Machinist! ~ Dead Hand, Split (Nefarious Industries 2021)

Dead Hand and Machinist! join forces to produce a hammerfall split that will leave your ears ringing.

Machinist! is a high-test metal band with a gravely disposition and clobbering attitude. The band – Jeff Hill (vocals), Jeremy McGuire (drums), Matt Marshall (guitar), and Matt Zagorski (bass) – offer two songs on the split. The first one opens with the flick of a Zippo then proceeds to tear down the tin shack with fearsome aggression in “Bask In The White Light.” The song bends to doom in the second half and finishes with noise. “The Nail” has a slower beginning but has just as much shouting. Never fear, they do wail on you and the tempo becomes clompy with a punk sneer before the wrap.

Machinist!

Dead Hand is a doom operation peopled by Clifton Carr (guitar and vocals), Shannon Harris (synth and vocals), Stephen Williams (guitar and vocals), Carson Pace (drums), and Andrew Seth (bass). Their track is “Muirgeilt” and it flows over you for almost eight minutes like thick cement laced with sharp, rusty pieces of steel. You feel a filtered gothic atmosphere, an overriding sense of decadence and, especially in the middle, inevitable suffocation. It is a terrorizing piece that conjures calamity.

Dead Hand

These three songs taken together are a menace to your sanity. The styles are very different and the complement each other. Recommended.

Friday March 19th is the release day, and with a digital preorder you can hear two out of the three tracks now. Bandcamp is the easy hook-up.

Dead Hand photo by Dakota Williams.

Machinist! Photo by Matt Zagorsky.

Links.

Machinist! Bandcamp, https://machinistga.bandcamp.com/

Dead Hand Bandcamp, https://deadhandcollective.bandcamp.com/

Machinist! Facebook, https://www.facebook.com/machinistga

Dead Hand Facebook, https://www.facebook.com/deadhandcollective

Label, https://shop.nefariousindustries.com/collections/machinist-dead-hand-split

Machinist! ~ Dead Hand, Split (Nefarious Industries 2021)

Thunder Horse, Chosen One (Ripple Music 2021)

Following up on the tectonic power of their self-titled debut, the new album from Thunder Horse is both crushing and uplifting, in a planetary resurfacing kind of way.

Stephen Bishop, Todd Connally, Uncle Dave, and Jason West are channeling the spiritual sources of the sound on this album, bringing the elementals to bear. This music is doom metal with a lot of lead guitar work and call-ins from classics in the form as well as Southern rock roots. The combination is fascinating and unique but it is the execution the moves the needle into the red. I hope this band is around forever.

“Let Them Bleed” opens with a single guitar hammering a slow, powerful riff. The guitar solo past the middle could be in song like “Comfortably Numb” as easily as it is here in this doom-laden smasher. “Among The Dead” appropriately slows the pace a bit and wiggles in the sinister. I expected then a charging rampage in the next song, “Rise of the Heathens,” and instead heard a dramatic presentation and an orderly push of the heavy front. There is a charge in there toward the end and the rampage is the ripping solo guitar.

The title track has a very heavy Black Sabbath vibe and delivery, all to the good. It is a stand-out track for me, and so is the rumbling “Halfway To Hell.” “Texas” is a surprise in its quietude and melancholy, and the short piece “Remembrance” is ethereal and transitory, bringing up Southern rock memories. The capper is a cover of “Dear Mr. Fantasy” and now I will never hear that song the same way again. There is also an extended version of “Texas” right at the end. This album is one you are going to listen to over and over. Highly recommended.

The vinyl has been selling fast, reports say, so it might already be too late. There is always a download, and maybe a CD, though. Have a look at Bandcamp or wherever you like to plunk down your money because Chosen One is out now.

Links.

Bandcamp, https://ripplemusic.bandcamp.com/album/chosen-one

Facebook, https://www.facebook.com/ThunderHorseOfficial/

Website, http://www.thunderhorseofficial.com/

Thunder Horse, Chosen One (Ripple Music 2021)

Mausoleum ~ Anatomia, Split (HPGD Productions 2021)

Two titanic bands have joined together to crack the earth with a double punch of death and doom.

Mausoleum is a Pennsylvania Death Metal band that has been rounding the sun since 2001. Anatomia started in the following year with an eastern locus, pushing more in the Doom direction. Late last year they put together a limited split on vinyl and cassette, and now it is getting wider circulation with a CD version and a digital presentation through Horror Pain Gore Death Productions.

Side A is four tracks from Mausoleum titled Nyctophilia. This is their first release since 2017’s Cadaveric Displays from the Funeral. “Shadows On the Grave” begins with a driving flurry and a ravaging vocal all right in line with the theme established by the title. “Voices from Beyond” balances chaos with the need to understand and asks the tough questions. There is a great dueling lead guitar segment in there as well. “Shrieks of Fright” winds up from a plod to a rager that kicks you in the throat and then shows you the edge of the end of the world. “The Dark Abysmal” is the final nail and it is set to with a merciless hammer of conquest.

Anatomia has the B Side, putting down three strong tracks. “Mangled Flesh” is the introduction and it opens with a charging assault then rides waves of variegated speed, taking a moment for even a Funeral Doom reflection. “Rotting Innards” starts with stings then rolls out the grinding wheel to turn your bones to dust. The overall feeling is absolutely hopelessness. “In The Crypt” offers spirituality with a ghostly preponderance and a disturbingly quiet approach to disarticulation across eons. Like no other track on the album, this one makes/allows you to confront yourself.

Both bands foster themes of horror in their music and they are the perfect match, making this split a fortuitous culmination. Each has death and doom approaches that interact and crossover in separate and unique ways. Putting them together creates a bigger whole. Highly recommended.

The CD and digital download from HPGD will be available on Friday, March 12th. You can also pick up a t-shirt with the great cover art.

Links.

HPGD Bandcamp, https://hpgd.bandcamp.com/album/split-album-2

Label, http://www.horrorpaingoredeath.com/

Anatomia Facebook, https://www.facebook.com/ANATOMIA-166448756742258/

Mausoleum Facebook, https://www.facebook.com/thezombiecult

Anatomia Bandcamp, https://anatomia.bandcamp.com/

Mausoleum Bandcamp, https://thezombiecult.bandcamp.com/

Mausoleum ~ Anatomia, Split (HPGD Productions 2021)

Gorr, Kvit Som Snøen, Kald i Blikket (2021)

Norwegian metal duo Gorr strike back with their second album in as many years.

Gorr is Gjøran Sæther, known as Skuggimaðr, and Evan Barton, known as Hateful Wind. The band is in the earlier stages and is still growing into its emerging identity. The musicians have done a lot of work under different fronts and so the experience the have, even if it is relatively new, is also notably deep.

The opening track has a desert vibe to it, which works in arctic environments, too. A solitary guitar alongside a hissing vocal is all that is utilized for the first minute and a half, and then minimal percussion swings in to finish it off. The very next song opens full blast with the vocals mixed heavy into the forefront, posting very black metal. Side one wraps on the contemplative “Mørkt Føre, Mørke Bak” – distressed, forlorn, hopeless.

Rapid riffs crack open the second triplet, forging an opening for rampaging percussion. “Ditt Uendelege Raseri” has a similar opening but a different trajectory, and it is more driving and persistent. The closing song has a droning quality to it at the jump, and an overwhelming, hyper-stimulated essence along with a new raspiness to the vocal. Any intimation of relief is entirely gone by now, and it is no longer simply sadness, it is suffering.

The artists describe the album, in part, this way: “The duality in relying on nature for survival and the very clear sense of doom that follows closely is reflected through this album. Life and death, combat and construction, noble goals and meaningless losses. This is Kvit Som Snøen, Kald i Blikket.” Even without the explanation many of these ideas come through very clearly in the music. It makes sense to me. Recommended.

Kvit Som Snøen, Kald i Blikket is out now and Bandcamp is the place to pick it up in the US.

Links.

Bandcamp, https://gorr.bandcamp.com/album/kvit-som-sn-en-kald-i-blikket

Facebook, https://www.facebook.com/gorrbm

Website, https://gorr.no/

Gorr, Kvit Som Snøen, Kald i Blikket (2021)

Golgotha, Remembering the Past – Writing the Future (Xtreem Music 2021)

Golgotha – the band from Spain – offers an extended abbreviated album to follow up on the success of the impressive Erasing The Past record from 2019.

This enterprise has had several incarnations. In the mid-1990s, they came together and released two full-length albums, a couple of EPs, and several demos. Taking a break at the end of the century, the band coalesced again for New Life in 2005, then had another hiatus. A couple years ago, resurgent energy was found again, and the musicians are creating new music. The band for Remembering the Past – Writing the Future is Amón López (vocals), Vicente Payá (guitar), Samuel Morales (guitar), Andrew Spinosa (bass), and Tomeu Crespí (drums).

“Don’t Waste Your Life” in some ways functions as the overture, presenting themes that will recur and showing the phases the guitars, vocals, and other instruments will vacillate between. “Helpless” is next, and it plows a neighboring field, establishing the low boundaries and the highs. “I Am Lost” has a forceful opening statement surrounded by sinister whispers and solemn melody. “Elemental Changes” begins softly and sweetly in the piano, strings, and voice, introducing strong, slow guitar riffs to set up the narrative vocal. The song goes toward loudness and never turns fully back.

“Lonely” is a long, dirge-like reminiscence that begins quietly and turns into savage growling in a caustic devolution. From doom to death you might say, and back again. A couple of times, in the manner of a sine wave. It is the longest piece on the album, and the anchor, but really all of the tracks have an insular oneness about them, and any of them could be the beginning or the end. I like the music for its mix of doom and death styles, and for the way beautiful, quiet melodies exist in and among the savagery. Recommended.

Remembering the Past – Writing the Future is out today, March 2nd, and you can get yours at the links below.

Links.

Bandcamp, https://golgotha.bandcamp.com/

Facebook, https://www.facebook.com/GolgothaOfficialBand

Website, http://www.golgothaofficial.com/

Golgotha, Remembering the Past – Writing the Future (Xtreem Music 2021)

Tenebro, Liberaci dal Male (Xtreem Music 2021)

Italian death metal gets an extra horror crank with Tenebro on Liberaci dal Male.

The band appears to be a duo with Il Becchino on vocals and guitar and Il Beccamorto on bass and percussion. Previously, according to the Metal Archives, Il Becchino was the only credited musician on the first music released. It has been reported separately that there were a few issues in the lineup but some solidifying has occurred that allowed a second EP to be issued late last year.

The new CD release of Liberaci dal Male includes the three tracks from the cassette version that was released last year by Dismal Fate Records plus the songs on the Demo cassette released in 2019 by Desert Wasteland Productions (also three tracks), conveniently gathering them all together.

The demo tracks start with “Seppellendo i Morti” which has a great chunky, mid-tempo grinding plod accompanied by low growling vocals. The speed and urgency pick up in the guitars and drums as the song moves along. By the end we have settled into the groove and the energy is pulsing. “Nel Terrore” has even more distortion and deeper vocals with a rhythm progression that puts you a little off balance. “All’interno del Cimitero” offers the plainest expression of cinematic themes of the three tracks with dialogue clips from films that lead into the heavy guitars.

The Liberaci dal Male tracks start with a chainsaw effect on the first track, “Cannibalismo Sanguinario” – I don’t speak Italian but I think I can make out what this one is about. This song leans heavy on the doom and includes sporadic drum blasts and tempo shifts. “Arte Funeraria” positively drips with gloom. It is a feast for the decadent horror fans among us. On the third track, film dialogue returns with much screaming and distress on “Il Lamento dei Malati.” Here again the drear is laid on especially thick, and as a complement there are periodic episodes of blast beats and more horror dialogue.

I like the gloomy nature of the music throughout the compilation. Functionality takes center stage to move the ideas along and the death metal is drenched in a doom sensibility. Recommended.

The CD is out now from Xtreem Music. If you want a digital download, the two original releases can be had for free (Name Your Price) separately on Bandcamp.

Links.

Bandcamp, https://tenebro666.bandcamp.com

Label Facebook, https://www.facebook.com/xtreemmusic666

Tenebro, Liberaci dal Male (Xtreem Music 2021)

Profond Barathre, Tinnitus (Hummus Records 2021)

The third album from Switzerland’s Profond Barathe is an instrumental journey through a dark wonderland without a firm concept of edges.

The band is Joachim Braekman (guitar), Morgan d’Argenteuil (drums), and Julien Floch (bass). The first album they released was Un voile de poussière in 2008, followed the very next year by Snaar. There was a split a few years later with Rorcal and Malvoisie that included the massive passage “Illunis,” but mainly the musicians were occupied in other quarters during this while until recently. Tinnitus, then, has been a long time coming and is therefore eagerly anticipated by fans.

The album was recorded a couple of years ago and seeing release only now. There are five long tracks on it, each conveying a unique aspect. “Stella” is ominous, like the story of a plague creeping in before anybody knows it is there. It carries the hallmarks of doom. “Spiritus” has no delineated boundary in a form I can recognize. I do hear black metal nuances in there, intended or not. The music is more active than in the opening song, more directly penetrating.

“Anima” is the most solemn entry of the set, a harbinger of the future of man. “Corpus” is cold and poignant, a marker for all the music herein perhaps but exemplified partiularly in this incarnation. The final track is “Terra” and the music seems sung by a choir of forlorn entities as they slowly diminish into nonexistence. Listening to it a second time prompted me to start at the beginning and when I did I came away with an even stronger sense of the ethereal. However it all came to be, the music on this record is moving in ways both quiet and thundering. Recommended.

Tinnitus is available in full on Friday, February 26th and can be preordered now. Hummus Records has a couple of vinyl versions in extremely limited supply.

Links.

Bandcamp, https://profondbarathre.bandcamp.com/

Facebook, https://www.facebook.com/profondbarathre

Hummus Records, https://hummus-records.com/

Profond Barathre, Tinnitus (Hummus Records 2021)

Fools Paradise, Confused Mind (2021)

Fools Paradise is a doom metal band from Brazil and they have released their inaugural single, “Confused Mind.”

The band was formed by Gabriel Mattos (guitar) and includes Luciano Penelu (drums), Leandro D’Carvalho (guitar), and Joilson Santos (bass) from the doom band Erasy plus Iasmim Bastos (vocals). This is a solid foundation of veteran musicians in the Brazilian metal scene setting the stage for newcomer Bastos to show off her singing talent.

The song “Confused Mind” is an homage to and a celebration of the roots of heavy music, specifically Black Sabbath, and it is meant to honor the release of the original self-titled album all those years ago. The opening riff makes the intent clear – it is heavy and catchy and the mystical visage of Tony Iommi swirls in the mist. Bastos’s voice has a heavy bluesy quality, rich and urging, melodic and filled with strength.

The song runs a little over five minutes and the composition is topped off with an extended lead break in two movements. The guitar work on the lead exhibits an expanding of ideas that reaches beyond the typical doom cast. This is definitely a band to keep an eye on.

You can get the single at the band’s Bandcamp page, or listen to it through your preferred streaming service. Lend it your ear – if you do I think you’ll end up in line with me waiting for more music to come out. Recommended.

Links.

Bandcamp: https://foolsparadisestoner.bandcamp.com/

Facebook: https://www.facebook.com/foolstoner.band

Fools Paradise, Confused Mind (2021)

Clouds Taste Satanic, The Satanic Singles Vol. 4 (Kinda Like Music 2021)

Clouds Taste Satanic releases Volume 4 in The Satanic Singles project, the final installment.

To recap [for the last time]…This New York instrumental metal band is peopled by these fine persons: Steve Scavuzzo (guitar), Rob Halstead (bass), Greg Acampora (drums), and Brian Bauhs (guitar). For years on end they have been producing their unique brand of vocal-free doom (and doom-adjacent) heavy music, typically in long form. Recently they decided to shift gears a bit a put out a series of shorter cover pieces as singles, leading to a collection early in Spring. The latest installment has just appeared – and it is the last one before the collection comes out.

Volume 4 has two tracks. Side A is a cover of the Cheap Trick song “Auf Wiedersehen” originally on Heaven Tonight (1978). Being the ever-peppy band that Cheap trick is, a doomish version of one of their typically pop-oriented rock songs is a delight. Consistent with the original, the guitar in this new version carries the founding momentum and gives it a nice twirl.

Side B is the CTS version of “Sleeping On The Roof” by The Flaming Lips from The Soft Bulletin (1999). The treatment on Volume 4 is to flesh out some of the airiness of the principles from the original while reinforcing the intended sentiment with a bigger sound. The melancholy shines through and cleaves a deeper trench, in my mind.

This was an interesting project. It has been great to get a couple new songs every month, like clockwork. I am really looking forward to the full set. Recommended.

Bandcamp has Volume 4 right now. If you want a hard copy, time to get going.

Links.

Bandcamp, https://cloudstastesatanic.bandcamp.com/

Facebook, https://www.facebook.com/CloudsTasteSatanic/

Spotify, https://open.spotify.com/artist/5QidF8yXlvTyGkDy24JImY

YouTube, https://www.youtube.com/channel/UCvVu8mcXrE2eVjq_ApcGBmw

Overview Article on Clouds Taste Satanic, https://flyingfiddlesticks.com/2020/04/07/a-quick-look-at-clouds-taste-satanic/

Clouds Taste Satanic, The Satanic Singles Vol. 4 (Kinda Like Music 2021)

Revulsion, Revulsion (Transcending Obscurity Records 2021)

It is winter in Finland but Revulsion is not hibernating – the self-titled full-length debut is a heavy metal bulldozer bearing down on your brain.

In 2010 Revulsion released a demo then an EP the year after that. Ten long years have passed while fans waited to see if there would be more music. The new album answers that question with a full-throated howl. The music is rooted in death metal with deep veins of doom running throughout, and the integrated elements are a propitious combination. The band is Aleksi Huhta (vocals), Jari Toppinen (guitar), Jarkko Viitasalo (guitar), Tuomas Alatalo (bass), and Atte Karppinen (drums).

The music begins in chaos – just a pummeling of noise you have to sort through. After a few seconds of that attack, the riffs emerge and the vocals become words in “Last Echoes Of Life.” The death metal hybrid continues to morph on “Pyre” which also bears a heavy riff and adds complex combinations in the rhythm and percussion. “Walls” is next, showing off a fat bass line, and then “Mustaa Hiiltä” lifts the lid on the cave of doom with oppressively threatening leaden tones.

There are eleven songs on the album and you can feel groove characteristics nudge you around as the undeniable momentum of the powerful musical energy is a constant exhilarating rush. The bass is more prominent here as a distinct being than in a lot of similar music, and that adds immeasurably to the unique voice of the band. The back half of the record has short blasts like “Wastelands” and “Pawns,” and it also showcases the longest track and closer, “Viimeinen Rituaali” – the final ritual, indeed, and a doom-laden volcano of roaring heavy metal. I am already jotting this one down on the best of list for the year. Killer. Highly recommended.

Revulsion is out now and, coincidentally, it is Bandcamp Friday today so if you buy Revulsion products at Bandcamp, the usual selling fee to the band is waived. The elegant varieties of Transcending Obscurity physical releases are the envy of the world, and the Revulsion album is no exception. Check out all the possibilities at the links below.

Links.

Bandcamp, https://revulsiondeath.bandcamp.com/

Facebook, https://www.facebook.com/RevulsionFin/

Transcending Obscurity Records, https://tometal.com/

Revulsion, Revulsion (Transcending Obscurity Records 2021)