Abaddon Incarnate, The Wretched Sermon (Transcending Obscurity 2022)

Irish grindcore band Abaddon Incarnate release their sixth album, The Wretched Sermon.

Abaddon Incarnate started out in the early nineties, and even before that under a different name. They broke ground with black metal and death metal, evolving over time toward the grindcore side of the field. It has been eight years since their last long-player, Pessimist, and fans are more than ready for new music. The band is Steve Maher (vocals, guitar), Bill Whelan (guitar), Irene Siragusa (bass), and Olan Parkinson (drums).

There are thirteen tracks on the new album, mostly in the short and savage territory. To wit, “Rising Of The Lights,” which opens the show. It is bewilderingly aggressive at the jump, with screeching vocals and positively pummeling percussion. “Veritas,” at seventy-seven seconds, is even more to the point. It is amazing how much the musicians can pack into to such a compact delivery vessel, from the squealing guitar instantiations to the insistent pulsing bass, the music is designed to disrupt.

With so many short, fast, loud songs, you might worry they’ll all run together, but they absolutely don’t. “Gateways,” one of my top picks from the album, has a killer lead break and a dire, eerie atmosphere unique to it – no other track on the album sounds like it at all. “Parasite” breaks sour and twists you up while “Into The Maelstrom” is a slight of hand behind a dark veil that raises a sense of terror throughout. Great song. “Resurrected From A Mass Grave” has a delightfully caustic groove.

The brevity works to advantage, overall – get in, do it, get out. “Isolation And Decay” is a long piece that stands apart because of its size and, more importantly, due to its unique construction. The song contains a few movements and pace shifts, although the intent itself never dissipates even when the sounds move from valley to mountain to sea. The last word is “Silent Indifference,” and it takes the set out on a howl. Killer track.

If you haven’t heard Abaddon Incarnate yet, it is time to get with it. Start here, because this album will shake you up. Recommended.

The Wretched Sermon is out on Friday, August 5th through Transcending Obscurity Records. Touch the links below.

Links.

Bandcamp, https://abaddonincarnateband.bandcamp.com/

Facebook, https://www.facebook.com/abaddonincarnate

Transcending Obscurity Records, https://transcendingobscurity.aisamerch.com/

© Wayne Edwards

Abaddon Incarnate, The Wretched Sermon (Transcending Obscurity 2022)

Thy Worshiper, Bajki o Staruchu (Pagan Records 2021)

Innovative metal band Thy Worshiper unleash their fifth long-player, Bajki o Staruchu.

Stationed in Dublin, Thy Worshiper originated in Poland in the early 1990s. Their music is in the line of black folk metal, with heavy death metal vibes occasionally blinking in and out. Pagan themes and mysticism are infused throughout resulting in both an apparent lightening and a clear sinister deepening. The band is Monika Lubas (vocals), Marcin Gasiorowski (vocals and guitar), Dariusz Kubala (vocals and guitar), Krystian Mazur (bass), Marcin Pazera (drums), and Tomasz Grzesik (vocals and percussion).

I read that Bajki o Staruchu translates into English as “Fairytales about an old man.” Further, the album is “a concept with eight new tracks based on fairy tales that are held together by the main character of the album title, the Old Man.” That adds up for a folk metal set.

The compositions have some familiar elements found in many folk metal constructions. The unique aspects are the placements of traditional-sounding instruments and interplay of the more modern black (and even death) metal workings in the context of folk tellings unfamiliar to many who will listen to them. The metal elements are not as scritchy as they would be in metal-only music and the folk entries are moreso than you typically hear in blended musical paradigms. It is an intoxicating combination.

The beautiful voice of Monika Lubas contributes immeasurably to the cohesiveness of the music. Lovely, lilting singing engages you in parts of the songs and macabre whispers or chants appear elsewhere. The hypnotic nature of much of the music is the set stone to the experience. You are pulled in and brought along by the rhythm and the voices, even when you do not understand the language the words are sung in. I can see how playing this album could become a ritual for me. Recommended.

Bajki o Staruchu is out now from Pagan Records.

Links.

Website, https://www.thyworshiper.com/

Bandcamp, https://thyworshiper.bandcamp.com/

Facebook, https://www.facebook.com/thyworshiper/

Pagan Records, https://pagan-records.com/

Thy Worshiper, Bajki o Staruchu (Pagan Records 2021)

Dread Sovereign, Alchemical Warfare (Metal Blade Records 2021)

Dublin Doom trio Dread Sovereign sets a raging fire with their third album, Alchemical Warfare.

The driving force in the band is Nemtheanga, known otherwise as the vocalist for the band Primordial. He started Dread Sovereign some time back, releasing an EP in 2013 followed by two LPs, All Hell’s Martyrs (2014) and For Doom The Bell Tolls (2017). Joined by JK (Johnny King) on drums and Bones on guitar, there is an urgency to the music on the new album, unmistakably circling the chasm of Doom. The vocals are mostly clear, and the themes walk the Black Metal road. The band’s motto is “the world is doomed,” and the theme is a through-line explained this way: “The subject matter and aesthetic are particular to the three characters on the front cover of each release, the time travelling trio who appear on the debut flaying Saint Bartholemew, on the second album hanging Sarah Wildes Averill in Salem and now as lab assistants to Isaac Newton as he tries to discover the secret of Alchemy.” The songs are sinister odes from dark moments in history.

There are seven tracks (four of them over eight minutes long) with an intro piece and an intermission segue. That intro sounds a little like swirling bells and whispering dark witches casting spells. “She Wolves of the Savage Season” then picks up the doom and slams it back down. The frenzy gets really whipped up on “Nature Is The Devil’s Church” with its pressing riffs and pleading vocals. There are also extended guitar passages here, in this song and well distributed throughout where the narrative concepts are given musical form. “Her Master’s Tomb” is almost a Doom ballad while “Devil’s Bane” rips and roars and finishes with a raging shred. The album wraps on a single-length banger, “You Don’t Move Me (I Don’t Give A Fuck)” – they decided to go out swinging with a heavy punk punch. This is an great album, front to back. Highly recommended.

The full album drops on Friday, January 15th and preorders at Bandcamp will get you two tracks now while you wait for the week to end. Metal Blade Records has CDs and vinyl if you want to go that way.

Links.

Bandcamp, https://dreadsovereign.bandcamp.com/

Facebook, https://www.facebook.com/DreadSovereign

Metal Blade Records, https://metalblade.com/dreadsovereign/

Dread Sovereign, Alchemical Warfare (Metal Blade Records 2021)