California Death Metal band The Last Of Lucy focus on the core of their music with the new album, Moksha.
The Last Of Lucy has been around for about fifteen years. Centered in Southern California, the band first released two EPs, Euphoric Obsession in 2010 and Exalted Compositions in 2014. Ashvattha came out in 2017, and it was the band’s inaugural full-length record. The earliest music the band produced is reported as mathcore, and more recently it is said to have transitioned toward technical death metal. On Moksha, the sound is even more stripped down and raw, showing off the fundamental inclinations of The Last Of Lucy. The musicians are Josh De La Sol (vocals), Brandon Ian Millan (drums), Gad Gidon (guitar, bass), and Christian Mansfield (guitar).
There are ten songs on the new album, and they are generally on the short side, notably briefer than you often see in death metal music – half the tracks are less than three minutes long. The brevity does not diminish the impact of the music and might even make it more powerful.
The title track gets things started with an excess of the raging aggression of merciless technical death metal in the instantiation of attacking guitar, vocals, and rhythm. The respite in “Agni” lasts mere seconds, and the dual vocals are back with growls and hisses; the guitars stab again. Mild intros and outros become regular throughout the set, bookending sinister emanations.
This music gets all over you fast, and you just have to let it rampage because there is no real respite. “Covenant” had particular resonance with me and I played that track several times. “Parasomnia,” too – but it was the oppressive heaviness of it that appealed to me so much more than the technical acumen. Whatever aspect you might fixate on, you cannot miss the excellence of this metal. Recommended.
Moksha is out on Friday, February 18th through Transcending Obscurity Records.
Transcending Obscurity Records, https://transcendingobscurity.aisamerch.com/