Heavy Trip, Heavy Trip (Burning World Records 2021)

Instrumental heavy psych trio Heavy Trip re-release a full-length album of succulent guitar delights.

That’s a mushroom on the cover, not weed. Make the appropriate adjustments.

The band is from British Columbia, I hear. Information about them is thin on the ground. A trio, according to the Bandcamp page, and there is photographic evidence of this. The music is amazing instrumental heavy psych guitar-based transcendence. The album is out in a new edition from Burning World Records following the success of its original release last year.

There are four tracks on the album, all of them absorbing, each one chewing at the edge of the infinite. If you think of the music of Earthless as a point of reference, that is not a bad place to start. Heavy Trip have their own unique ways, of course, their own path to the majesty of what is. It is Desert Doom Stoner Heavy Psych Mountain Metal music for the mind expanding crowd.

Here’s the deal: I like this album almost too much to comment on it. There are big riffs and heavy grooves, and the music is so lush it provides sustenance. My advice is drop everything and go listen to it right now. Highly recommended.

Heavy Trip is out already. Check out the band’s website, Burning World Records, or Bandcamp for the goods.

Links.

Website, https://heavytripdudes.com/

Bandcamp, https://heavytripdudes.bandcamp.com/releases

Facebook, https://www.facebook.com/HeavyTripDudes

Label, https://www.burningworldrecords.com/

Heavy Trip, Heavy Trip (Burning World Records 2021)

Jakethehawk, Hinterlands (Ripple Music 2021)

Pittsburgh psychedelic metal band Jakethehawk deliver a new entry into their evolving canon of self-styled Appalachian Desert Rock with the trippy Hinterlands.

I saw Jakethehawk on a livestream sponsored by their record label a few weeks back. There were four bands on the bill and they were all great, but it is Jakethehawk that I remember most because their performance was fluid and expressive despite the claustrophobic nature of livestreams. I hadn’t heard them before and that preview got me excited for Hinterlands.

In 2018 the band released an EP, Year Of The Hawk, and a long-player, To Build A Fire. The music is a steady, cosmic, psychedelic effluence with hearty riffs, smooth vocals, and mesmerizing lead guitar breaks.

Hinterlands has six tracks, mostly in the six minute range. They tend to have gentle openings about half the time and languid movements into heavier lands. The other half have heavier gates with the mysticism on the inside. There is an ethereal ambience surrounding it all like a heavy mist, and sometimes the music and voice function like incantations, or even mantras, and they draw you all the way in to a place where the edges blur. The edges of everything blur.

The music is a brand of stoner rock you could say, and it is non-aggressive after that fashion, but it is not frivolous – the music has something important to show that comes through on every piece. The lead guitar is especially fervent, teed up as it is by the other instruments. I could pick as favorite any song on the album and be telling the truth, never regretting the declaration.

Hinterlands fulfilled my every expectation; it actually over-delivered. Highly recommended.

The album dropped today on Ripple Music, and you can pick it up at the label link below in digital, CD, or vinyl. For the previous albums, hit the first link for the band’s Bandcamp link.

Links,

Bandcamp, https://jakethehawk.bandcamp.com/

Facebook, https://www.facebook.com/jakethehawkpgh/

Ripple, https://ripplemusic.bandcamp.com/album/hinterlands

Jakethehawk, Hinterlands (Ripple Music 2021)

Appalooza, The Holy of Holies (Ripple Music 2021)

French heavy stoner trio Appalooza tell stories of distress and decline in their latest long-player.

The band formed only a couple years ago in Brest, France, issuing their first album (self-titled) in 2018. That album has a grungy pulse to it, deterministically joining the informal revival of that bygone time. With many desert-scented colors whirled into the song writing, the album is very listenable.

The new music has a crisper presence. It is not as murky in the mix and has generally sharper edges. There is still strong, sometimes overpowering, grunge reflection throughout, and the desert feel runs deeper this time. According to the Bandcamp page, the band is Sylvain (vocals and guitar), Vincent (drum), and Tony (bass), with additional mystery contributions.

The first song on the album is “Storm,” and it has a muted opening after an initial distant ethereal vocal. I am repeating myself in my head, so let me lay it down here: this is a grunge album. The ghost of Layne Staley can be heard clearly in “Reincarnation,” perhaps the most direct Alice In Chains homage, although there are many. Nearly every track, in fact. The band does tell you this in the descriptive material on their social media pages, mentioning AIC specifically as an enduring influence. They mean it.

Looking back from the end of the set, there is more here than a retreading of popular 1990s genre music. Traditional music influences from the Mediterranean (and Middle East) add depth to the pressing guitars, and the song structures, especially on the second half of the album, stretch out to test and expand the borders of the band’s compositional universe. Living in their own space and telling their own stories, Appalooza brings a new perspective forward in the cloak of the venerable past. Recommended.

The Holy of Holies is out now. CDs, vinyl, and downloads can all be snapped up at Bandcamp.

Links.

Bandcamp, https://appalooza.bandcamp.com/album/the-holy-of-holies

Facebook, https://www.facebook.com/Appalooza.OfficialPage/

Ripple Music, https://www.ripple-music.com/

Appalooza, The Holy of Holies (Ripple Music 2021)