Worm, Foreverglade (20 Buck Spin 2021)

Florida gloom band Worm continues further down the path of deep dark doom on their third album, Foreverglade.

Formed around 2014, Worm’s early music was more oriented toward a straight-forward black metal tint. As they moved along, the doom emerged and quickly intensified into a lead-heavy oppression. Evocation of the Black Marsh came out in 2017, followed two years later by Gloomlord. The driving force behind Worm is an entity known as Phantom Slaughter whose work is enhanced on the new album by Nihilistic Manifesto, L. Dusk, and Equimanthorn. I wonder if those are their real names.

Foreverglade opens with the title track, sure in its stance and determined in its eeriness. It is a creeping combination of funereal guitar riffs, muffled death metal vocals, and ethereal, almost ritualistic sounds. On “Murk Above The Dark Moor” the composition has moments that are choir-like in their dirge and reverence, positioned against passages slightly paced up and massive in their density. And then, unexpectedly, there is a lead guitar break that is transportive. Side one closes with “Cloaked In Nightwinds,” the longest track on the album. It is a churning, clompy excavation of darkness.

“Empire Of The Necromancers” has an active beginning volley that is positively rapid compared to the tracks that came before. Excellent lead work early on in the song is a memorable highlight, as are the lyrical keys. “Subaqueous Funeral” is a single-length dark beauty with a pulse and flow that is engaging and mesmerizing in the guitar. “Centuries Of Ooze” brings the curtain down on the set, returning to the solemnness of the opening but even more mysteriously. I am a funeral doom fan and this music could fit in that category for its sheer heaviness, but it is more active than the typical strain and so creates its own description and enigma. Recommended.

Foreverglade is available on Friday, October 22nd through 20 Buck Spin. Ordering information can be found below at the label’s website and Bandcamp for the digital, CD, and cassette versions. There is a vinyl edition that is due January 28th, coming out later because of the well-known worldwide vinyl backlog.

Links.

Bandcamp, https://wormgloom.bandcamp.com

20 Buck Spin, http://www.20buckspin.com

Worm, Foreverglade (20 Buck Spin 2021)

Crystal Spiders, Morieris (Ripple Music 2021)

The second Crystal Spiders album, Morieris, is an even bigger deal than the first.

The duo Crystal Spiders released their first long-player just last year, Molt. I listened to that album as recently as two weeks ago. It has been on my mind ever since it came out. There is just something about the music that mesmerizes and lingers in your mind. The phrase “highly anticipated” doesn’t really capture my state of mind leading up to the drop date of the new album, Morieris.

The band is Brenna Leath (bass) and Tradd Yancey (drums). Joining them for the session on guitar is Mike Dean. There is also a guest appearance by High Priestess Nighthawk of Heavy Temple on cello.

The first song of the set starts out spacey and groovy, leaning into the mystery with hypnotic vocals and spell-casting guitar. That’s the title track. “Septix” comes next and lays a commanding bass up front to set the stage, turning into a rambler after ninety seconds or so – the perfect accompaniment for a drive down a dark country road at night alone.

“Harness” brings the doom and then shifts to high-test. The middle section of reflective solo work is a breath before the charge starts again. Indeed there is a lot of up-tempo music on this album, offering an excellent balance to the more ethereal passages. “Pandora,” for example, is a two minute rager that perfectly sets up the epic “En Medias Res,” a song that takes all the time it needs, offering desert overtones and tantalizing strings over eight sumptuous minutes.

“Maelstrom” and “Golden Paw” are the final two songs, the former being a super fuzzy, adrenaline-fueled spectacle and the latter a contemplative cool-down. Having heard Molt we might have been able to anticipate the general form on the new album but we could not have known its breadth and depth. Morieris is excellent in every way – concept, composition, and execution. Highly recommended with no reservations.

Morieris is out now through Ripple Music. Bandcamp and the Ripple store are linked below. You know how this works – the physicals often go fast so if you are a collector you want to jump on it.

Band photo by Marissa Straw.

Links.

Bandcamp, https://crystalspiders.bandcamp.com/album/morieris

Facebook, https://www.facebook.com/crystalspidersinmymind/

Ripple Music, https://ripplemusic.bigcartel.com/product/crystal-spiders-morieris-deluxe-vinyl-editions

FFMB review of Molt, https://flyingfiddlesticks.com/2020/09/28/crystal-spiders-molt-review-ripple-music-2020/

Crystal Spiders, Morieris (Ripple Music 2021)

Nefariym, Morbid Delusions (Inverse Records 2021)

The debut full-length album from Nefariym tears open the fabric of musical reality: Morbid Delusions.

Coming together only two years ago, Melbourne, Australia’s Nefariym was created by veteran metallers Mark Kelson and Richie Poate. The music can generally be thought of as Death Metal with the duo’s own novel twists with plenty of Doom and Sludge in the mix as well. There have been a couple singles released by the band but this album is the first deep journey fans can listen to and assess.

The album contains an intro piece, nine new songs, and a cover of a metal classic. The first full track is “Succubus” and the band comes out blasting with a monstrous adrenaline-fueled assault from every instrument. Black/Death Metal hybrid vocals give the song the perfect tinge. “A Morbid Delusion” follows and it is another ripper – a high speed conundrum for your brain that’ll need a minute to process. The production lays together the rhythm with the vocals with a harmony guitar line that fills the entire available space, while an early lead break sounds like a madman railing against the injustices of existence.

Toward the end of “A Morbid Delusion” the tempo slows a bit and provides a perfect segue to “Tearing Flesh From The Bone” which has an excellent Sludge/Doom essence. This is my favorite track for its sheer heaviness and the unforgettable refrain. Throughout the album the alternating between high-tempo songs and slower doomers is enthralling. I found the entire set captivating, including the cover of Celtic Frost’s “Circle Of The Tyrants,” which both provides an anchor for the album and delivers an homage. Highly recommended.

Morbid Delusions hits the streets on Friday September 24th through Inverse Records.

Links.

Bandcamp, https://nefariym.bandcamp.com/

Facebook, https://www.facebook.com/nefariym

Nefariym website, https://nefariym.com/

Inverse Records, https://www.inverse.fi/shop/catalog/product_info.php?products_id=939

Nefariym, Morbid Delusions (Inverse Records 2021)

Planet of the Dead, Pilgrims (2021)

The sophomore release from New Zealand space stoner doom band Planet of the Dead should definitely be on your radar.

Four musicians from Wellington make up Planet of the Dead, Mark Mundell (vocals), Malcolm McKenzie (guitar), Kees Hengst (bass), and Josh Hussey (drums). Their debut album came out last year, Fear of a Dead Planet. The new release is a fresh adventure with a familiar crew.

It is hard to think of a better summary of the band’s music than this, from the press release: Hurtling towards the forever yawning void within their busted-up space freighter, they draw inspiration from classic science fiction and horror, and push supermassive and megalithic riffs to the outer limits.

There are eight tracks on the album, and I starred every one of them on my media player as I listened, one by one. The music is heavy fuzzy doom set in the limitless expanse of the collective mind (space, that is). Utterly irresistible.

“Escape from Smith’s Grove” stood out for me with the shifts it takes from heavy doom to a more urgent agenda. “Pilgrim” is a set-stone artifact as well, and you cannot set aside the leviathan that is the closer, “The Great Wave.” This album will be on heavy rotation for the summer desert road trip ahead. Highly recommended.

Pilgrims is out on Friday, July 23rd – get more info at the band’s website and pick up the music and Bandcamp.

Links,

Bandcamp, https://planetofthedead.bandcamp.com/album/pilgrims

Facebook, https://www.facebook.com/planetofthedeadband

Website, https://planetofthedead.band/

Planet of the Dead, Pilgrims (2021)

71TonMan, War Is Peace // Peace Is Slavery (Transcending Obscurity 2021)

If you like your Doom slow, massive, and pulverizing, 71TonMan is the band for you.

71TonMan has been shaking the earth for ten years. Their first album, 71TonMan, came out in 2013 and Earthwreck followed four years later. The new one is a three-track EP, and each song is very different.

“War Is Peace” is that slow, massive, and pulverizing music I was talking about. The riffs are so heavy your headphones will threaten to collapse under the pressure. It is hammering Doom Metal. “Peace Is Slavery” is more actively aggressive, more like Death Metal – faster, with more vocals and ravaging percussion – in the first half of the song. In the second half, the weight of the world pushes down hard.

“Ignorance Is Strength” finds an ethereal plane to enter on. It is spacey, with a creepy intermittent voiceover. A little over halfway through a beeping beacon disturbs the journey, and the voice is back, even creepier. This continues to the end and the voice becomes more compelling, convincing, hypnotizing. By the time you realize you are being talked into something it is too late.

I recommend this EP particularly for the first two killer tracks. The third is best absorbed as part of a meditation in an altered state. How you get to that altered state is up to you, but once you are there “Ignorance Is Strength” will start to speak to you on a whole different level.

War Is Peace // Peace Is Slavery is out now from Transcending Obscurity. You can order through Bandcamp or at the label’s US store.

Links.

Bandcamp, https://71tonmanband.bandcamp.com/

Facebook, https://www.facebook.com/71TonMan

Transcending Obscurity, https://transcendingobscurity.aisamerch.com/

71TonMan, War Is Peace // Peace Is Slavery (Transcending Obscurity 2021)

Desert Druid and the Acid Caravan, The Witch (Dopesmoke Heavy Music Productions 2021)

Doom ridden incantations from Brazil surround and overtake you on the new EP from Desert Druid and the Acid Caravan, The Witch.

F. Klinger (bass, vocals), E. Lisboa (drums), and Nass (guitar) have been playing in the heavy music scene for ten years or more, and have now come together to form a trio of doom-makers. Their take is classic metal and straight-forward heavy bluesy doom that is a rich nectar for your ears.

The Witch, or written as it is on the cover of the album like it would have been in medieval typesetting, The VVitch, has four tracks, all of them designed to have an immediately effect and a big punch.

“The Witch” opens with a voiceover and a thick, fuzzy riff, showing off the clear disposition of the music. Influences of Black Sabbath are noticeable, and, really, the 1970s harder rock bands generally. “Total Madness” plods in surety and exceeds in dire expression with its distorted primary riff and mildly echoing vocal. There is a purposefulness to the formidable darkness the music generates that rises up and consumes you as you listen.

“Mistress of Black Heart” and especially the outro closer, “Witching Hour,” are focused on the atmosphere. The latter is a short instrumental piece with a prominent church bell and a great lead guitar line while “Mistress” is the longest song of the set – it rambles with a steady, relentless pressure and is capped with its own memorable guitar work.

The music is lyrically occult, doom in structure, and stoner in vibe. It is a combination that cannot miss. Recommended.

The Witch is out now and available through Bandcamp for US fans. There is a cassette available from Ruidoteka Records and the vinyl is out through DHU Records.

Links.

Bandcamp, https://desertdruidandtheacidcaravan.bandcamp.com/releases

Facebook, https://www.facebook.com/desertdruidofficial/

Label, https://www.facebook.com/dopesmokeprod/

Desert Druid and the Acid Caravan, The Witch (Dopesmoke Heavy Music Productions 2021)

Darkthrone, Eternal Hails… (Peaceville Records 2021)

Fenriz and Nocturno Culto are back with another bubbling cauldron of metal: Eternal Hails…

Darkthrone has been throwing its weight around the heavy music scene since the mid-1980s. Cracking in with Death Metal at first, they became well known for the seminal Black Metal albums they released in the 1990s – 1993’s Under A Funeral Moon, for example, and its immediate successor the following year, Transylvanian Hunger. New albums came over the years, laying down the history of the band and establishing its legacy.

The new record leans into the Doom Metal side of the Darkthrone universe with five long crushing tracks. When I say doom, I mean heavy doom. “His Master’s Voice” is slow and pulverizing with a tempo change or two but clearly focused on pressing you down with its mass. “Hate Cloak,” my personal favorite of this set, stays in the same lane, with straight-forward riffs that have an overwhelming simplicity that is hypnotizing.

“Wake of the Awakened” breaks the gate with an up-tempo rate and the pace is maintained throughout, like a charging cavalry. “Voyage to a Northpole Adrift” offers a riff of despair in its establishing moments, but turns to a purposefulness later on that gives you a feeling of exploration in a barren place. The anchor song is “Lost Arcane City of Uppåkra.” This song more than any of the others fits perfectly the description Fenriz gave the album, “Five heavy dinosaurs looking in wonder and bewilderment at the stars.” Heavy, monstrous, unstoppable.

I have always liked the music Darkthrone creates no matter what direction they go in. I’d put this new album high on the list of their accomplishments, even given all the great work they have done in the past. Recommended.

Eternal Hails… is out on Friday, June 25th from Peaceville Records in CD, vinyl, and digital formats.

Band photo by Jørn Steen.

Links.

Bandcamp, https://peaceville.bandcamp.com/album/eternal-hails

Facebook, https://www.facebook.com/Darkthrone-101075189934422

Peaceville Records, https://peaceville.com/bands/darkthrone/

Darkthrone, Eternal Hails… (Peaceville Records 2021)

Eremit, Bearer Of Many Names (Transcending Obscurity 2021)

German Doom Metal trio Eremit offer their second full-length album, Bearer Of Many Names, to the multitudes.

Eremit’s first album, Carrier of Weight, came out in 2018 and it started something big. It had three songs, the short one being eleven minutes long and the long one covering thirty three minutes. Even for a doom band, this is epic-length work and in conveys a commitment to concept and idea that would become a hallmark of the band’s approach. The line-up is Marco Baecker (drums), Pascal Sommer (guitar), and Moritz Fabian (vocals and guitar).

Desert Of Ghouls is an EP that was released last year – two songs, twenty minutes – and it was a welcome transitional release for the new album. It is not necessary to listen to the earlier releases to become immersed in the latest one, but I do recommended it because there is an arc here from the beginning to the now and beyond. Like Carrier Of Weight, there are three tracks on Bearer Of Many Names.

“Enshrined in Indissoluble Chains and Enlightened Darkness” (29:22) opens with six quiet minutes of uneasiness then explodes suddenly with a Black-Metal-esque eruption to show you the trepidation was in order. The doom approach is slow and fatally heavy, punctuated by the tectonic shifts in the percussion, guitar, and voice.

“Secret Powers Entrenched in an Ancient Artefact” (18:36) is a bit more funereal to my ear than the first track and “Unmapped Territories of Clans without Names” (18:27) is the eeriest, pressing against the edges of ethereal and ritual music. Everything about the music on this album is absolutely mesmerizing. Listening to any track by itself is a welcome a welcome journey. Even so, listening to all three in order is worthwhile enhancement.

I have been following Eremit through its brief career and I have enjoyed the first two releases. The new one is the best so far and it sets a higher standard for Doom Metal in this vein. Highly recommended.

Bearer Of Many Names is out now from Transcending Obscurity, one of the very best heavy labels around – if you are into variants, bundles, and merch, they always deliver. Look over the links below and dive in.

Links.

Bandcamp, https://eremitdoom.bandcamp.com/

Facebook, https://www.facebook.com/EremitDoom/

Eremit store, http://eremit.limitedrun.com/

Transcending Obscurity, https://transcendingobscurity.aisamerch.com/

Eremit, Bearer Of Many Names (Transcending Obscurity 2021)

Void Tripper, Dopefiend (Abraxas Records 2021)

Brazilian Doom Metal band Void Tripper release their first full-length album, Dopefiend.

In the first five years the band has released a couple of singles, a demo, an EP, and a full-length live album, all setting the stage for Dopefiend, their first studio long-player. The music is straight-up stoner doom with heavy and crushing riffs to go along with the narrative delirium. According to the Metal Archives, the line-up is Gabriel Mota (drums), Mário Fonteles (guitar and vocals), Anastácio Júnior (guitar and vocals), and Jonatas Monte (bass).

There are five tracks on the album, four of which run over seven minutes long. The influence of Black Sabbath runs deep and rich in this earth-rattling music. “Devil’s Reject” opens the set with splashy percussion, weighty bass, and a rolling guitar riff. The vocals are gruff enough to push the dark ideas and clear enough to be understandable. The lead break toward the end of the song is a howling wolf filled with warning and sorrow. An auspicious beginning.

“Burning Woods” conveys surety in its confident deployment. The music is a dark warming syrup too thick to escape. Once you are captured the guitars rage around you. “Hollow” leads with a distorted audio capture then veers off at a harrowing pace on a rollicking, sinister riff. By the end the music slows to a grinding stone-on-stone eminence.

“Satan and Drugs” is the shortest piece and it shakes you up with its warbling threats, setting the stage for the closer, “Comatose.” A massively distorted bass line joins the clipping drums to usher in an intoxicatingly inviting guitar and insinuating vocal enticement. The second half of the song slows to a tense almost funeral doom level over which a mystical guitar lead hypnotizes you to an inevitable and thoroughly satisfying end. The album is an excellent set of doom that beguiles you from start to finish. Recommended.

Dopefiend is out on Friday, June 11th, and you can find it at the Bandcamp link below.

Links.

Bandcamp, https://voidtripperdoom.bandcamp.com/album/dopefiend

Facebook, https://www.facebook.com/voidtripperband/

Void Tripper, Dopefiend (Abraxas Records 2021)