Veteran metallers come together on a new band and release their debut album: Age Of Wolves.
Canadian musicians Michael Edwards (vocals), Al “Yeti” Bones (guitar), Ray Solomon (bass), and Dwayne LaFramboise (drums) established Age of Wolves two short years ago. Focusing on traditional metal starting points, their music expands and circulates to fold in contemporary insights into formidable established frameworks. The result is slamming rock and roll that will get your head banging.
There are eight cracking tracks on the self-titled record. “Lil’ Burner” starts the fire with a Thin Lizzy lick, a heavy bass line, and an engagingly gravely vocal. The lead break pushes the edge of tone and the rhythm holds firm the place in time. “Avernus” comes next and hits at a darting clip then soon down shifts into a relaxed bluesy posture. Whiskey drinking music. “Grease Monkey and the Monkey Wrench” has a Clutch feel to it in my ears, and that is always a good thing. It is a strange little story with a spritely vamp that pushes the narrative along. Side one ends on “Temple Bar,” a beautifully executed, soulful-sounding song that resonates with rich guitar renderings.
The back half almost sounds like a different album at first. “Overlord” presents an epic face while “We Rise” has a much more street-level approach to its maneuvering. The guitar is still there in each case, and it is clearly revealed as the through-line. “My Love Ends All” has a power-balladesque structure at the beginning and also has a ripping lead break that challenges your idea of what this song is all about. The closer is “Endless Tides,” and it is a delightfully heavy rambler with an esoteric outro. It is a great choice for the set closer. The album was not what I expected but, after hearing it all the way through, I’m definitely on board with Age of Wolves. Recommended.
Age Of Wolves is out now through Pitch Black Records on CD and digital.
Pitch Black Records, https://www.pitchblackrecords.com/