Massacre, Resurgence (Nuclear Blast 2021)

Florida death metal band Massacre roll out the Lovecraftian Resurgence, their fourth big album.

It has been a long road for Massacre. The band formed in 1984 and became well-known for a number of demos they released throughout the rest of that decade. Their first full-length album was From Beyond (1991), followed five years later by Promise. Things got quiet for about fifteen years after that. Back From Beyond was Massacre’s return to form in 2014 and now, seven years later, the latest installment in their history is Resurgence.

The music is straight-forward old school death metal with a strong reliance on H. P. Lovecraft for narrative content. Vocalist Kam Lee describes to new music this way. “lyrically it is basically about body horror of aquatic transmutation. Any deeper meaning than that is just speculative, but could simply be metaphor for our world’s current situation with the pandemic and other threats of the spreading of viral infection. Musically it’s just proper O.S.D.M. the way it’s meant to be played …”

The set begins with mystery and esoteric insinuations on the “Eldritch Prophecy” lead-in before turning to a heavy pounding riff and then taking off at speed. A vocal growl is the sign that death metal is kicking in. Ascending guitars rise above the pummeling percussion and a hiss harmony deepens the vocal attack. It is a great beginning.

Through the course of ten raging tracks, the story unfolds and the music takes a tour through recognizable Old School Death Metal stomping grounds, adding fresh blasts and turns to enhance the delivery. The pace ranges from mid- to up-tempo, spending a lot of time in the fast lane. Lead breaks and guitar pairings are reliably recurrent and the metal is heavy and solid. Could you ask for anything more? Recommended.

Resurgence rises to the surface on Friday, October 22nd through Nuclear Blast Records.

Links.

Bandcamp, https://massacre3.bandcamp.com/

Facebook, https://www.facebook.com/Massacreflorida

Nuclear Blast, https://www.nuclearblast.com/massacre-resurgence

Massacre, Resurgence (Nuclear Blast 2021)

Worm, Foreverglade (20 Buck Spin 2021)

Florida gloom band Worm continues further down the path of deep dark doom on their third album, Foreverglade.

Formed around 2014, Worm’s early music was more oriented toward a straight-forward black metal tint. As they moved along, the doom emerged and quickly intensified into a lead-heavy oppression. Evocation of the Black Marsh came out in 2017, followed two years later by Gloomlord. The driving force behind Worm is an entity known as Phantom Slaughter whose work is enhanced on the new album by Nihilistic Manifesto, L. Dusk, and Equimanthorn. I wonder if those are their real names.

Foreverglade opens with the title track, sure in its stance and determined in its eeriness. It is a creeping combination of funereal guitar riffs, muffled death metal vocals, and ethereal, almost ritualistic sounds. On “Murk Above The Dark Moor” the composition has moments that are choir-like in their dirge and reverence, positioned against passages slightly paced up and massive in their density. And then, unexpectedly, there is a lead guitar break that is transportive. Side one closes with “Cloaked In Nightwinds,” the longest track on the album. It is a churning, clompy excavation of darkness.

“Empire Of The Necromancers” has an active beginning volley that is positively rapid compared to the tracks that came before. Excellent lead work early on in the song is a memorable highlight, as are the lyrical keys. “Subaqueous Funeral” is a single-length dark beauty with a pulse and flow that is engaging and mesmerizing in the guitar. “Centuries Of Ooze” brings the curtain down on the set, returning to the solemnness of the opening but even more mysteriously. I am a funeral doom fan and this music could fit in that category for its sheer heaviness, but it is more active than the typical strain and so creates its own description and enigma. Recommended.

Foreverglade is available on Friday, October 22nd through 20 Buck Spin. Ordering information can be found below at the label’s website and Bandcamp for the digital, CD, and cassette versions. There is a vinyl edition that is due January 28th, coming out later because of the well-known worldwide vinyl backlog.

Links.

Bandcamp, https://wormgloom.bandcamp.com

20 Buck Spin, http://www.20buckspin.com

Worm, Foreverglade (20 Buck Spin 2021)

Charred, Prayers of Malediction (HPGD Productions 2021)

Florida Thrash~Death Metal band Charred re-release their first long-player, Prayers of Malediction.

There is not an enormous amount of information out there about Charred. The Bandcamp page reports that the band is from Deerfield Beach, Florida. The Metal Archives has about the same amount of detail, adding that Prayers of Malediction was originally released digitally in 2019. The new HPGD release will give wider distribution to this excellent album, so that is a good thing. And, anyway, maybe we don’t need to know much about the musicians and the band if we have their music to listen to.

There are nine ripping tracks on the album. Along with the obvious Thrash and Death Metal content, there is also a strong groove vein running throughout that makes these songs even more memorable. Most of the tracks are short, in the two minute range, with a handful of longer pieces. Growling vocals, battering percussion, and wailing shreds tag team to add force and power to the music.

“The Athame Of The Witchking” has a tasty Doom Metal opening, and that is always a good thing for me to hear. “Entity Of War” has a nice Mercyful Fate callback and “Enthralling The Weak” swings a weighty metal hammer aimed directly at your spine. My favorite track might be “The Means Of Destruction” because of the way it comes at you low and swerving then hooks back to crack you on the skull.

“Kesai Khati (Eater Of The Raw Flesh)” shuts the show down with a story that will keep you up at night. I did not know about Charred until I listened to this album and I am glad I got to hear it. Keep an eye out for anything else they release. Recommended.

CD and digital forms of Prayers of Malediction will be out from Horror Pain Gore Death Productions on Friday, October 1st.

Links.

Bandcamp, https://hpgd.bandcamp.com/album/prayers-of-malediction

HPGD, https://www.horrorpaingoredeath.com/

Charred, Prayers of Malediction (HPGD Productions 2021)

The Electric Mud, Black Wool (2021)

The new EP from The Electric Mud shows how the old and the new can come together the make something even better.

I first heard The Electric Mud last when I was reviewing their album Burn The Ships (2020). That was a good one, and it made me want to listen to their first album too – another winner, Bull Gator (2018). I have been on high alert for anything new from these bluesy Florida stoners ever since and now here it is, Black Wool.

There are two new songs on the EP and two covers. The new ones are “Ordinary Men” and “Black Wool.” The former is a radio-length churner that carries their signature sound on in a logical procession with a peppy, rolling riff and effusive vocals. The title track is more measured and twice as long; settled in for a steady heavy session. It is a great pairing, the short runner with the long-haul heavy.

The covers are Corrosion of Conformity’s “Albatross” and the Allman Brothers Band’s “Whipping Post.” That COC song is one of my all-time favorite pieces of music I have ever heard, so to hear such an excellent cover of it put a big smile on my face. “Whipping Post” has been widely covered by Southern Rock bands and even acts like Frank Zappa. It is an iconic piece. The version The Electric Mud has crafted for this EP is exceptional in its depth and completeness. It is certainly one the very best I have heard, after the original.

You can never go wrong with this band. Go get you some Black Wool from The Electric Mud. Recommended.

You can have Black Wool on Friday, September 25th. Grab the digital album at Bandcamp.

Links.

Bandcamp, https://theelectricmudofficial.bandcamp.com/album/black-wool-ep

Facebook, https://www.facebook.com/TheElectricMud

The Electric Mud website, https://www.theelectricmud.com/

FFMB review of Burn The Ships, https://flyingfiddlesticks.com/2020/09/21/the-electric-mud-burn-the-ships-review-small-stone-records-2020/

The Electric Mud, Black Wool (2021)

The Absence, Coffinized (M-Theory Audio 2021)

The fifth album from Tampa, Florida metalists The Absence is a tour of dark imaginings.

Melodic Death Metal is a popular lane for heavy music these days, and one of the premiere bands creating it is The Absence. For nearly twenty years and through four previous albums, The Absence has charted its way through the mire of possibilities by producing music exactly the way they wanted to, and fans have responded. Now comes Coffinized, another chapter in the band’s growing legacy.

The album opens with the title track, and it is a dismal wind blowing arctic devastation that at first seems like a dirge but soon enough starts swinging a metal hammer. The compositional approach is compartmentalized ideas stitched seamlessly together that will turn you this way and that until the disequilibrium makes you see the truth in the void.

“Future Terminal” has a clever and catchy vocal/guitar duet in a the chorus that stays with you after the close, as does the explanatory lead break near the middle. The songs are heavy and driving, fast and churning. “Choirs of Sickness” is incredible in the way it establishes drama, while a song like “Black Providence” is much more eerie and sinister in its approach. “Discordia” screeches and “Faith In Uncreation” delivers speed and depth (and has a truly bizarre ending after a few moments of silence – it is better if you just hear it without me describing it in advance).

Every song is its own microcosm while being undeniably a part of the greater whole. I have listened to The Absence consistently through the years and always liked their music. This new album reinvigorates my interest and takes it to a new level. Recommended.

Coffinized comes out tomorrow, Friday, June 25th from M-Theory Audio.

Links.

Bandcamp, https://theabsenceofficial.bandcamp.com/

Facebook, https://www.facebook.com/theabsenceofficial/

M-Theory Audio, https://www.m-theoryaudio.com/

The Absence, Coffinized (M-Theory Audio 2021)

The Electric Mud, Burn The Ships review (Small Stone Records 2020)

Florida Heavy Blues instigators The Electric Mud return with more high voltage swamp metal on Burn The Ships.

The debut album of The Electric Mud came out two years ago, Bull Gator. It is bluesy, guitar-driven Southern stoner rock. Listening to it does bring up thoughts of that first Molly Hatchet album, but The Electric Mud is heavier and presses the lurking power of their music harder. The title track tells us “I’m the mighty jaws of an ancient god,” and a little later in the same song, “I’m the crooked old hand of death itself.” The songs are smooth and muscular. A very impressive debut.

The band is Constantine Grim (guitar), Pierson Whicker (drums), Peter Kolter (vocals and guitar), and Tommy Scott (bass). All four are from Florida, and have an abiding respect for the rock music tradition from the South (Allman Brothers, Lynyrd Skynyrd, and the like) as well as the classic metal roots of icons like the origin band, Black Sabbath. Their music is not a simple combination of latent elements of famous bands, however. They have taken their influences and inspirations and melded them with their abilities and art to fashion a lasting instrument of collective resonance.

The new album cranks up the speed and depth a notch, creating an even bigger wake than the earlier release. “The First Murder On Mars” is the opener (and the single you can hear now). It starts the set out fast and sharp, with stabbing guitars and crisp drumming. “Stone Hands” switches to a heavier hammer, and “Reptile” swings them both at the same time. “A Greater Evil” is a the cool evening breeze that blows through your open car window  and then darkens as the sun goes down. The triplet of “Call The Judge,” “Priestess,” and “Good Monster” is thirteen minutes of trouncing bliss – it takes you away from whatever was in your head before. I keep hitting these three over and over. “Ledbelly” is an amazing display of percussion, and “Terrestrial Birds” starts out as a lullaby until the guitar starts singing the blues and telling you a story that won’t let you sleep. This in an incredible album that will reach across to a wide array of heavy music fans. Highly recommended.

Burn The Ships CDs, vinyl, and downloads are available from Small Stone Records through Bandcamp (and elsewhere) beginning this Friday, September 25. You know how it works: the download is there forever but the hardcopies can go fast, especially the vinyl. Listen to Bull Gator on Spotify now. If you like it, consider a preorder if you want some of that orange vinyl.

Links.

http://www.theelectricmud.com

https://theelectricmud1.bandcamp.com/releases

http://www.facebook.com/TheElectricMud

http://www.smallstone.com

http://www.facebook.com/smallstonerecords

https://smallstone.bandcamp.com/album/burn-the-ships

The Electric Mud, Burn The Ships review (Small Stone Records 2020)