Australian black metal revelers release their second full-length album, King of the Silent World, a meditation on darkness.
The approachable style of Graveir is bound to rake in new fans to the black metal realm. The vocals are not clean – they are harsh and poisonous, filled with despair. And yet the lyrics are understandable. The guitars are melodic in their rhythm, often, and the drums are not a constant blast beat. Songs like “Scaphism” on King of the Silent World have riffs that could almost be called hooks. Likewise, “The Fetch of Crooked.” Don’t get me wrong, this is definitely black metal and it is heavy and grim. It just has an unusual turn to it that opens the door on a wider view.
“Bathed in Acheron” is another good example of a unique approach. It has an almost anthem quality at times, and clangs like down-toned cast iron bells. “Immacolata” is the very essence of sorrow in its sound, and wanders the land of doom stanzas. “Fodder In The Gears” is practically the opposite of this: aggressive, hateful even. It is a campaign of violence and the dissonance in the music shows you that very clearly.
The final fifteen minutes of the album are shared by two songs, “Phantasms in Daguerre” and “Father, Devourer.” The former is an oil painting of a dark magician’s nightmare and the latter is a schematic for a sinister revolution of bleak reality. I really like how Graveir walk the boundaries of the genre and push down the fences whenever they need to in order to release the music that is within them. This is one I will be saving. Recommended.
You can get the download at Bandcamp. Impure Sounds Records is selling a vinyl version and Brilliant Emperor Records has a cassette. Breadcrumbs below.