Photos by Wayne Edwards.
© Wayne Edwards
Photos by Wayne Edwards.
© Wayne Edwards
Photos by Wayne Edwards.
© Wayne Edwards
Photos by Wayne Edwards.
© Wayne Edwards
Photos by Wayne Edwards.
© Wayne Edwards
Photos by Wayne Edwards.
© Wayne Edwards
Photos by Wayne Edwards.
Links.
Cannibal Corpse, http://www.cannibalcorpse.net/
Blue Ridge Rock Festival, https://blueridgerockfest.com/
FFMB article on Blue Ridge Rock Festival 2022, https://flyingfiddlesticks.com/2022/10/06/blue-ridge-rock-festival-alton-virginia-september-8-11-2022/
Ryze-Up Magazine feature, https://www.ryze-up.com/ryze-up-magazine-current-issue/ryze-up-magazine-october-2022/
© Wayne Edwards
Well, that’s another year in the rearview mirror. Here at Shardik Media – and Flying Fiddlesticks Music Blog – we had a pretty good year. We published 238 new release reviews, covered twenty-five live events, including six music festivals, and put up 365 articles in total. That is the most we have done so far in the four years we have been operating, so I am going to mark that up as a win.
Our gratitude and thanks to all our readers, the bands, record labels, PR people, and promoters. It was a great year in heavy metal, and I predict an even better one in 2023.
Happy New Year.
© Wayne Edwards
Cannibal Corpse continued its rampage across North America with at stop in Broad Ripple at The Vogue Theatre.
It was quite the bill: Black Anvil, Immolation, Dark Funeral, and Cannibal Corpse. First up, New York City’s Black Anvil. Riding on a high from the release of their fifth album, Regenesis (Season of Mist), they filled the theater with hair-raising black metal and ravaging guitar mayhem. They played a good chunk of that new album and, judging from the reactions of the crowd, they made a lot of new fans.
Another well-known New York band, Immolation, took the stage next. This was the second time Immolation had played at The Vogue this year, the first being when they toured with Carcass and Creeping Death in the Spring. Like Black Anvil, they are supporting a new record, Acts Of God (Nuclear Blast). They did several numbers from the new album, and also pulled from their deep history to feature fan favorites off of earlier releases. I was at both Broad Ripple shows this year and I can’t wait to see Immolation again and hear some more unique death metal.
Dark Funeral is a black metal band from Sweden that has been darkening the consciousness of listeners for nearly thirty years. Focusing on the occult and dark realms generally, they have legions of loyal fans, many of whom where in the crowd at the show. Their 2022 album, We Are The Apocalypse (Century Media), was reason enough for them to hit the road and show off their wares. To go along with the new songs, they reached all the way to back to 1996 and The Secrets of the Black Arts album to conjure the title track, and then one step further back to their self-titled 1994 EP for “Open The Gates.” I was glad to be in the house for those.
I have seen Cannibal Corpse many times, including earlier this year at Blue Ridge Rock Festival, and I will be the first in line to see them again whenever the chance arises. Who has done more to popularize death metal than Cannibal Corpse? Exactly. They are the reason I am a death metal fan today. Since 1995, George Corpsegrinder Fisher has been the voice of the band, and his stage presence is a force to be reckoned with.
As with the other veteran bands paying at the show, Cannibal Corpse had a metric ton of material to choose from. They hit a number of songs from their latest album, 2021’s Violence Unimagined (Metal Blade), and more than a dozen skull-pummeling classics from one of the most vibrant heavy music canons in existence. I was almost sorry to hear “Hammer Smashed Face” because I knew that meant the end was here. It was an amazing evening with all four bands playing at the top of their form.
The US leg of the tour is wrapping up this weekend. You can catch Cannibal Corpse in the Spring when they start their European tour in March.
Photos by Wayne Edwards.
Links.
Cannibal Corpse, http://www.cannibalcorpse.net/
Immolation, https://www.immolation.info/band
Dark Funeral, https://www.darkfuneral.se/
Black Anvil, https://blackanvil.bandcamp.com/album/regenesis
The Vogue Theatre, https://thevogue.com/
Photo Galleries.
Cannibal Corpse, https://flyingfiddlesticks.com/2022/12/09/photo-gallery-cannibal-corpse-at-the-vogue-12-6-2022/
Immolation, https://flyingfiddlesticks.com/2022/12/09/photo-gallery-immolation-at-the-vogue-12-6-2022/
Dark Funeral, https://flyingfiddlesticks.com/2022/12/09/photo-gallery-dark-funeral-at-the-vogue-12-6-2022/
Black Anvil, https://flyingfiddlesticks.com/2022/12/09/photo-gallery-black-anvil-at-the-vogue-12-6-2022/
© Wayne Edwards
Photos by Wayne Edwards.
Links.
Cannibal Corpse, http://www.cannibalcorpse.net/
The Vogue Theatre, https://thevogue.com/
FFMB article on the show, https://flyingfiddlesticks.com/2022/12/09/cannibal-corpse-at-the-vogue-indianapolis-december-6-2022/
© Wayne Edwards
Death Metal icons Cannibal Corpse release their fifteenth studio album, expanding their canon and deepening their legacy.
The first album I heard from the band was their second one, Butchered At Birth (1991). Sure, I was drawn in by the cover art – the butcher on the right staring you straight in the eye is a compelling image – and I was glad I got the record after listening to it a few times. This was some of the earliest Death Metal that I had listened to, being usually drawn more toward thrash at the time. It made an impression. The music in recent years is quite a bit different, but there is no mistaking the importance of Cannibal Corpse to Death Metal and to heavy music in general. The band is now George “Corpsegrinder” Fisher (vocals), Erik Rutan (guitar), Rob Barrett (guitar), Alex Webster (bass), and Paul Mazurkiewicz (drums).
There are eleven roaring tracks on the new album. “Murderous Rampage” is the opener and it sets a high bar with its blistering velocity and skull-smashing riffs. Fisher sounds as ferocious as ever and the guitars give a little nostalgic twist here and there. “Necrogenic Resurrection” ratchets up the angst and offers destabilizing tempo shift before a lead break that is delivered at top speed. “Inhumane Harvest” starts with a whirl and by now I know I am getting exactly what I was hoping for with the new album.
The music is heavy and coarse Death Metal all the way through with a surprisingly deep maneuvering of perspective and noticeable tone shifts. “Ritual Annihilation” stands apart for me, if I had to pick a single track, because it delivers my ideal of the music I think of when the name Cannibal Corpse comes up. The entire set is rock solid and will enter the list of the band’s releases in a high slot. Recommended.
Violence Unimagined is out now. There are many variants and enticing merch. Hit any link below and you’ll get there.
Live photo by Wayne Edwards, 2019 at Higher Ground in Burlington, Vermont.
Links.
Website, http://cannibalcorpse.net/
Facebook, https://www.facebook.com/cannibalcorpse
Metal Blade, https://metalblade.com/cannibalcorpse/