Faceless Burial, Speciation review (Dark Descent Records / Me Saco Un Ojo Records 2020)

With Speciation, Faceless Burial reconciles the storied past with the calamitous contemporaneous world to show that, while the level of suffering is bad now, it is not new.

The three ambassadors who make up this band from Australia round out their first lustrum with a stabbing assault of inescapable musical kismet. If you had been looking and listening you would have known it was coming because the earlier work, Grotesque Miscreation (2017) and Multiversal Abattoir (2018) both, shook the elements and rattled the environment in a new creative space that maintained a distinct and obvious homage.

The average song length has ticked up a bit with Speciation, clocking in at around six minutes, and that is all for the better. The writing on the new album demonstrates increased depth of process compared to the earlier work. While the songs here certainly maintain the aggression and crack heard before, the arc of the expression is clearer and stronger over the length of each piece.

This set opens with a blast of energy and does not have an intro bit like the earlier albums did. “Worship” is a battering ram at the front with all elements aligning in a show of force. The melody and thread of the song appears just before the one minute mark, and the drama unfolds from there – a story shown in music and told in narrative. There is a driving force, there are external smashes that periodically disrupt the flow, and a then there is a recurring current (or two) in guitars and percussion that weaves in and out. This basic structure plays well in the rest of the album, and it is a stylistic element practically unique to Faceless Burial. You can certainly recognize them by it. There are six entries and my mind processed them in order, in pairs. The titled track does stand out (to me) because of its doom elements and clever riffs arrangements, plus the lead work in the fourth minute is inspired. This album is one to keep in regular rotation. Recommended.

Out this Friday, August 7, you can get one track now on Spotify to tide you over (the earlier albums are there, too). All of the physical versions can be discovered through the links below.








Faceless Burial, Speciation review (Dark Descent Records / Me Saco Un Ojo Records 2020)

Resin Tomb, Resin Tomb review (Brilliant Emperor Records 2020)

Loud, fast, and terrifying, the debut effort from Resin Tomb marks the earth with blood and bile.

Resin Tomb is an Australian Death/Grind Metal trio. You might think you have an idea of what you are going to hear just from that one-line description, but you have to put it in your ears to really know. That fact is truer with this band than most. They describe their own music as dissonant, and there are no clean vocals (of course). The music might seem at first simply to be howls of rage, but there is more going on than that. Let’s take a quick shuffle through the five songs on the EP.

“Abrogate” is about two minutes of emotional musical projectile spewing, and that’s how the set opens. In “Penance,” the confession is the penance – at least that’s what seems to be going on. The song has a very dungeon feel to it. Imagine a dreary cave-like space with a mad person running around screaming and clearly trying to get something across to you, but you don’t really understand. “Surfacing” has a structural awareness. It sets a scene and you are poised to see it play out. It turns out to be a scene of violence, and toward the end there is a commentary that functions as an explanation but definitely not an apology. “Prostrated” has a straightforward, open kind of construction. Face-up, not face-down. It is the shortest song and leads into the epic-scale “Bestial,” the anchor to the exposition/exhibition. In your face up front, plodding and Germanic in the middle, the song is fierce and spiritually crippling. The experience of listening to this music pins you down in a rare crescendo of realization. Recommended.

Resin Tomb is out July 31 from Brilliant Emperor Records. You can get two tracks digitally from Bandcamp right now, and the rest on Friday. It will shake your teeth loose.






Resin Tomb, Resin Tomb review (Brilliant Emperor Records 2020)