Azken Auzi, Azken Auzi (Argonauta 2023)

Sludgy doom band Azken Auzi release their self-titled debut.

Stationed in Toulon, France, Azken Auzi is a new band formed by musicians from other metal acts. Deciding they wanted a change of pace, they veered from death metal and noise toward atmospheric doom, frequently touching on funeral doom landscapes. Their new album is a deary delight.

“Disgrace” brings notes of fear to the beginning of the set. Slow and ominous, the lead-in sets up perfectly the gruff howls of despair that follow in the vocals. This is grim stuff, and unrelenting. “Azken Auzi” is up next, and it takes the music down a notch into funeral doom territory. Over the course of the song the tempo does pick up considerably, but the sentiment does not brighten. It is a thunderclap that keeps rolling. “I Hate You” is almost pleasant in comparison. The hopelessness and sorrow saturate the musical palate of this song as well, although here there is a sense of movement, an active sort of despair, you might say. Hate, after all, is actionable.

“Rho Scorpii” offers a sort of emotional parallax because the droning rhythm can set you down the path of darkness but there is also a reassuring known-ness to it as the song progresses. This is the sort of music that could go on for twenty minutes and you would still be hanging in there with it. “K.R.L.H.” is a graveyard dirge; lovely, drowning darkness. The pace turns after a while, and the narrative seems to switch toward a campaign – a path of intention. “Home” is the anchor and the longest track of the set. It has a tentative beginning that is clearly heading toward something else – change is in the air. This song is the most exploratory, and it covers the most ground. At the very end there is a bonus track, which is an alternate version of the title song. I appreciate the dark menace of this music and the dedication of the compositions to their purpose. Recommended.

Azken Auzi is out now through Argonauta Records. Get yours at the links below.

Links.

Bandcamp, https://azkenauzi.bandcamp.com/album/azken-auzi

Facebook, https://www.facebook.com/azkenauzi

Argonauta Records, https://www.argonautarecords.com/

© Wayne Edwards

Azken Auzi, Azken Auzi (Argonauta 2023)

The Slow Death, Siege (Transcending Obscurity 2021)

Australian atmospheric doom band The Slow Death return with their mournful fourth album, Siege.

The first album from The Slow Death was their self-titled entry in 2008, followed four years later by the aptly titled II. 2015 brought the charmed album Ark, and now Siege. They write and perform thoughtful, deliberate doom, typically in long form. The band is Mandy Andresen (vocals, keys), Stuart Prickett (guitar, keys), Yonn McLaughlin (drums), Dan Garcia (bass), and Gamaliel (vocals).

I would refer to this music as Funeral Doom, although many would find the Atmospheric Doom label more accurate, or perhaps simply more palatable. Given the subjects of the songs, the pace, and the haunting constructions, I am standing by my FD assessment.

There are four tracks on this album, two that are about twenty minutes long with the other two a bit more than half that. The first song is one of the long ones, “Tyranny.” The opening notes have a feeling of transition to them, like something has been happening for a while but we are just now becoming fully aware of it. The music is beautiful and melancholy. The first heavy guitar drop is fairly early in, about a minute and a half, and it raises the seriousness of the established emotion. There is a tempo change and then the first voice is heard, a lovely, comforting vocal and, later, a gruff one, both of which return. The narrative is fairly linear and the music moves with the story toward the solemn conclusion.

“Famine” follows, a shorter work running only about thirteen minutes. Given the title, you are not going in with hopes for a sunny afternoon. Indeed, the story is grim even as the music is compelling an uplifting – at first. The heavy, trouncing guitars and rhythm press in suddenly, conveying catastrophe and doom. Toward the end the inevitability, the fate, becomes clear, and the song ends dramatically.

“Pestilence” is Funeral Doom at the beginning the way I usually think of it: slow, dead slow; utterly hopeless. This track is the other long piece, and certainly it goes through a range of expressions and movements. The beginning passage is the one that stayed with me longest. The final song is “Ascent of the Flames” and it hit me as a sort of cool down – an opportunity to reflect on what has come before and a memorial wrap-up.

I am a fan of Funeral Doom and this sort of music has long appealed to me. As a result, I am always on the lookout for another band I can rely on to set the kind of tone I want to hear. The Slow Death has become one of my regulars and this new album is among their best. Recommended.

Siege is out from Transcending Obscurity Records on Friday, August 27th. Investigate all the possible variations in presentation at the links below.

Links.

Bandcamp, https://theslowdeathband.bandcamp.com/album/siege-atmospheric-death-doom-metal

Facebook, https://www.facebook.com/theslowdeath

Transcending Obscurity, https://transcendingobscurity.aisamerch.com/

The Slow Death, Siege (Transcending Obscurity 2021)