Barús, Fanges (Aesthetic Death 2021)

French atmospheric death metal band Barús makes a musical offering to see the year out.

Formed in 2015, Barús traverses the unsteady borders of death metal and everything else. The first music the band released was their self-titled EP in 2015 followed by the Drowned long-player in 2018. There is not an enormous amount of information about the musicians themselves readily available in the atmosphere, but the Metal Archives declares the band was formed after Project Jim split up, and the press release declares that on the new album “the band adopted a fluid and open collaborative process involving both musician Anthony Barruel and writer Sarah Onave.” Ah well, as I often say, it is the music that matters the most and, to find out about it, all we have to do is listen.

There are two tracks on the new EP, “Fanges,” which runs nineteen minutes, and “Châssis de Chair,” clocking in at a mere fifteen. The title track was put together mostly from a distance because of the global pandemic. As you might expect, any musical piece that runs so long will have several movements that collect into the whole. The opening is quiet and tentative, and, while death metal lives a rich life herein, there are long passages that are sludgy, and even ambient. There is a lot to experience.

The band describes “Châssis de Chair” as a composition that “works as a mirror-track to ‘Fanges’ by re-expressing the same core elements, albeit through an entirely opposite approach” that was “recorded live inside the band’s rehearsal space, focusing on a raw visceral performance with no overdubs or additional layers.” This description is apt – the song begins loud and fierce, revealing its deeper layers only as the music progresses. The “live” nature of the recording shines through as well in its temper and feel.

The order of the tracks could have been a coin toss, but hearing them this way is definitely best – the studio track first and the unperturbed flow second. If you are a listener who appreciates the long form and who is looking for a lavish journey, you will find it here. Recommended.

Fanges is out on the last day of 2021 through Aesthetic Death for the CD and Breathe Plastic for the tape. You can pick it up at Bandcamp in either format, and digital as well.

Links.

Bandcamp, https://barus.bandcamp.com/

Facebook, https://www.facebook.com/barusband

Aesthetic Death, https://www.aestheticdeath.com/

Breath Plastic, https://breatheplastic.bandcamp.com/

Barús, Fanges (Aesthetic Death 2021)

Rorcal & Earthflesh, Witch Coven (Hummus Records 2021)

Witch Coven is the confluence of two rivers coming together in a symphony of Black Metal and Doom wretchedness.

Rorcal is a well-known Doom Metal band from Switzerland that started around 2006 and has released many long-players and EPs through the years. Earthflesh is Bruno da Encarnação who was the bassist for Rorcal until recently and is collaborating with the band under his new moniker. Other band members include Ron Lahyani (drums), Jean-Philippe Schopfer (guitar), Diogo Almeida (guitar), and Yonni Chapatte (vocals). The new album is quite different from what they have done before. It is at times harsh and dissonant, and overall is a fascinating combination of Doom, Noise, Ambient Metal, and Black Metal.

There are two long songs on the album. “Altars of Nothingness” opens with nearly three minutes of voices, like a small choir, in very creepy harmony. The middle is a ritualistic combination of Doom and Black Metal, with sizzling noise and ambient menace to accompany the vocal suffering, clipped and punched by percussion and crushing riffs. The long song ends with what sounds like the screaming of a mammal being sacrificed on an altar and then those voices again as the last thing the sacrifice hears.

“Happiness Sucks, So Do You” is side 2 and it is savage and confrontational at the gate. It is a relentless battering of percussion and guitar sawing and Black Metal vocalizations for the first third. Then we break through into the abyss, and the mood turns to hopelessness. Passing through then ultimately into a merciless dragging through sharp edges and heavy smashings. By the end you don’t have much left and all you can do is reflect.

The two pieces are very different. Both are challenging and journey-oriented. Taking different paths, they are separate explorations in a dark place that in the end combine into a discernable revelation. Recommended.

Witch Coven is out now. The digital is an easy get at Bandcamp, and Hummus Records has vinyl and merch bundles.

Links.

Website Rorcal, https://www.rorcal.com/

Bandcamp Rorcal, https://rorcal.bandcamp.com/

Bandcamp Earthflesh, https://earthflesh.bandcamp.com/

Facebook Rorcal, https://www.facebook.com/Rorcal

Facebook Earthflesh, https://www.facebook.com/earthfleshnoise

Label, https://hummus-records.com/

Rorcal & Earthflesh, Witch Coven (Hummus Records 2021)

Abigorum, Vergessene Stille (Void Wanderer 2021)

The Melodic Black Metal duo Abigorum have finished their second full-length album, Vergessene Stille.

The band is Aleksey Korolyov from Russia and Tino Thiele of Germany. Their previous album, Exaltatus Mechanism, came out in 2019 (with former bandmate Sandra Batsch in the mix). While the music contains many styles, the primary elements are Black Metal and Doom, tied together with ambient intentions.

There are five tracks on the album, four long pieces and a short wind-down at the end. The opener is “Erhebt eure mit Blut gefüllten Hörner” and it is the perfect example of the overarching trajectory of the music with its clear Black Metal persuasion casting about in the Doom and dread. “Der geheimnisvolle Käfig” has a more up-tempo, almost peppy opening segment, but it quickly takes a dark turn, showing you something menacing in the shadows before the bright-light distraction kicks back in. When it comes back, though, there is a demon in there. This song is sinister, and it is the one I remember most.

The title track leads Side 2, followed by “Zerbrechlicher kleiner Geist.” The former brings a maddening warbling drone that transforms into deep Doom and a weighty feeling of sorrow, while the latter has a more theatrical feel to it, painting dark images in penetrating tones. The final word is “Rast und Abschied.” At first it sounds like a storm rumbling up from the void, but then it turns into a curse, and maybe an unsettling prediction. Taken together, the music from Abigorum on this album is a unique and fluid combination of ideas expressed in a captivating theater. Recommended.

Vergessene Stille is out on April 13th in a variety of forms. Duplicate Records will release an LP version, Satanath Records and Black Blood Records will have CD versions, and Void Wanderer Productions is producing a cassette version. There is also always the digital download.

Links.

Bandcamp, https://abigorum.bandcamp.com/album/vergessene-stille

Facebook, https://www.facebook.com/abigorum

Void Wanderer, https://voidwanderer.com/

Duplicate Records, https://duplicaterecords.no/

Satanath Records, http://satanath.com/

Black Blood Records, https://www.blackbloodrecords.de/html/01-news.html

Abigorum, Vergessene Stille (Void Wanderer 2021)