Bull Elephant, Created from Death review (Eat Lead and Die Music 2020)

Working toward the big reveal, part two of the Bull Elephant mythological trilogy rises from the dead to shake you up.

Last year the secret band Bull Elephant released their self-titled album and started the generator of an emerging mythology. To recap, “Bull Elephant is the story of a slain African elephant that occultist Ahnenerbe SS attempted to bring back from the dead as a new form of battle asset. However, before re-animation could be completed it was intercepted by a mysterious witch-shaman, pursuing her own agenda and redirecting the undead creature’s purpose.” Back again now for Part II, the story gets stranger.

The story (or maybe just the environment) this time is teased by a journal entry. “I wept at the pain of loss for my child destroyed. But now he is born again; created from death as once he was, yet in a new form. He will be safest under the protection of the ape. As for myself, I can feel the end is near. The coming world war will be fought both in conventional theatres and as a secret war for control over a cosmic power that neither side fully understand. – Journal of Olivia Parnell, 23 August 1939.”

What happened to the elephant? It was destroyed at the end of the last album and resurrected/reconstructed in human form and placed in the care of that ape (see the cover image). There is a lot more going on here. The bird’s eye view of the story is, “As with the debut album, think of the background concept as Raiders of the Lost Ark set to a doom-tinged heavy metal soundtrack where Judeo-Christian mythology is replaced by the even more sinister universe hinted at in the writings of H. P. Lovecraft…with Nazi zombies, assault wolves and a battle-armoured whale that makes Moby Dick seem tame.”

The story is mostly lost on me, but the music is still there. The lyrics to the songs are interesting and engaging, and I prefer to take them as separate pieces even if they do fit together into some greater whole.

“Created By Death” opens this episode on a very cosmic doom note. The vocals alternate between death-metalesque growls and mid-heavy clarity, which captures the essence of the theme well. “Oneiromantic Rites” has many quiet and calm moments, but the gravity of the menace is never far removed. The fury picks up in the next song, and falls away again with a gentle outro. The entire album has this unsettling pulsing pattern that keeps you on the move in your head. The rumbling rhythm holds you on the path while the vocals and lead and riff guitar work propel the action and nuance. Towards the end of the set there is the spastic punch of “Perverted Science,” a two and a half minute guitar rampage followed immediately by “Escape to the Arctic,” a six minute epic-colored seafaring space opera. The closer is “Wayfarer,” and it has the feel of a song that is setting up the final movement, yet to come.

Available Friday, August 14, in corporeal form as well as digital, you can snap it up at Bandcamp. If you can follow the story, that’s great, but even if you can’t the music is a plundering dynamo that’ll ring your ears. Recommended.

Links.

https://bullelephant.bandcamp.com/releases

https://monsterworks.bandcamp.com/

FFMB review of the 1st Bull Elephant album, https://flyingfiddlesticks.com/2019/11/15/bull-elephant-new-release-review/

Bull Elephant, Created from Death review (Eat Lead and Die Music 2020)

Bull Elephant, New Release Review

The self-titled opener Bull Elephant (Eat Lead and Die Music) stormed onto my computer and stabbed me in the ears this morning. A metal band with a secret roster, Bull Elephant calls itself “hybridoom” on Instagram and “progressive doom” on Twitter. The music to me moves between what we have come to know as doom and branches out into death metal territory, with even a little speed in a couple of flashes and maybe a folk metal moment, too. This diversity of music styles in the same set by a single band speaks to the range of interest that fans have – we like lots of different kinds of metal.

Here is how the press release describes the album: “Bull Elephant is the story of a slain African elephant that occultist Ahnenerbe SS attempted to bring back from the dead as a new form of battle asset. However, before re-animation could be completed it was intercepted by a mysterious witch-shaman, pursuing her own agenda and redirecting the undead creature’s purpose.” Wow. How’s that for a concept to construct an album around?

Across seven songs, the concept is interpreted more in the music than even in the lyrics. The title song begins the rampage with a growling roar hurtling out of the darkness. This is doom. 40 seconds in there is a tempo change and the vocal goes melodic only to peal into rage a half a minute later. You get the sense of something wrong in paradise. These tempo changes are used in the next couple of songs as well, but in different ways to further the ideas of breakdown and change. Suddenly in the middle of the album “Corrupted Truth” launches a blast of speed that will loosen your teeth. The intermittent chaos is cranked up a notch in the second half, culminating in the closing song that sums up the whole affair, “Dread Reactor.” This final song has great hooks and the heaviest guitars, along with cascading percussion and deadly persuasive lead breaks. You can feel the zombie elephant stomping the terra – if you close your eyes and put your mind in right place, you can live in the middle of it. It’s a monster track.

The official release date is November 29, 2019, but you can check out a song or two ahead of time on YouTube. Bull Elephant is getting a lot of play in the office around here and it still sounds strong every time. Highly recommended.

Bull Elephant, New Release Review