Blazon Rite, Endless Halls Of Golden Totem (Gates Of Hell Records 2021)

Philadelphia metal molders Blazon Rite keep the campaign going with their new long-player, Endless Halls Of Golden Totem.

Last year’s EP Dulce Bellum Inexpertis was filled with portents and promise. It showed an approach to Epic Metal that was solid and expansive, a wall of sound built to the top. The new album not only continues the ideas signaled in the earlier work but also expands on them. Blazon Rite is James Kirn (guitar), Johnny Halladay (vocals), Pierson Roe (bass, synth, and guitar), Kay Hamacher (guitar), and Ryan Haley (drums).

There are eight tracks on the new album, and they display a greater narrative variety compared to the earlier release because Endless Halls Of Golden Totem is not a themed album. “Legends of Time and Eidolon” starts the boulder rolling with a commanding guitar riff that is quickly surrounded by the rhythm section and a synth line. Johnny Halladay’s voice rises, sounding like a traveling mage delivering the harrowing tale from village to village. The lead guitar skips in trippingly with bright colors highlighting the deepening story and completing it.

Every song on the album is constructed with the same thoughtful complexity and earnest roundedness. The styles vary from one to the next offering a rich listening environment. The music has roots in classic metal while pushing grand stories and power metal appreciations. The opening bars of “Put Down Your Steel” reminded me a little of Judas Priest but the rest of the song didn’t. “The Executioner’s Woe” made me instantly – and only for an instant – remember Rainbow’s Long Live Rock ’n’ Roll before moving off in other directions.

The title track alternates between power metal pronouncements and quieter moments while “Alchemist’s Brute” offers a light-hearted eeriness. The final song is “Into Shores Of Blood” and it is somber and sorrowful to begin with but turns up the tension and volume after a couple minutes to deliver a colossal sound. Blazon Rite made a good decision to create this kind of album in all its variety that nevertheless preserves in each song the band’s core principles. Recommended.

Endless Halls Of Golden Totem is out from Gates Of Hell Records this Friday, June 18th, in digital, CD, and vinyl forms.

Links.

Bandcamp, https://blazonrite.bandcamp.com/

Facebook, https://www.facebook.com/blazonriteofficial

Gates of Hell Records, http://www.gatesofhellrecords.com/

Review of Dulce Bellum Inexpertis, https://flyingfiddlesticks.com/2020/09/22/blazon-rite-dulce-bellum-inexpertis-review-gates-of-hell-records-2020/

Blazon Rite, Endless Halls Of Golden Totem (Gates Of Hell Records 2021)

Silver Talon, Decadence And Decay (M-Theory Audio 2021)

The first full-length album from dark power metal band Silver Talon is an epic attack on your senses.

With a sound as big and complete as Silver Talon produces, Decadence And Decay is a promising sign of what we hope will turn out to be a long string of mesmerizing albums. The band is unusually large, with three listed guitarists: Wyatt Howell (vocals), Bryce VanHoosen (guitar), Sebastian Silva (guitar), Devon Miller (guitar), Walter Hartzell (bass), and Michael Thompson (drums). They make the most of all these assets in the performance of their sweeping compositions.

The music the band creates is usually described as Power Metal but that does not catch all the aspects of Silver Talon. The precision of the lead guitar – and the astonishing speed – has to be heard to be believed. There are many prog elements here, too, with complex parts working together to achieve a greater whole. Wyatt Howell’s vocals press to the soaring in a broad range. The rhythm section is at times in the service of the meter and at other moments a whirling inclination of its own. Taken together, the effect can be overwhelming.

The lyrical themes are often dark fantasy and breathe the essence of large gathered forces in conflict. The eight songs on the album average in the five minute range giving plenty of opportunity for extension and expression. The epic closer, “Touch The Void,” runs over eight minutes at the end and has the full complement of entreaties. It is essentially a suite, and it tests the highs and lows, the speeds and slows. If you are looking for spacious metal with both straight-forward and complex compartments, you will be glad you found Silver Talon. Recommended.

Digital, CD, cassette, and vinyl versions become available from M-Theory Audio on Friday, May 28th.

Links.

Bandcamp, https://silvertalon.bandcamp.com/album/decadence-and-decay-2

Facebook, https://www.facebook.com/silvertalonband

Silver Talon website, https://www.silver-talon.com/

M-Theory Audio, https://www.m-theoryaudio.com/

Silver Talon, Decadence And Decay (M-Theory Audio 2021)