Witchcryer, When Their Gods Come For You (Ripple Music 2021)

Austin, Texas heavy metal band Witchcryer offer up a new set of songs filled with beguiling incursions.

Witchcryer has its origins in the upper Midwest with guitarist Jason Muxlow and saw its completion a little farther south with Javi Moctezuma (drums), Marilyn (bass), and Suzy Bravo (vocals). There is a heavy doom in the atmosphere and desert rock in the stylings. But then, see, the vocalizations often come in from another realm entirely, and there are transitions you wouldn’t expect from a doom or desert rock band. So this then is Witchcryer, its own category. Their inaugural album, Cry Witch, set a high bar and the new one, When Their Gods Come For You, sails right over it.

There are eight songs on the album and every one of them has its own way of taking you over. The clomp and wallop of “Hellmouth” is quantitatively mesmerizing. When the vocal enters it seeks your ears like an shaman’s ayahuasca chant. “Nemesis, The Inevitable” is a deadly serious declaration delivered with such surety it is almost matter-of-fact, as if this statement of intent has already happened. It’s right in the title, I guess: inevitable.

“The Devil & The Deep Blue See” lures with a mystic enheartening almost solemn in nature while “I Rise!” is a full-force charge at resistance, ending in conquest and victory. And then there is the title track which anchors the set. It begins gently, patiently. The music builds hypnotically, unnoticed until you start to feel the walls shaking around you. Quiet again, and then another swell. Suzy Bravo makes everything believable, her every word, and Jason Muxlow seals the story with mesmerizing guitar work. When Their Gods Come For You is definitely one of the best desert-doom-heavy-dark-blues-metal-rock albums of the year. Highly recommended.

Out now from Ripple Music, you can catch up at the links below.


Bandcamp, https://ripplemusic.bandcamp.com/album/when-their-gods-come-for-you

Facebook, https://www.facebook.com/witchcryer/

Ripple Music, https://ripplemusic.bigcartel.com/product/witchcryer-when-their-gods-come-for-you-deluxe-vinyl-editions

Witchcryer, When Their Gods Come For You (Ripple Music 2021)

Ripplefest Texas, August 7, 2021

Taking place at the Texas Ski Ranch in New Braunfels, Texas, Ripplefest is going to be a day of crushing music.

The line-up will eat you alive: Mothership, Wino, Freedom Hawk, Howling Giant, Void Vator, Bone Church, Witchcryer, Holy Death Trio, Thunderhorse, Switchblade Jesus, Forming the Void, High Desert Queen, Mr Plow, and Fostermother.

We have reviewed many of these bands in the past year or two and this will surely be a festival to remember. Get ready for some of the best desert, doom, heavy music there is.

At this writing there were still tickets available. Hit the link below before it is too late.

Ripplefest Texas Tickets, http://www.outhousetickets.com/Event/17387-Ripplefest_Texas/

Ripple Music, https://ripplemusic.bigcartel.com/products

Ripplefest Texas, August 7, 2021

Stöner, Stoners Rule (Heavy Psych Sounds Records 2021)

The natural progression from Live In The Mojave Desert is Stöner’s first studio album, Stoners Rule.

If you like stoner metal/rock then you like what the musicians in this new band do because Brant Bjork and Nick Oliveri pioneers of the sound and style. Both are founding members of Kyuss and, along with Ryan Güt, they are putting down the smoothest desert stoner groove there is.

The new album was recorded last Fall in Joshua Tree, California, and it sounds like it. You can feel the desert insisting and infusing and simply being there when you listen.

There are seven laid-back tracks on Stoners Rule, covering a range of subjects that appear to have emerged from the flowing consciousness that overtakes you in the desert under the right circumstances. In each, a steady bed of rhythm provides a solid base for vocal and guitar explorations.

“Rad Stays Rad” and “Nothin’” are the first songs that made their way into the airwaves and cyber pathways. They are good representations of the music on the album. I have an affection for “Stand Down” for the way it rambles, and you cannot miss the thirteen-minute closer, “Tribe / Fly Girl” that one takes a deep dive into your psyche. The lead guitar is a mystical spell spoken in six strings that transports you far away from anything that was bothering you on this earthly plane.

Stöner is on tour with Clutch (and King Buffalo in the northeast) this Fall – you don’t want to miss this show if you are a heavy music fan. Let’s go.

Stoners Rule is out now from Heavy Psych Sounds Records with the quick digital at the ready from Bandcamp. Highly recommended.


Bandcamp, https://heavypsychsoundsrecords.bandcamp.com/album/st-ner-stoners-rule

Facebook, https://www.facebook.com/StonerBandOfficial/

Website, https://www.stonerband.com/

Heavy Psych Sounds Records, https://www.heavypsychsounds.com/

Stöner, Stoners Rule (Heavy Psych Sounds Records 2021)

Robots Of The Ancient World, Mystic Goddess (Small Stone Records 2021)

The sophomore album from Portland, Oregon’s Robots of the Ancient World finds the deepest desert grooves and sets them lose on the world.

The band is Caleb Weidenbach (vocals), Nico Schmutz (guitar), Justin Laubscher (guitar), Trevor Berecek (bass), and Harry Silvers (drums). The new album is their second long-player, following Cosmic Riders (2019) and a couple of EPs before that. The music is laid back guitar-driven desert stoner rock with fantastic and doomy palliative ordinances.

There are eight tracks on Mystic Goddess, all them fuzzy in their own way. Some songs start off on a peppy clip like “Agua Caliente” and others put the steady groove up front instead, as in “Wasteland.” However it starts you know you’ll find the guitars in there and Caleb Weidenbach’s mesmerizing voice, reminding you a little of an especially melodic Glenn Danzig. There is always a lolling riff that is mysteriously admirably energetic and a sparking lead break to look forward to as well.

The long song is “Lucifyre” logging in at nearly eleven minutes. Dressed in soft doom and saturated with mournfulness, the Eastern influences of the tune add an exotic tint to listening Western ears. It is definitely my favorite piece on the album. The final three minutes is given over to a fading essence slowly disappearing behind a voiceover. The wrap-up to the set is “Ordo Ab Khao,” a somber and thoughtful song to drift you on out to wherever you are going next. If you time its final notes to the bottom of your pipe then you have achieved perfection. Recommended.

Mystic Goddess is fully realized on Friday May 21st, so ready yourself. Get the new album at the Small Stone Records link below and the earlier music on Bandcamp.

Band photo by Eddie Brnabic.


Bandcamp, https://robotsoftheancientworld.bandcamp.com/

Facebook, https://www.facebook.com/RobotsoftheAncientWorld

Small Stone Records, https://smallstone.com/release/ss-185-robots-of-the-ancient-world-mystic-goddess/

Robots Of The Ancient World, Mystic Goddess (Small Stone Records 2021)

Earthless, Live In The Mojave Desert (Giant Rock Records 2021)

Volume 1 of the Live In The Mojave Desert albums is the Earthless set and it is a nova.

The Live In The Mojave Desert project gathered five bands in a remote location, recorded live sets and filmed the isolated performances. The model for this was Pink Floyd’s famous Live At Pompeii, which had no audience. In addition to Earthless, the other bands are Nebula, Spirit Mother, Mountain Tamer, and Stoner, all getting video and audio releases.

Earthless is Mario Rubalcaba (drums), Isaiah Mitchell (guitars), and Mike Eginton (bass). I started listening to them for their long-form instrumental rock/metal compositions. More recently they have occasionally included vocals. The music is desert groove, heavy psych mystical guitar-laden jams. It is the kind of thing that can really take you away.

The set includes three songs, “Violence Of The Red Sea” (16:52), “Sonic Prayer” (21:02), and “Lost In The Cold Sun” (39:09). If you are an Earthless fan then you have heard these all before, especially “Sonic Prayer.” You also know, if you’re a fan, that every time the band plays a song you have heard before it is different – the familiarity is there, important segments and melodies and movements, and still it is new and different. Every time. That is one of the main reasons why I listen to Earthless so often. I know the music and it is always new. Highly recommended.

Nuclear Blast Records is in charge of the digital and the physicals come from Giant Rock Records. There are many different versions out there. I suggest watching the video in addition to listening because seeing the performance is in line with the original intention of the project and I believe it enhances your experience. If you want a keeper for the video, a blu-ray edition is being produced.

Band photo by Atiba Jefferson.


Bandcamp, https://earthless.bandcamp.com/

Earthless website, https://www.earthlessofficial.com/

Facebook, https://www.facebook.com/earthlessrips

Giant Rock Records, https://www.liveinthemojavedesert.com/

Streaming links, https://earthless.bfan.link/live-in-the-mojave-desert

Earthless, Live In The Mojave Desert (Giant Rock Records 2021)

Heavy Trip, Heavy Trip (Burning World Records 2021)

Instrumental heavy psych trio Heavy Trip re-release a full-length album of succulent guitar delights.

That’s a mushroom on the cover, not weed. Make the appropriate adjustments.

The band is from British Columbia, I hear. Information about them is thin on the ground. A trio, according to the Bandcamp page, and there is photographic evidence of this. The music is amazing instrumental heavy psych guitar-based transcendence. The album is out in a new edition from Burning World Records following the success of its original release last year.

There are four tracks on the album, all of them absorbing, each one chewing at the edge of the infinite. If you think of the music of Earthless as a point of reference, that is not a bad place to start. Heavy Trip have their own unique ways, of course, their own path to the majesty of what is. It is Desert Doom Stoner Heavy Psych Mountain Metal music for the mind expanding crowd.

Here’s the deal: I like this album almost too much to comment on it. There are big riffs and heavy grooves, and the music is so lush it provides sustenance. My advice is drop everything and go listen to it right now. Highly recommended.

Heavy Trip is out already. Check out the band’s website, Burning World Records, or Bandcamp for the goods.


Website, https://heavytripdudes.com/

Bandcamp, https://heavytripdudes.bandcamp.com/releases

Facebook, https://www.facebook.com/HeavyTripDudes

Label, https://www.burningworldrecords.com/

Heavy Trip, Heavy Trip (Burning World Records 2021)

Jakethehawk, Hinterlands (Ripple Music 2021)

Pittsburgh psychedelic metal band Jakethehawk deliver a new entry into their evolving canon of self-styled Appalachian Desert Rock with the trippy Hinterlands.

I saw Jakethehawk on a livestream sponsored by their record label a few weeks back. There were four bands on the bill and they were all great, but it is Jakethehawk that I remember most because their performance was fluid and expressive despite the claustrophobic nature of livestreams. I hadn’t heard them before and that preview got me excited for Hinterlands.

In 2018 the band released an EP, Year Of The Hawk, and a long-player, To Build A Fire. The music is a steady, cosmic, psychedelic effluence with hearty riffs, smooth vocals, and mesmerizing lead guitar breaks.

Hinterlands has six tracks, mostly in the six minute range. They tend to have gentle openings about half the time and languid movements into heavier lands. The other half have heavier gates with the mysticism on the inside. There is an ethereal ambience surrounding it all like a heavy mist, and sometimes the music and voice function like incantations, or even mantras, and they draw you all the way in to a place where the edges blur. The edges of everything blur.

The music is a brand of stoner rock you could say, and it is non-aggressive after that fashion, but it is not frivolous – the music has something important to show that comes through on every piece. The lead guitar is especially fervent, teed up as it is by the other instruments. I could pick as favorite any song on the album and be telling the truth, never regretting the declaration.

Hinterlands fulfilled my every expectation; it actually over-delivered. Highly recommended.

The album dropped today on Ripple Music, and you can pick it up at the label link below in digital, CD, or vinyl. For the previous albums, hit the first link for the band’s Bandcamp link.


Bandcamp, https://jakethehawk.bandcamp.com/

Facebook, https://www.facebook.com/jakethehawkpgh/

Ripple, https://ripplemusic.bandcamp.com/album/hinterlands

Jakethehawk, Hinterlands (Ripple Music 2021)

Appalooza, The Holy of Holies (Ripple Music 2021)

French heavy stoner trio Appalooza tell stories of distress and decline in their latest long-player.

The band formed only a couple years ago in Brest, France, issuing their first album (self-titled) in 2018. That album has a grungy pulse to it, deterministically joining the informal revival of that bygone time. With many desert-scented colors whirled into the song writing, the album is very listenable.

The new music has a crisper presence. It is not as murky in the mix and has generally sharper edges. There is still strong, sometimes overpowering, grunge reflection throughout, and the desert feel runs deeper this time. According to the Bandcamp page, the band is Sylvain (vocals and guitar), Vincent (drum), and Tony (bass), with additional mystery contributions.

The first song on the album is “Storm,” and it has a muted opening after an initial distant ethereal vocal. I am repeating myself in my head, so let me lay it down here: this is a grunge album. The ghost of Layne Staley can be heard clearly in “Reincarnation,” perhaps the most direct Alice In Chains homage, although there are many. Nearly every track, in fact. The band does tell you this in the descriptive material on their social media pages, mentioning AIC specifically as an enduring influence. They mean it.

Looking back from the end of the set, there is more here than a retreading of popular 1990s genre music. Traditional music influences from the Mediterranean (and Middle East) add depth to the pressing guitars, and the song structures, especially on the second half of the album, stretch out to test and expand the borders of the band’s compositional universe. Living in their own space and telling their own stories, Appalooza brings a new perspective forward in the cloak of the venerable past. Recommended.

The Holy of Holies is out now. CDs, vinyl, and downloads can all be snapped up at Bandcamp.


Bandcamp, https://appalooza.bandcamp.com/album/the-holy-of-holies

Facebook, https://www.facebook.com/Appalooza.OfficialPage/

Ripple Music, https://www.ripple-music.com/

Appalooza, The Holy of Holies (Ripple Music 2021)