roots-cookeville-tennessee-september-2-4-2022/

© Wayne Edwards

Photo Gallery: Munly & The Lupercalians, Muddy Roots Festival 2022

Lykantropi, Tales To Be Told review (Despotz Records 2020)

Swedish rock band Lykantropi emerge from the woods with a new album, Tales To Be Told, building on the strength of their previous releases and reaching new clearings.

The music is guitar driven where the guitar is mostly clear toned with very little distortion (and the occasional phase shift). Flute is also center stage in the compositions but not in a Jethro Tull kind of way. It is more like the early Atlanta Rhythm Section music if it was folked-up a little bit and the songs were about tales of the distant past, love, and occult happenings.

The band is Martin Östlund (vocals and guitar), My Shaolin (vocals), Ia Öberg (flute), Tomas Eriksson (bass), Elias Håkansson (guitar), and Ola Rui Nygard (drums). Their first two albums have been recently re-released in advance of this new one, so if you want to take the journey, it is waiting for you.

The album starts with a deeply drawn breath. “Coming Your Way” is an easing-in passageway to the 1970s rock style of the band, having beautiful flute lines and hypnotic vocals to go along with the somewhat disturbing lyrics. There is a very psychedelic and dreamy feel to every song and it has a cumulative transportive effect when you listen to the entire album. There is a groovy melancholy in a way, too, but it is the kind of feeling that is not sad or depressing but more of an acceptance of the direction of things if not the actual things themselves.

A song to pay particular attention to is “Kom Ta Mig Ut.” It delivers an embodiment of the band’s elemental sound. Partnered with “Spell On Me,” which holds the narrative torch, and “Världen Går Vidare,” where the spirit lives (and the message I really needed today), Lykantropi has made a profound impression on me. If you are in a mellow mood, this music fits the bill. Recommended.

Tales To Be Told will be available on Bandcamp this Friday, November 6th. A couple of singles are there already.

Band photo by Svartna Film.

Links.

Band Facebook, http://www.facebook.com/lykantropiband

Band Bandcamp, http://lykantropi.bandcamp.com

Label, https://despotz.se/

Label Facebook, https://www.facebook.com/DespotzRecords

Lykantropi, Tales To Be Told review (Despotz Records 2020)