Corpsessed, Succumb To Rot (Dark Descent 2022)

For their fifteenth anniversary, Finland’s Corpsessed release their fourth full-length album, Succumb To Rot.

Back in 2007, Corpsessed came together in Finland. The Metal Archives tells us that the current lineup is Jussi-Pekka Manner (drums), Jyri Lustig (guitar), Matti Mäkelä (guitar), Niko Matilainen (vocals), and Tuomas Kulmala (bass). Creating death metal along a traditional path in the context of their own interests, the band’s early music had a growling quality to it, as on their EP The Dagger & the Chalice (2011). Later releases like Impetus of Death (2018) are more polished and exploratory, while maintaining the signature sound Corpsessed has been developing all along. There is an apparent trajectory and the new album continues the arc.

There are eight tracks on Succumb To Rot, beginning with the titular song, which serves as a short introduction to the set. “Relentless Entropy” in many ways captures the essence of the album, and, really, the cycle of music that has been in motion for the last few years – an endless, relentless destruction and emergence of something else in its place. You can hear this in the music and you can see it in life and the universe.

There are cavernous passages throughout sponsored by the fabulously dark vocals. Rattling percussion and battering rhythm always return at pace to give you skull a good solid crack. Songs like “Spiritual Malevolence” are sinister in their brooding darkness, measured out carefully and then dispensed with aggression. Tracks like “Sublime Indignation,” on the other hand, have a more upfront ferocity with periodic easing and even the occasional groove in there for a bit.

Closing on “Pneuma Akathartos,” creates a powerful anchor for the album. All the music is heavy, of course, but this track has the most finality to it in my ears. It is grievously dreary, dark and treacherous. Make sure you hear this album now because it is going to be talked about for a long time to come. Recommended.

Succumb To Rot is out on Friday, April 22nd through Dark Descent Records.

Links.

Bandcamp, https://corpsessed.bandcamp.com/

Facebook, https://www.facebook.com/Corpsessed

Dark Descent Records, https://www.darkdescentrecords.com/shop/

© Wayne Edwards.

Corpsessed, Succumb To Rot (Dark Descent 2022)

Lvcifyer, The Broken Seal (Dark Descent Records 2021)

Let the darkness surround you with the new album from Lvcifyre, The Broken Seal.

You might be able to guess from the name of the band that their musical leaning is in the Black and Death Metal direction. Lvcifyer released their first EP in 2009 and two long-players after that, The Calling Depths (2011) and Svn Eater (2014). Another EP, Sacrament, staved off fan cravings in 2019 until The Broken Seal entered the cosmos. Of course the music is heavy and fast and ravaging, and the themes of chaos, darkness, and woe are ever-present. Naturally.

The opening bars of the first track are a dark ramp of emergent noise and growls and then a punishing attack on your senses. This is what I expected. Speed and ferocity in the opening salvo. But in the second song, “Tribes of Khem,” the perspective deepens and branches out in measured and fascinating ways. The tempo moderates and the vocals exude dark power. The riffs are not desensitizing and the blast beats become judicious.

“Black Beneath the Sun” is even weightier in its musical expression, displaying eruptions along with a discernable linearity. Indeed, the music becomes positively theatrical at points. These compositional choices give the album balance and make the tracks individually more memorable and the set overall more powerful.

Other stand-out songs are “The First Archon” with its pushing, enlivening insistence and the closer, “Black Mass,” with its gorgeous Blackened Doom palette. This album is my first serious listen to Lvcifyre but it will not be my last – it has made a big impression on me. Recommended.

The Broken Seal is out today, Friday, September 10th from Dark Descent Records in the US and Norma Evangelium Diaboli in Europe.

Links.

Bandcamp, https://lvcifyre.bandcamp.com/

Facebook, https://www.facebook.com/Lvcifyre

Dark Descent Records, http://www.darkdescentrecords.com/store/

Lvcifyer, The Broken Seal (Dark Descent Records 2021)

Faceless Burial, Speciation review (Dark Descent Records / Me Saco Un Ojo Records 2020)

With Speciation, Faceless Burial reconciles the storied past with the calamitous contemporaneous world to show that, while the level of suffering is bad now, it is not new.

The three ambassadors who make up this band from Australia round out their first lustrum with a stabbing assault of inescapable musical kismet. If you had been looking and listening you would have known it was coming because the earlier work, Grotesque Miscreation (2017) and Multiversal Abattoir (2018) both, shook the elements and rattled the environment in a new creative space that maintained a distinct and obvious homage.

The average song length has ticked up a bit with Speciation, clocking in at around six minutes, and that is all for the better. The writing on the new album demonstrates increased depth of process compared to the earlier work. While the songs here certainly maintain the aggression and crack heard before, the arc of the expression is clearer and stronger over the length of each piece.

This set opens with a blast of energy and does not have an intro bit like the earlier albums did. “Worship” is a battering ram at the front with all elements aligning in a show of force. The melody and thread of the song appears just before the one minute mark, and the drama unfolds from there – a story shown in music and told in narrative. There is a driving force, there are external smashes that periodically disrupt the flow, and a then there is a recurring current (or two) in guitars and percussion that weaves in and out. This basic structure plays well in the rest of the album, and it is a stylistic element practically unique to Faceless Burial. You can certainly recognize them by it. There are six entries and my mind processed them in order, in pairs. The titled track does stand out (to me) because of its doom elements and clever riffs arrangements, plus the lead work in the fourth minute is inspired. This album is one to keep in regular rotation. Recommended.

Out this Friday, August 7, you can get one track now on Spotify to tide you over (the earlier albums are there, too). All of the physical versions can be discovered through the links below.

Links.

https://www.facebook.com/facelessburial/

https://facelessburial.bandcamp.com/

https://darkdescentrecords.bandcamp.com/

http://www.darkdescentrecords.com/store/

https://www.mesacounojo.com/

https://mesacounojo.bandcamp.com/

Faceless Burial, Speciation review (Dark Descent Records / Me Saco Un Ojo Records 2020)

Lantern, Dimensions review (Dark Descent 2020)

The new release from death metal purveyors Lantern is a twist on a tale and voyage into inner space.

A veteran band from Kuopio, Finland – the interior – Lantern (using their stage names) is Cruciatus on guitars and bass, Necrophilos singing, J. Poussu on percussion, and St. Belial playing guitar. Formed in 2007 after the earlier band Cacodaemon ended its existence, the death metal regulars are now into their third full-length release.

The album starts off surprisingly melodic and even a little hooky with the opening pleadings of “Strange Nebula.” It is a eerie vibe with a Savatage montage feel at first, then the vocals begin – they are coarse but decipherable and are carefully cocooned by the swirling hornets of guitars. Slightly past the middle, there is a Venomesque change followed by a crunchy riff and an ethereal guitar transition. There is a lot going on in this song and it keeps you off balance. It also keeps you listening.

There are epic moments of soaring themes juxtaposed with nasty punk bursts and generously spaced blistering guitar peels. The arc of the album is to plant a stake at the beginning, accelerate toward the center and then launch into the epic closer. “Monolithic Abyssal Dimensions” is a fourteen minute journey into darkness for the purpose of excavating the darkened terrain of schizophrenic psyche. It chips away at your brain like a madman with a rock hammer attacking an ancient cliff searching for meaning. There is a sustained insistence and at the same time an active musical ratcheting and clutch-pop shifts that make you spin. The song is unsettling in every way, and when it is over you want to listen again because Lantern has clawed its way under your skin. Recommended.

You can get Dimensions right now directly from Dark Decent Records (Shop tab) or through Bandcamp (links below).

Links.

www.facebook.com/lantern666

darkdescentrecords.com

facebook.com/DarkDescentRecords

darkdescentrecords.bandcamp.com

Lantern, Dimensions review (Dark Descent 2020)