Mordred, The Dark Parade (M-Theory Audio 2021)

New music from Mordred is cause for celebration – witness The Dark Parade.

Mordred is a legendary Bay Area band that made a big splash when they came together 1980s. Their first album, Fool’s Game, hit the streets in 1989, followed by In This Life (1991) and The Next Room (1994). After that, there was a resting period for a few years. The band came back together and toured in the early 2000s, then again about ten years later. Since 1994, though, they did not release any new music until last year’s EP, Volition. And now there is the new long-player, The Dark Parade.

The music is heavy, riffy, hooky funk metal with a thrashing sensibility. The eight tracks on the new album all burn high-test fuel, bursting and cracking with energy and enthusiasm. The subjects themselves are not light-hearted – there is “Dragging For Bodies” as one example and the title track for another. Grim tidings grooving in on cross-over thrash jams.

I cannot think of other bands to compare Mordred with that would really tell you anything useful about them. I have already listed a long menu of aspects of their music, but it is not like they are all just thrown in a pot and heated up. This music really is its own thing, carefully constructed and genuinely unique.

The legend of the band will live on, of course; it will always be there. I would give this new album unencumbered consideration, though, not looking for glimpses and flashes of the past but instead embracing everything about what this music is now, because it is incredible. Highly recommended.

M-Theory Audio has The Dark Parade coming out on Friday, July 23rd. Preorders are available now through the label and at Bandcamp.

Links,

Bandcamp, https://mordred.bandcamp.com/album/the-dark-parade

Mordred website, https://mordred.company.site/

Facebook, https://www.facebook.com/MordredBand/

M-Theory Audio, https://www.m-theoryaudio.com/store

Mordred, The Dark Parade (M-Theory Audio 2021)

Cirith Ungol, Half Past Human (Metal Blade Records 2021)

Cirith Ungol reimagines music that was long thought forgotten for their new EP.

The California metal band Cirith Ungol released four albums in the 1980s to early 1990s, most notably (for me anyway), King Of The Dead (1984). Big dark fantasy themes, wailing guitars, and the unique and unforgettable voice of Tim Baker helped write the band’s name in the book of eternity. They passed into the mist only to return in 2019 with a live album and in 2020 with their first studio release in decades, the earth shaking Forever Black. Cirith Ungol was definitely back. The band is Tim Baker (vocals), Greg Lindstrom (guitar), Robert Garven (drums), Jim Barraza (guitar), and Jarvis Leatherby (bass).

Half Past Human contains four songs from the vaults – songs that were written but never released during earlier sessions. These pieces have been re-worked and newly invigorated for fans to hold them over until the touring starts up again.

“Route 666” revs to life with a roaring engine and hits the road with pelting goodtime riffs and pops. Dual complementary lead guitars are the highlight. “Shelob’s Lair” sends us on a trek through the darkness and lifts us up with an energetic and impassioned lead break and outro. “Brutish Manchild” is the shortest track and could function well as a single or a rousing live standard to whip the crowd into a frenzy at just the right moment.

The closer is “Half Past Human,” and it is more on the epic side than the others. The song starts out quietly, forlornly, then builds steadily to a louder, fuller sound. The composition has a sweeping production with extended elements that highlight the best aspects of the band and never overstay their welcome. It is just the right nightcap, and it is good to have these songs finally released. Fans will be delighted that they are seeing the light of day. Recommended.

Half Past Human is out on Friday, May 28th, and can be accessed through the links below.

Links.

Bandcamp, https://cirithungol.bandcamp.com/album/half-past-human

Facebook, https://www.facebook.com/cirithungolofficial

Metal Blade Records, https://www.metalblade.com/cirithungol/

FFMB review of Forever Black, https://flyingfiddlesticks.com/2020/04/25/cirith-ungol-forever-black-review-metal-blade-records-2020/

Cirith Ungol, Half Past Human (Metal Blade Records 2021)

Greenwitch, CosmoSteelBlood Trinity review (HPGD 2020)

Directly from outer space to you, Greenwitch lands a heavy Death Metal EP in your lap.

Not much is known about the California metal band Greenwitch apart from their affinity for discord and their yearning for exploration. The band describes the new album this way: “‘CosmoSteelBlood Trinity’ utilizes the classic HM-2 tone along with cosmic noise to convey an epic tale of the aftermath of a power struggle between the 9 Galactic Lords and 3 extradimensional beings.” OK, then. Let’s give this a spin.

“Cellar Dweller” is the first punch to your aural canals and it offers up a grinding squeal for a handshake. Breathy Death Metal vocals cast aspersions on the surroundings while clomping guitars are pilloried by pummeling percussion. It’s beautiful. The music does have a buzzing intergalactic insect tone to it, and that is carried through on the next song, “Parasite Possession,” although there also has a strong groove in the riffs as well. “From Nothing” is Punk in the singing while “To Devour The Flesh Of Worlds” is a march on the field of battle.

The final two songs are a couplet, “Celestial Tomb” and “Conquest Of Thorns.” These songs are the most ominous (and the longest) on CosmoSteelBlood Trinity. Relentless, I would call them, especially the latter. The sinister whispering toward the end is deeply creepy, and the final flourish sounds like an alarm and an impending metallic crash. When this is over, you need to wipe your face. Recommended.

Anticipating its drop on November 20th, you can preorder the album now at the links below.

Links.

HPGD Website, http://www.horrorpaingoredeath.com/

HPGD Bandcamp, http://hpgd.bandcamp.com/

HPGD Facebook, https://www.facebook.com/pg/horrorpaingoredeath/posts/

Greenwitch, CosmoSteelBlood Trinity review (HPGD 2020)

Cosmic Reef Temple / Shrinkwrap Killers Split review (Wave Guardian Records 2020)

A quick shot of extra spacey heavy surf music is crashing your way with a new split from Cosmic Reef Temple and Shrinkwrap Killers.

Cosmic Reef Temple is a band of mystery, operating under aliases – according to the press release, the members are Wave Guardian Of The Reverberatory (guitar), Sub-Frequency Fractal Emitter (bass), Celestial Wind Talker (saxophone), Summoner of Galactic Storms (synthesizer), and Interstellar Time Keeper (drums). Instrumental in the creation of Surf Metal music, they have released a full-length album, Age of the Spaceborn, and a few splits. They contribute one song to this new issue, “Wave Constellation.” Surfy guitars starts us out, quickly joined by a peppy laid back bass line, then an eerie and beautiful saxophone. The second movement is a frantic speed / space / surf implementation with the saxophone becoming distressed. Part three is exposition, catching us up on the story so far while we drink coffee in a café somewhere in the Middle East. Toward the end we are looking back and wrapping up. You can hear the wind and the waves. Four minutes of instrumental wonderland.

Shrinkwrap Killers is Greg Wilkinson playing all the parts. The music is an evolving mix of surf and punk and whatever Wilkinson wants to put in there. The music is often heavier than what you usually hear in the surf lanes, and that is very appealing. On the split, there are two songs from Shrinkwrap Killers: “No Coordinates and I am Fucked” and “It’s Not a Dead Body Inside This Bag.” Both clocking in around the two minute mark, there is a lot packed into each expression, and the titles are strong clues to the feel of the pieces. The first song is a searching, lyrical guitar adventure. The second song begins like Part Two of the first, but the theme is not the same and it cranks off in a different direction altogether with electronic warbling crossing over between our listening ears, scarifying other sounds I cannot quite pin down, and a literal zipping up at the end. Journey complete.

Color me converted. Heavy Space Surf music it is. Recommended.

Out on Friday, October 2nd from Wave Guardian Records, the split will be available as a limited-edition seven-inch (black vinyl and translucent blue vinyl with 45RPM adapters) and as a download. Bandcamp is the place to make your choice.

Links.

http://waveguardianrecords.bandcamp.com/

http://www.facebook.com/waveguardianrecords

http://cosmicreeftemple.bandcamp.com

http://www.facebook.com/cosmicreeftemple

http://shrinkwrapkillers.bandcamp.com

Cosmic Reef Temple / Shrinkwrap Killers Split review (Wave Guardian Records 2020)