The 69 Eyes, Drive (Atomic Fire 2022)

Goth ‘N’ Roll originators The 69 Eyes invite you to get into their car for a little trip on their new EP, Drive.

OK, look, maybe you know about the Helsinki Vampires and maybe you don’t. The 69 Eyes is a more recognized act outside the US, true, but whatever your perspective, you cannot deny their gravitational pull over thirty-three years and twelve albums, several of of which have gone platinum. From Helsinki, Finland, the band is Jyrki 69 (vocals), Bazie (guitar), Timo Timo (guitar), Archzie (bass), and Jussi 69 (drums).

Drive is a quick take, with three radio-length songs and a bonus live track on the physical formats. The title track is first, and it is pop rock gold with a light-hearted sinisterness in the vocal and an extra dose of catchiness so you won’t forget it. It is a little bit like a combination of Golden Earring and Type O Negative, if Peter Steele had toned it down and perked it up a lot. A delight.

“Call Me Snake” opens on muted mechanical noises, quickly introducing a nice fuzzy riff and then a guitar melody. Jyrki 69 steps in and rubs a healthy does of soft goth on it all. The reference is fairly obvious, and it makes me smile, as does the lead guitar break at the midpoint. “California” is the driving-est of the songs on Drive. You can feel the wind on your face as you drive your convertible out of the hills around Malibu and head toward the city. Spot on – vampires in LA.

“Two Horns Up” is a live track you only get when you buy one of the physical versions of the EP. It is a great song, and it is nice to hear what a live experience can be like. I think this brief collection of tunes from The 69 Eyes is the perfect introduction to the band for those who are new to their music. Long-time fans, of course, are always happy to have something more from this storied party band. Recommended.

Drive is out on Friday, September 16th through Atomic Fire Records.

Band photo by Marek Sabogal.

Links.

The 69 Eyes website, http://69eyes.com/

Facebook, https://www.facebook.com/the69eyes

Atomic Fire Records, https://www.atomicfire-records.com/products

© Wayne Edwards

The 69 Eyes, Drive (Atomic Fire 2022)

Seventh Storm, Maledictus (Atomic Fire 2022)

The debut album from Seventh Storm is out this week: Maledictus.

Mike Gaspar is well-known as the drummer for the gothic metal band from Portugal, Moonspell. He recently went out on his own and formed this new band, Seventh Storm, with Rez (vocals), Ben Stockwell (guitar), Josh Riot (guitar), and Butch Cid (bass). The focus of this new project is melodic and epic metal, with a clear orientation toward the sea.

Starting at the beginning, “Pirate’s Curse” sounds the way you think it might from the title – there are sea shanty warbles mixed in at opportune moments to enhance the melodic metal approach. Likewise, guitar riffs are paired with keys to produce a full sound, and the entire construction lives in support of the vocals, which come across with vigor and a slight roughness. The pace is steady and not overwrought, and it accelerates and slows as needed for the narrative. There is a lyrical lead guitar break in the second half that is a welcome payoff for the metal-minded among us.

“Saudade” comes next in its first form – in English with powered instruments. There is also a version in Portuguese, and two acoustic takes, one in each language, at the end of the set. The song is very theatrical, laced and infused with drama at key moments. The construction is narrative-heavy, and so the emphasized lyrics become particularly important. I am already getting the feeling I should be seeing this live, and that the music is part of a drama where a visual element would be a valuable enhancement.

“Sarpanit” is a transition piece, then the band is on to “Gods of Babylon,” which is my favorite song on the album because of its fantastic guitar riffs and perplexing percussion. The lead break also stands out. As the record continues, more adventures are had and the musical explorations continue in clever and inventive paths. There is no doubt in my mind that fans of melodic and epic metal will find this album exceptional, as will fans of Moonspell.

Maledictus is out through Atomic Fire Records on August 12th, and you can find it just about anywhere. Explore the YouTube channel at the link below and look over the format options at the label’s website.

Band photo by Diogo Branco.

Links.

YouTube, https://www.youtube.com/channel/UCcggn03mka4vFx9HR5QqNLQ

Facebook, https://www.facebook.com/SeventhStormBand/

Atomic Fire Records, https://www.atomicfire-records.com/products

© Wayne Edwards

Seventh Storm, Maledictus (Atomic Fire 2022)

Sinner, Brotherhood (Atomic Fire 2022)

German hard rock band Sinner release their twentieth studio album, Brotherhood.

Mat Sinner started the band that bears his name in 1982, handling the bass and vocal duties himself. Over the next forty years, Sinner became a consistent force in the hard rock scene in Germany, releasing new albums on a regular schedule and holding their own in the charts. The music today is reminiscent of the biggest sounds from the 1980s, focusing on hard-edge rock with broad appeal. Joining Mat Sinner in the band is Tom Naumann (guitar), Alex Scholpp (guitar), and Markus Kullmann (drums).

Talking about the band and the new album, Sinner says, “This band is held together by a tight bond of friendship. Without this friendship, Sinner simply would not exist.” That explains the title of the new record. “We belong together, and this album is meant to express that.”

There are eleven songs on the album (plus a twelfth if you count the bonus track), starting with “Bulletproof,” a stadium anthem if there ever was one. Reliable rhythm and straight-forward guitar riffs provide the ideal structure for Mat Sinner’s forceful, melodic voice. The recurring chorus sets firm in your mind and you will know this song immediately when you hear it again. “We Came To Rock” has a more serious sound to it and a positive message. The guitar offers an homage to Randy Rhoads now and then, and you have to like that. “Reach Out” puts me in mind a little of Dokken at the height of their game, and still there is no mistaking the music for anything other than Sinner. Only three songs in and a lot of ground covered already.

The element of nostalgia does appeal to me because of the fondness with which I remember music like this. No matter if it reminds of you of something or not, you will hear that this is solid, well-produce rock that stands on its own. I have several favorite tracks after hearing the album only a few times, including “Refuse To Surrender,” “Brotherhood,” and the cover of The Killers’ song “When You Were Young.” This is a good record for the summer. Recommended.

Brotherhood is out on Friday, July 15th through Atomic Fire Records. Get up to speed at the links below.

Links.

Mat Sinner, http://www.matsinner.com/

Facebook, https://www.facebook.com/SinnerBand/

Atomic Fire Records, https://label.atomicfire-records.com/project/sinner/

© Wayne Edwards

Sinner, Brotherhood (Atomic Fire 2022)

Michael Schenker Group, Universal (Atomic Fire 2022)

Michael Schenker Group follows up last year’s album Immortal with the new studio record, Universal.

If Michael Schenker doesn’t have legendary status in rock and roll then nobody does. He was one of the earliest members of the Scorpions and, past-group-wise, he is probably most frequently remembered for his work with U.F.O. But really, after all this time, he is best known for being Michael Schenker and for the group that bears his name. A tireless purveyor of riff and hook and melody, Schenker is on the short list of iconic rock guitarists. Along with Michael Schenker on guitar, of course, the band for the new album is Ronnie Romero (vocals), Bodo Schopf (drums), Steve Mann (keys, guitar), and Barend Courbois (bass).

The set starts out dramatically with “Emergency,” offering a tense riff and a warning structure. The vocals are melodic and urging, and the guitar lead is an excellent probing, exploring ranger that emerges from a classical underpinning. “Under Attack” keeps the tone but slows a touch. Sporting a memorable chorus, it is the guitar again that seals the deal.

“Calling Baal” is an intro piece for “A King Has Gone,” a song that pays tribute to Ronnie James Dio. In particular, you can hear Rainbow in these pieces, and to show even more respect, Tony Carey, Bobby Rondinelli, and Bob Daisley – like Dio, all Rainbow alum – play on the sequence. It is worth getting the album just to hear this.

Other stand-out tracks for me include “Wrecking Ball,” a growling road tune, and “Sad Is The Song” because it has such a great build and wondrous guitar work. This album is another exceptional effort by the Michael Schenker Group. They are on tour right now so make sure you go out and see them. I know I will. Recommended.

Universal is out today, Friday, May 27th through Atomic Fire Records on digital, CD, vinyl, and earbook. You can get it just about anywhere.

Links.

Bandcamp, https://michaelschenkergroup.bandcamp.com/

Website, https://michaelschenkerhimself.com/

Facebook, https://www.facebook.com/MichaelSchenkerRocks

Atomic Fire Records, https://label.atomicfire-records.com/project/michael-schenker/

© Wayne Edwards

Michael Schenker Group, Universal (Atomic Fire 2022)

Incite, Wake Up Dead (Atomic Fire 2022)

Arizona thrash makers Incite break fresh ground with Wake Up Dead.

Leading up to the new one, Incite had released five previous full-length albums: The Slaughter (2009), All Out War (2012), Up In Hell (2014), Oppression (2016), and Built To Destroy (2019). Each and every one is a ripper. Traveling back to the band’s beginning you will find the same in the early EPs. It is metal fierce enough to rattle your molars out of their sockets. Incite is Richie Cavalera (vocals), Eli Santana (guitars), Christopher “EL” Elsten (bass), and Lennon Lopez (drums).

They come out swinging with “Fuck With Me,” a full force battering with whirling shreds and shattering rhythm. The narrative theme is violence, and it recurs in every song. Some of the songs, like “Sucker Punched,” sport a noticeable groove sliding right in with the thrash. Make no mistake: every song is a detonation. The compositions, while compact, all are designed for maximum impact. They fill the space around your ears and your brain with sparking, electrical energy.

I love “Mental Destruction” for the way it shakes up lines with syncopation and bends your expectations with crooked looks. Other big tracks for me are “Fallen,” with its dramatic intro that blossoms into ravaging melody and chorus, and the anchor piece, “The Slaughter.” That last one is a short, choppy piece that cracks open your windpipe then squeezes it shut.

Oh, and don’t overlook “War Soup,” featuring vocals by Max Cavalera. It is two generations of musicians working together to make metal we all want to hear. This new Incite album is my favorite of theirs so far, and that is saying something because the back catalogue has serious metal in it. Recommended.

Atomic Fire Records is set to release Wake Up Dead on Friday, April 8th through all the usual outlets. Look for it on CD, digital, and vinyl.

Band photo by Oleg Bogdan.

Links.

Bandcamp, https://incite.bandcamp.com/

Facebook, https://www.facebook.com/INCITEband/

Atomic Fire Records, https://visionmerch.com/atomicfire/

© Wayne Edwards.

Incite, Wake Up Dead (Atomic Fire 2022)

Meshuggah, Immutable (Atomic Fire 2022)

Meshuggah sets the heavy music world on fire again with Immutable.

Meshuggah came together in Sweden in the late 1980s. Flashing talent and affection for technical metal with an unmistakable groove, the band took a prominent place instantly in the heavy music scene. Their full-length albums now number nine, and there has been a large helping of splits and EPs produced along the way as well. It is incredible how each album presents music that is very new and also undeniably Meshuggah – nothing ever feels worn or re-hashed, and that goes doubly for Immutable. The band is Jens Kidman (vocals), Mårten Hagström (guitars), Dick Lövgren (bass), Fredrik Thordendal (guitars), and Tomas Haake (drums).

The first three tracks set you up for the long haul. “Broken Cog” is filled with whispering creepiness and urgent pushes. “The Abysmal Eye” chokes off dissent with its heightening technicality and its consistent employment of mysteriousness. “Light The Shortening Fuse” drops in with a savage chop that separates the gristle from the bone. There is a middle breather but that gives you just enough stamina to press on to the end.

If somehow you have never heard Meshuggah before, this is a good album to step in on because it shows you so many sides to the band’s music. It is creative, robust, and variegated. Songs like “Ligature Marks” juxtapose a savage narrative theme with a compelling and emotional exit after a four minute battering. The very next track, “God He Sees In Mirrors,” is positively relentless, offering no respite. And then, exactly in the middle of the album, is “They Mover Below,” a nine-and-a-half-minute instrumental odyssey that is absolutely breathtaking.

Other stand-out tracks for me are “Black Cathedral” and “The Faultless” – and I could say the same about “I Am That Thirst” and “Armies Of The Preposterous.” There is not a single weak moment in the entire set. It is too early in the year to declare a top ten list, but I have no doubt that this album is going to be on a lot of them at the end of 2022. Highly recommended.

The irrepressible Immutable is out through Atomic Fire Records now on CD, vinyl (with variants), cassette, and, of course, digital.

Band photo by Edvard Hansson and Brendan Baldwin.

Link.

Meshuggah website, https://www.meshuggah.net/home

Facebook, https://www.facebook.com/meshuggah

Atomic Fire Records, https://visionmerch.com/atomicfire/meshuggah/

© Wayne Edwards.

Meshuggah, Immutable (Atomic Fire 2022)

Amorphis, Halo (Atomic Fire 2022)

In their fourth decade, Finland’s Amorphis continue to flex with Halo.

Formed in the earliest part of the nineteen nineties, Amorphis began making progressive doom and death metal music with notable creativity. Over the years, they moved into a more melodic – or perhaps melancholy – range of expression. The depth of the music did not change, and neither did the ingenuity in composition. Halo is the band’s fourteenth full-length studio album, and along the way they have released multiple splits, EPs, compilations, and live albums. The sheer volume of production is enough to give you pause. In every instance, attention to detail and quality was never overlooked. The band is Tomi Joutsen (vocals), Esa Holopainen (guitar), Tomi Koivusaari (guitar), Santeri Kallio (keys), Olli-Pekka Laine (bass), and Jan Rechberger (drums).

The new album is big, with eleven songs landing in the four-to-five-minute range. Across tracks, the musicians take the opportunity to explore divergent tonal and stylistic approaches to composition. Alternating medium-coarse and clean vocals is common, and the use of keyboards to expand the sound is typical. Esa Holopainen describes the album this way: “It is thoroughly recognizable Amorphis from beginning to end but the general atmosphere is a little bit heavier and more progressive and also organic compared to its predecessor.” Extra heaviness is always welcome, as far as I am concerned.

“Windmane” stands out to me especially for the lead guitar and keys work. It is also a good example overall of the album with its many movements and changes. “War” is a great track as well, with persistent heaviness recurring throughout, and “The Wolf” is a wonderful opportunity to escape to another state of being. The album will surely please fans of Amorphis and it will have broad appeal to aficionados of many heavy music subgenres. Recommended.

Halo is out on Friday, February 11th through Atomic Fire Records in a plethora of formats, bundles, and versions, along with tie-in merch.

Band photo by Sam Jansen.

Links.

Amorphis website, https://amorphis.net/

Facebook, https://www.facebook.com/amorphis

Atomic Fire website, https://visionmerch.com/atomicfire/

Amorphis, Halo (Atomic Fire 2022)

Out Of This World, Out Of This World (Atomic Fire 2022)

The new music from Out Of this World will spark memories and regenerate a blazing fire.

The band is comprised of certified music veterans Kee Marcello (Europe), Tommy Heart (Fair Warning), Ken Sandin (Alien), and Darby Todd (Devin Townsend). They came together to create new music in the way that works best for them, and the result is an explosion of energetic melodic hard rock which has not been given this complete a treatment for years.

The opening track does have a decided Europe feel to it, with big keys and tall guitar riffs. Catchy hooks wind in to set up the clear hard rock vocals and carry the song on. That’s “Twilight,” and the glimpse it offers signals the rest of the album accurately. The tone throughout is melodic, but there are enough edges in there to satisfy your need for creative guitar work. Certainly, the lead guitar performances are very impressive. The compositions are designed to have broad appeal and they score high marks on that account.

Over the course of the ten tracks there is enough hair metal nostalgia to raise the dead. I listened to so much of this kind of music back at its beginning that I didn’t think I would ever hear something that sounded new, but here it is. The familiarity is there, and yet these songs have a sparkling born-on date. There is a dip into the power ballad arena from time to time, and there are stadium anthems, too. This set roves the planes of 80s heavy rock with wide-ranging aplomb. If you are a fan of this kind of music, you are going to like the new Out Of This World efforts. They take the music seriously and put on a great show. Recommended.

Out Of This World invades your airspace on Friday, January 14th through Atomic Fire Records. Check out the label store at the link below.

Links.

Facebook, https://www.facebook.com/OOTWtheband

Atomic Fire Records, https://visionmerch.com/atomicfire/

Out Of This World, Out Of This World (Atomic Fire 2022)