Obscurae returns with a heavy blanket of atmospheric Black Metal: To Walk The Path Of Sorrows.
Chad Davis is the mastermind behind Obscurae. He is the composer, singer, and he plays all of the musical instruments in the production (Matt Davis plays bass on some tracks). The music is a saturating assault that aims to find a way to stay with you, haunting you long after the external sound has subsided. It is Black Metal that incorporates symphonic and hyper-ambient synergies to inculcate a destabilizing paradigm of tenebrosity in the psyche of the listener.
“Upon The Shadowthrone Of Night” separates you from the silence with a gentle urging invocation for the first two minutes as it opens the album. Then the onslaught begins. A barrage of sound bowls you over, pinning you down while the ghostly shrieking vocals penetrate you with their dark spell. Discerning the individual elements of the music takes concentration as it rushes together in an aural tsunami.
Each subsequent piece is an alternate take on gloom and sorrow, another story on the path to sinister ends. The choral sections are most noticeable to me in “Into Fullmoon Descent” and “Eerie Freezing Winds,” but they are with you much of the time. The cumulative effect of the oppressive sound is overwhelming. The curtain closes with “Stillheten,” four minutes of funereal keys that match the opening of the set. Hearing it at the end feels like a coffin being lowered into the ground.
Available on November 27th at the American Dreams shop link below and on Bandcamp (where two bonus tracks are included), To Walk The Path Of Sorrows is a long stare into darkness.
Photo from the Metal Archives website.