Blue Öyster Cult, The Symbol Remains review (Frontiers Records 2020)

The iconic rock band Blue Öyster Cult releases its first full-length studio album in nineteen years.

Here is where I am coming from as far as Blue Öyster Cult goes. The first three albums are unassailable. As far as I am concerned, nothing serious can be said against them. After that, I have unpopular tastes with regard to the catalogue. Agents of Fortune (1976) is a classic, true, but I never really connected with Spectre (1977) or Mirrors (1979). I absolutely love the sequence of albums from the early 1980s: Cultosaurus Erectus (1980), Fire of Unknown Origin (1981), and The Revolution By Night (1983). Also Imaginos (1988) – an excellent reimagining. The other albums are good, and I listen to them still, but not as much as the ones on my list. Blue Öyster Cult has created a large catalogue of amazing music and some song or another of theirs is always in my rotation. They are one of my all-time favorite bands.

I’ve been waiting for The Symbol Remains anxiously, wanting new music I would really like to listen to. With so much great work that had come before, a reasonable person faces new music from a band that hasn’t put anything out in a long while with some trepidation. Like when Black Sabbath released 13 (2013). They had not released a full-length studio album as Black Sabbath for almost twenty years. I sweated that one, but 13 was excellent, and the band supported the album with a great tour. Fingers crossed, then, for the new Blue Öyster Cult. The band is Eric Bloom (vocals, guitar), Donald “Buck Dharma” Roeser (guitar), Richie Castellano (keys, guitar, vocals), Danny Miranda (bass), and Jules Radino (drums). With the two originals Bloom and Roeser, and the longtime bandmates Castellano, Miranda, and Radino, the lineup is rock solid.

The hour-long album starts with a banger, the single “That Was Me.” It has the kind of sound I was hoping for, from the crisp guitar work to the distinctive vocals. This is Blue Öyster Cult. The next two songs (also released as singles) show a tonally lighter side to the band, demonstrating their musicianship and compositional prowess. Throughout the album, their creativity is on display from the amazing guitar work on “Nightmare Epiphany” to the theatrical Danny Elfman-esque “Edge of the World.” “Florida Man” is a quiet song with a lyrical lead break and rich harmonies. “The Alchemist” is dark and heavy, pushing out heavy threatening riffs and a wicked fantasy narrative. “Secret Road” is a desert driving song that will make you see rattlesnakes in your sleep. The variety is intoxicating.

Having listened to The Symbol Remains three times in a row, I know now that I was wrong before – there was never anything to worry about. This is an excellent album. This is Rock and Roll. Highly recommended.

The new BÖC album is out now. You can listen on Spotify and buy on Amazon and other places. The important thing is to here it.

Band photos snagged from the official website.


Band website,

Frontiers Records,

Blue Öyster Cult, The Symbol Remains review (Frontiers Records 2020)