The twelfth album from Behemoth is a milestone in the band’s historic career: Opvs Contra Natvram.
For more than thirty years, Polish black metal band Behemoth has been one the leading bands in heavy music. They are known for black metal, but their music is more of a combination of black and death metal, and traditional metal as well, in combination with dramatic and complex arrangements. Often imitated but never equaled, Behemoth does truly stand apart from its contemporaries. The band is Nergal, Inferno, and Orion.
It took me a long time to finally catch up with Behemoth live. I saw them on Slayer’s final tour a few years back, and I remember thinking at the time that they were the best act on the card. I have been looking forward to this new album for a while.
Talking about the album, Nergal has this to say … “The album title means going against the current. It’s the negative of the values and morals and ethics that I stand against. I’ve seriously been wrestling with destructive tendencies in pop culture – cancel culture, social media, and tools which I feel are very dangerous weapons in the hands of people who are not competent to judge others. That’s something which I find very destructive and disturbing and extremely limiting coming from an artists’ perspective. This is my middle finger to that.” That’s a fairly positive message for such a villainized band, huh.
“Post-God Nirvana” is the first of ten tracks on the album, and it functions as an effective introduction to the experience. Loaded with effects and production, the vocals dig deep in your psyche and the growing guitar punches land harder and harder as the song progresses. “Malaria Vulgata” is a more contained song. In its brief two-minute run, the well-defined boundaries are filled to breaking. “The Deathless Sun” is more of a campaign by comparison. The guitar breaks are the sound of a charging weapon, and Nergal’s vocals are commands. The meshed death and black metal is a towering monument that cannot be ignored once it comes into your life, and that ideal is epitomized in this song.
The music continues the story and depth of expression in variety and in encouraged reinforcement throughout the entire set. “Neo-Spartacus” uses dissonance melodically, if you can imagine that. “Once Upon A Pale Horse” is among the most dramatic songs, and its theatrical nature is extremely engaging. The closer, “Versus Christus,” begins melodically, with growing urgency. The music is quite dramatic, and in a way gathers and restates the thesis of the entire work in a new package. Excellent. I recommend this album for Behemoth fans and newcomers alike.
Opvs Contra Natvram is out now through Nuclear Blast Records. Investigate the possibilities at the links below.
Behemoth. website, https://www.behemoth.pl/
Nuclear Blast Records, https://shop.nuclearblast.com/en/shop/index.html
© Wayne Edwards