Righteous Fool, Righteous Fool (Ripple 2022)

An unearthed treasure: Righteous Fool.

I don’t usually do this, but here is the entire synopsis from the label that tells the story of this record. It is done so well that this is the best way to catch you up. 

Born in 2009 on the impulse of the late Reed Mullin (Corrosion Of Conformity) and guitarist Jason Browning, Raleigh-based rockers RIGHTEOUS FOOL came fully into being when the gang of two invited Mullin’s long-time bandmate Mike Dean (also Corrosion Of Conformity) to play bass. North Carolina legends CoC were on hiatus, and bassist Mike Dean had fallen out of touch with co-founding drummer Mullin until, after nine years, Mullin pulled into Dean’s driveway and asked if he wanted to start a new band.

RIGHTEOUS FOOL demoed and released the two-track 7-inch in 2010 via Southern Lord, and quickly hopped on support tours for Clutch, Weedeater and, later on, Corrosion Of Conformity. The eponymous “Righteous Fool” full-length was recorded at Dave Grohl’s Studio 606 in California, during the same sessions that produced CoC’s self-titled 2012 reunion LP, but was never released.

Now, in the wake of Reed Mullin passing in 2020, the remaining members decided to bring the album to light, showcasing a lava hot infusion of hard rock, heavy blues, stoner and punk, oozing soul, fury and fire from every note.

It goes without saying that Corrosion of Conformity fans probably have a leg up on liking this album. You can hear it in there for sure, but this music is different. There is more heavy blues in my ears, and the changes and shifts to me often sound more syncopated. The musicians are definitely on a tear here, channeling something special.

Every track is a treasure, and I am not saying that lightly. “Forever Flames” had me hitting repeat the most, but I have also listened to this album straight through several times on my recent cross-country jaunt and it held up state after state.

I have a special affection for the Judas Priest version of the Peter Green song “The Green Manalishi (with the Two-Prong Crown)” and there is a killer rendition of tune on this album. I don’t think this song has been appreciated enough, and here we have a new opportunity to breathe in the bluesy, psychedelic wonder of it all. “When the day goes to sleep and the full moon looks / the night is so black the darkness cooks.” O yeah.

And then there is “Heavy Is The Head” and “Edict Of Worms.” And sure, all the rest of them, too. This album is a ravager. Damn. Highly recommended.

Righteous Fool is out now through Ripple Music. Pick it up at the label’s website, Bandcamp, or any other elsewhere.

Links.

Bandcamp, https://ripplemusic.bandcamp.com/album/righteous-fool

Facebook, https://www.facebook.com/Righteous-Fool-117163561154/

Ripple Music, https://www.ripple-music.com/

© Wayne Edwards

Righteous Fool, Righteous Fool (Ripple 2022)

Corrosion of Conformity, Blue Ridge Rock Festival, Danville, Virginia, September 11, 2021

This band stretches way back in my memory and all my thoughts about them are good. Pepper Keenan and crew never disappoint.

All photos by Wayne Edwards.

Links.

Website, https://www.corrosionofconformity.com/

Spotify, https://open.spotify.com/artist/1BBIIH0h76KN8gYeXFcPjR

Bandcamp, https://corrosion-of-conformity.bandcamp.com/

Facebook, https://www.facebook.com/corrosionofconformity/

Nuclear Blast, https://media.nuclearblast.de/shoplanding/2018/CorrosionOfConformity/no-cross-no-crown.html

Blue Ridge Rock Festival coverage at Ryze-Up magazineBlue Ridge Rock Festival 2021 – (ryze-up.com)

© Wayne Edwards.

Corrosion of Conformity, Blue Ridge Rock Festival, Danville, Virginia, September 11, 2021

Day 3: Blue Ridge Rock Festival, Danville, Virginia

Avatar
Body Count
Megadeth
10 Years
Hatebreed
Pigweed
Suicidal Tendencies
The Impurity
Trivium
Corrosion of Conformity

All photos by Wayne Edwards.

© Wayne Edwards.

Day 3: Blue Ridge Rock Festival, Danville, Virginia

Happy New Year’s Eve 2020

I don’t have to tell you about 2020 – you were there, too. Usually, at the end of the year, I spend December choosing some photos to repost for good vibes and great memories, but this year I didn’t take a single photograph of a live show. Yeah. So, I am going to post a few photos from 2019 that did not see that light of day then, just for fun. I am keeping the cameras warm for 2021 because hope springs eternal.

There was a lot of excellent music released this year. We published 188 reviews in 2020, a lot more than we thought we would. There are so many “Best of 2020” lists out there that I decided not to do one for FFMB. Instead, I am throwing up a couple of covers from albums we didn’t review this year that were really good – just couldn’t get to everything. We’ll try to do better in 2021.

Thanks to everybody involved with Flying Fiddlesticks Music Blog and the Shardik Media Cabal. Deep gratitude and thanks to all the bands, record labels, venues, publicists, and promoters keeping music alive for all of us.

We’re still here and we are carrying on in 2021. See you out there.

All live performance photos by Wayne Edwards.

Aftershock

Heavy Montreal

Clubs

Albums

© Wayne Edwards.

Happy New Year’s Eve 2020

2019 In Review, Gallery Days 16-20

Day 20 — Staind at Aftershock
Day 19 — ZZ Top at Bourbon & Beyond
Day 18 — Dead Posey at Aftershock
Day 17 (matinee) — Skalmold at Heavy Montreal
Day 17 — Corrosion of Conformity at Heavy Montreal
Day 16 — Highly Suspect at Aftershock

All photos by Wayne Edwards.

© Wayne Edwards.

2019 In Review, Gallery Days 16-20