Weedevil presents dark stories told in doom on their first full-length album, The Return.
From São Paulo, Brazil, Weedevil is Flávio Cavichioli (drums), Lorraine Scar (vocals), Dani Plothow (bass), Paulo Ueno (guitar), and Bodão (guitar). The records show that the band has been releasing material for only a couple of years, with two EPs and a live album already out. The Return is their first long-player, and it is solid through and through.
The new album includes five huge slabs of doom. First up is “Underwater.” It is a steady heavy beat that seems at first slightly softened by Scar’s vocals until you realize what she is singing about. The music matches the desperation of the narrative and complements the turn towards dark power that occurs. “The Void” follows and grinds on you like pyramid stones being dragged up a ramp, forcing down the weight of history and reality on your being.
“The Return” has a deep-seated witching feel to it. To wit, “Offer me green grass and accursed men’s head / I will keep the beast away, if I’m well fed.” The circumlocution reinforces the powerful chant and the spell sinks ever deeper in. On “Isn’t A Love Song” the approach is more melodic but the messaging does not stray far from grim tidings, even with the beautiful piano in the finish.
The final track is “Genocidal.” It has an impressive tall-wall presence in the guitars and a creepy, disturbing whistling at the front. As with every track, Scar’s vocals are a center point, and a place of return. This song is the most determined, grimmest conclusion in a set that has been full-force doom all along. It is a welcome end that has you turning back to start at the beginning and experience it all over again. Recommended.
The Return emerges on Friday, April 8th in digital through Abraxas Records, with vinyl to follow from DHU Records.
DHU Records, https://darkhedonisticunionrecords.bigcartel.com/
© Wayne Edwards.